荒廢都市中的恐怖僵屍潮
這幅畫讓我感受到末日來臨時的恐怖與絕望，殘破的城市和凶狠的僵屍群令人毛骨悚然。每次看到這樣驚心動魄的場景，我都忍不住被深深吸引，希望未來能創作出更精彩的作品！喜歡的話歡迎點贊、關注，期待和你們分享更多我的幻想世界！
Parameter anzeigen
- Ursprünglicher Prompt
- los zombis atacan la ciudad, multiples horribles zombis, zombis hambrientos atacan la ciudad
- Größe
- 768 x 768
- Sampling-Schritte
- 15
- Sampling-Methode
- DDIM
- CFG scale
- 1.100000023841858
- Negativ
- nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, nsfw, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands
Verwendetes Modell und LoRA
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歩く死者
ruin
zombie apocalypse, post-apocalyptic, scenery, wide shot, from below, dutch angle, ruined city, overgrown city, abandoned buildings, crumbling skyscrapers, collapsed highway, cracked asphalt, rubble, overgrown with moss, ivy, rusted cars, abandoned vehicles, multiple zombies, horde of zombies, shambling, lurching, dragging feet, tattered clothes, frayed fabric, sunken eyes, slack jaw, overcast sky, heavy clouds, gloomy, atmospheric fog, haze, dust particles, murky puddle, water ripples, desaturated palette, A wide shot from a low camera angle with a slight dutch tilt looks down the length of a devastated, silent urban boulevard in the grip of a zombie apocalypse. In the foreground, fractured asphalt buckles into deep crevices where wild weeds and dark moss burst through the stone. A rusted, paint-stripped sedan sits canted at an angle across the lane, its shattered windshield framing the jagged pavement below. At the immediate left, a shambling zombie in a frayed, oil-streaked grey coat drags its left foot heavily along the road, torso hunched forward with its head tilted slack toward its shoulder, unblinking milky eyes fixed down the street and jaw hanging slightly agape; its dragging boot heel clips the edge of a shallow puddle of murky rainwater pooled in an asphalt fissure, sending crisp concentric ripples outward across the sky's dull reflection. Further right, another emaciated infected figure in a shredded flannel shirt lurches past the rusted vehicle door, its stiff arm outstretched with splayed fingers reaching toward the empty air ahead. In the midground, the wide canyon between decaying skyscrapers is choked with abandoned vehicles, collapsed overhead transit tracks, and tangled dead power cables. Thick curtains of ivy and wild climbing vegetation carpet the hollow lower stories of concrete towers, whose upper windows are blown out into dark, gaping voids. Scattered through the drifting ground mist, dozens of silhouetted zombies shamble in ragged, irregular procession, their staggering postures receding into the haze. In the far background, the skeletal silhouettes of crumbling high-rises disappear into a heavy, ash-grey overcast sky where faint plumes of dark smoke linger motionless. The lighting is cold, diffuse daylight filtered through dense cloud cover, casting soft, pervasive shadows underneath rusted chassis and rubble piles, with faint pale highlights catching the damp pavement and shards of broken glass. The palette is strictly desaturated and weathered, dominated by slate grey, rust ochre, moss green, and decayed asphalt charcoal, devoid of warm vitality. Desolate dread.
ゴリリン
copyright: hokuto_no_ken
cinematic lighting, cinematic angle, soft light, color detail, backlighting, depth of field, long exposure, light steps, intricate colors, vibrant colors, muscular, thick arms, biceps, abs, toned, tky_chatgpt_anime_boost_color_detail_line_anime_quality, Large scale city raid by Mohican gang from Hokuto no Ken, massive panoramic scene showing at least ten or more male raiders with mohawk hairstyles rampaging through streets, various body types including muscular macho men, obese fat men, and burly gachimuchi builds, all completely nude or wearing torn leather pants, wielding nail bats dripping blood, hatchets, axes, and molotov cocktails in hands, some throwing flaming bottles at burning buildings, assaulting fleeing residents and innocent civilians, brutal violence with destroyed bodies, dismemberment, crushed skulls, blood splattered across streets, burning cars and smashed shop windows, chaotic post-apocalyptic town massacre, hyahaha maniacal war cries, CERO Z extreme violence, R18G gore, dramatic wide angle shot showing entire street filled with destruction and carnage, 1980s shonen anime art style, harsh directional lighting from fires casting deep shadows, intense dramatic composition
SHIMESABAKUN
zombie apocalypse, post-apocalyptic, scenery, wide shot, from below, dutch angle, ruined city, overgrown city, abandoned buildings, crumbling skyscrapers, collapsed highway, cracked asphalt, rubble, overgrown with moss, ivy, rusted cars, abandoned vehicles, multiple zombies, horde of zombies, shambling, lurching, dragging feet, tattered clothes, frayed fabric, sunken eyes, slack jaw, overcast sky, heavy clouds, gloomy, atmospheric fog, haze, dust particles, murky puddle, water ripples, desaturated palette, A wide shot from a low camera angle with a slight dutch tilt looks down the length of a devastated, silent urban boulevard in the grip of a zombie apocalypse. In the foreground, fractured asphalt buckles into deep crevices where wild weeds and dark moss burst through the stone. A rusted, paint-stripped sedan sits canted at an angle across the lane, its shattered windshield framing the jagged pavement below. At the immediate left, a shambling zombie in a frayed, oil-streaked grey coat drags its left foot heavily along the road, torso hunched forward with its head tilted slack toward its shoulder, unblinking milky eyes fixed down the street and jaw hanging slightly agape; its dragging boot heel clips the edge of a shallow puddle of murky rainwater pooled in an asphalt fissure, sending crisp concentric ripples outward across the sky's dull reflection. Further right, another emaciated infected figure in a shredded flannel shirt lurches past the rusted vehicle door, its stiff arm outstretched with splayed fingers reaching toward the empty air ahead. In the midground, the wide canyon between decaying skyscrapers is choked with abandoned vehicles, collapsed overhead transit tracks, and tangled dead power cables. Thick curtains of ivy and wild climbing vegetation carpet the hollow lower stories of concrete towers, whose upper windows are blown out into dark, gaping voids. Scattered through the drifting ground mist, dozens of silhouetted zombies shamble in ragged, irregular procession, their staggering postures receding into the haze. In the far background, the skeletal silhouettes of crumbling high-rises disappear into a heavy, ash-grey overcast sky where faint plumes of dark smoke linger motionless. The lighting is cold, diffuse daylight filtered through dense cloud cover, casting soft, pervasive shadows underneath rusted chassis and rubble piles, with faint pale highlights catching the damp pavement and shards of broken glass. The palette is strictly desaturated and weathered, dominated by slate grey, rust ochre, moss green, and decayed asphalt charcoal, devoid of warm vitality. Desolate dread.
ゴリリン
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