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AI art "ふうま災禍"
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ふうま災禍

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character: Saika Fuuma, dark brown_hair,very long_hair, hair over one eye, red eye, huge_breasts, mole under mouth left,, ふうま災禍、masterpiece, best quality, ultra high resolution, ultra detailed, semi-realistic style, realistic texture, TSUBAKI style quality, 完璧な顔の描写、原作寄りの端正で凛とした美貌、やや面長でシャープな輪郭、自然な骨格感、細く通った鼻筋、上品で細めの眉、 完璧な目の描写、赤い切れ長の瞳(右目のみ見える構図)、目尻わずかに上向き、左目は重めの横流し前髪で完全に隠す、 挑発的な流し目、やや見下ろす視線、half-lidded eyes, subtle upper eyelid shadow, detailed iris texture, realistic eye reflections, glossy pupils、 口角をほんの少し上げた余裕のある微笑み、 下唇左横に小さく丸くはっきりしたホクロを正確に固定、single clearly defined beauty mark on the lower left side of the mouth, precise placement、 頬に自然な赤み、リアルな肌質感(natural skin texture, soft pores, subtle shading)、delicate facial shading、 ダークブラウンのロングストレートヘア、自然な毛流れ、細い毛束感、リアルなハイライトと陰影、重めの横流し前髪、 ブラックのバニースーツ(black bunny suit, semi-gloss fabric, realistic material reflection)、 体に密着するタイトシルエット、自然な布の張り付きとシワ、 バニー耳(matte black bunny ears, soft material texture)、 カフス、チョーカー、 シアーなブラックストッキング(sheer stockings, realistic fabric transparency, subtle sheen)または網タイツ、 黒のハイヒール(realistic leather or enamel texture, slim heel)、 ローアングル構図(low angle shot, looking up perspective)、 脚を強調した立ち姿、片脚を前に出すポーズ、 long natural legs, realistic proportions, defined calf and thigh lines、 遠近感のある自然なパース、リアルな身体バランス、 スタジオまたはラウンジ風背景、落ち着いた空間、 soft cinematic lighting, realistic light falloff, soft shadows、 subtle rim light along legs and silhouette、 わずかにコントラストを効かせたリアル寄りライティング、 上品でリアル寄りの色気、natural yet seductive atmosphere anime illustration. great quality, best quality
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ふうま災禍、masterpiece, best quality, ultra high resolution, ultra detailed, semi-realistic style, realistic texture, TSUBAKI style quality, 完璧な顔の描写、原作寄りの端正で凛とした美貌、やや面長でシャープな輪郭、自然な骨格感、細く通った鼻筋、上品で細めの眉、 完璧な目の描写、赤い切れ長の瞳(右目のみ見える構図)、目尻わずかに上向き、左目は重めの横流し前髪で完全に隠す、 挑発的な流し目、やや見下ろす視線、half-lidded eyes, subtle upper eyelid shadow, detailed iris texture, realistic eye reflections, glossy pupils, 口角をほんの少し上げた余裕のある微笑み、 下唇左横に小さく丸くはっきりしたホクロを正確に固定、single clearly defined beauty mark on the lower left side of the mouth, precise placement, 頬に自然な赤み、リアルな肌質感(natural skin texture, soft pores, subtle shading)、delicate facial shading, ダークブラウンのロングストレートヘア、自然な毛流れ、細い毛束感、リアルなハイライトと陰影、重めの横流し前髪、 ブラックのバニースーツ(black bunny suit, semi-gloss fabric, realistic material reflection)、 体に密着するタイトシルエット、自然な布の張り付きとシワ、 バニー耳(matte black bunny ears, soft material texture)、 カフス、チョーカー、 シアーなブラックストッキング(sheer stockings, realistic fabric transparency, subtle sheen)または網タイツ、 黒のハイヒール(realistic leather or enamel texture, slim heel)、 ローアングル構図(low angle shot, looking up perspective)、 脚を強調した立ち姿、片脚を前に出すポーズ、 long natural legs, realistic proportions, defined calf and thigh lines, 遠近感のある自然なパース、リアルな身体バランス、 スタジオまたはラウンジ風背景、落ち着いた空間、 soft cinematic lighting, realistic light falloff, soft shadows, subtle rim light along legs and silhouette, わずかにコントラストを効かせたリアル寄りライティング、 上品でリアル寄りの色気、natural yet seductive atmosphere
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864 x 1536

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AI artwork
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character: isuzu_hana 1girl, solo, isuzu_hana, long black hair, hair up, ahoge, black eyes, bunny girl outfit, black bunny suit, strapless leotard, white collar with black bow tie, cuffs, white cuffs, rabbit ears, black rabbit ears, pantyhose, black pantyhose, high heels, black high heels, nail polish, black nail polish, sexy pose, seductive, one knee raised, sitting on the floor, leaning back, arm support, head tilt, looking at viewer, faint lopsided smile, half-closed eyes, from above, cowboy shot, elegant, glossy The camera looks down at her from above, close and slightly off-axis, so her head and raised shoulder sit near the upper third of the frame and her legs and one bracing hand occupy the foreground. She sits low on a seamless matte charcoal studio floor, weight pitched back onto her right palm pressed flat to the ground behind her hip, her right elbow softly bent and the shoulder it belongs to rolled a little higher than the other; her left knee is drawn up with that heel planted, the black high heel tilted so its sole just lifts at the toe, and her right leg is folded to the side, its pantyhosed calf lying along the floor with the asphalt-toned shine of the sheen catching along its upper contour. Her hip is cocked out of the square, one shoulder dipped, chin lifted and turned about twenty degrees off the lens, and her gaze comes back to the viewer over that small turn, half-lidded and steady, one brow arched a fraction as if she's reading how this is being received. Her mouth holds a faint closed-lipped smile caught at one corner, not quite a smirk. Her free left hand rests along the top of the drawn-up knee, the long black nails of three fingers barely pressing the glossy black fabric, and the black nail polish on the thumb is a small precise glint against the leotard. The black bunny suit is a single strapless leotard of close-fitting glossy material that catches a long narrow highlight from her left clavicle down over the ribs and another along the sloped torso, and a white stiff collar sits around her throat closed at the front by a small black bow tie; matching white cuffs ring her wrists with a thin elastic edge compressed into the skin just above each bony wrist. The tall black rabbit ears rise from the band of her hair up, their base slightly tilted, one a touch more upright than the other, and their soft nap fuzzes along the lit upper edges. Her black hair is gathered up and away, with the long strands swept into the bun so the nape and jawline are left bare, and one short loose strand swings forward past her cheek where a soft breath of air lifts it; the thin coiled ahoge at her crown stands as the only unruly shape. The environment is reduced to almost nothing: a matte charcoal floor and a seamless dark grey sweep behind her that lifts very gradually toward the upper frame, so the subject-to-ground ratio is almost entirely subject, and the only topography is the slow curve of the backdrop and the hard line where heel, palm and thigh meet the floor. The light source is a single large softbox high and to her right, and it is the only source: it strikes the high side of her raised shoulder, her forehead, the near edge of her lifted knee and the upward-facing top of her drawn-up foot, while the far side of her face, the underside of her jaw, the hollow inside the raised knee and the space behind her hip fall into deep, clean shadow. She casts a long soft shadow back to her left and slightly behind, blurred at its edges, blocking up under her folded leg, and the floor carries one faint compressed shine where her bracing palm has pressed it. Palette is black, a lifted charcoal grey and a single cool white at collar, cuffs and the faint highlight edges of the glossy fabric, nothing else admitted. Mood: quietly confident, effortlessly alluring.
Sakura Ozaki
AI artwork
so
character: isuzu_hana 1girl, solo, isuzu_hana, long black hair, hair up, ahoge, black eyes, bunny girl outfit, black bunny suit, strapless leotard, white collar with black bow tie, cuffs, white cuffs, rabbit ears, black rabbit ears, pantyhose, black pantyhose, high heels, black high heels, nail polish, black nail polish, sexy pose, seductive, one knee raised, sitting on the floor, leaning back, arm support, head tilt, looking at viewer, faint lopsided smile, half-closed eyes, from above, cowboy shot, elegant, glossy The camera looks down at her from above, close and slightly off-axis, so her head and raised shoulder sit near the upper third of the frame and her legs and one bracing hand occupy the foreground. She sits low on a seamless matte charcoal studio floor, weight pitched back onto her right palm pressed flat to the ground behind her hip, her right elbow softly bent and the shoulder it belongs to rolled a little higher than the other; her left knee is drawn up with that heel planted, the black high heel tilted so its sole just lifts at the toe, and her right leg is folded to the side, its pantyhosed calf lying along the floor with the asphalt-toned shine of the sheen catching along its upper contour. Her hip is cocked out of the square, one shoulder dipped, chin lifted and turned about twenty degrees off the lens, and her gaze comes back to the viewer over that small turn, half-lidded and steady, one brow arched a fraction as if she's reading how this is being received. Her mouth holds a faint closed-lipped smile caught at one corner, not quite a smirk. Her free left hand rests along the top of the drawn-up knee, the long black nails of three fingers barely pressing the glossy black fabric, and the black nail polish on the thumb is a small precise glint against the leotard. The black bunny suit is a single strapless leotard of close-fitting glossy material that catches a long narrow highlight from her left clavicle down over the ribs and another along the sloped torso, and a white stiff collar sits around her throat closed at the front by a small black bow tie; matching white cuffs ring her wrists with a thin elastic edge compressed into the skin just above each bony wrist. The tall black rabbit ears rise from the band of her hair up, their base slightly tilted, one a touch more upright than the other, and their soft nap fuzzes along the lit upper edges. Her black hair is gathered up and away, with the long strands swept into the bun so the nape and jawline are left bare, and one short loose strand swings forward past her cheek where a soft breath of air lifts it; the thin coiled ahoge at her crown stands as the only unruly shape. The environment is reduced to almost nothing: a matte charcoal floor and a seamless dark grey sweep behind her that lifts very gradually toward the upper frame, so the subject-to-ground ratio is almost entirely subject, and the only topography is the slow curve of the backdrop and the hard line where heel, palm and thigh meet the floor. The light source is a single large softbox high and to her right, and it is the only source: it strikes the high side of her raised shoulder, her forehead, the near edge of her lifted knee and the upward-facing top of her drawn-up foot, while the far side of her face, the underside of her jaw, the hollow inside the raised knee and the space behind her hip fall into deep, clean shadow. She casts a long soft shadow back to her left and slightly behind, blurred at its edges, blocking up under her folded leg, and the floor carries one faint compressed shine where her bracing palm has pressed it. Palette is black, a lifted charcoal grey and a single cool white at collar, cuffs and the faint highlight edges of the glossy fabric, nothing else admitted. Mood: quietly confident, effortlessly alluring.
Sakura Ozaki
AI artwork
Avatar image of バーチャル転移少女【呉葉channel】
1girl, solo, design piece, full body, from below, slight dutch angle, standing, one leg forward, hand on hip, other hand at collar, bunny ears headband, black patent leather jacket, glossy shiny bikini, collar with ribbon, white gloves, thighhighs, high heels, looking down at viewer, half-closed eyes, smug, head tilt, plain seamless off-white backdrop A single woman stands full-body against a completely empty off-white studio sweep, seen from slightly below at a small dutch angle so her height stacks up the frame and the seamless ground curves into a soft horizon behind her heels. She wears tall black bunny ears on a headband that rise in two upright ovals above her hair, their inner curve catching the key light; a black patent-leather jacket sits open on her shoulders, its enamel surface throwing a hard specular streak along each sleeve and a bright rim down the lapel edge, one hand at the collar adjusting it while a white-gloved thumb hooks the fabric. Beneath it a glossy bikini glints with a tight wet-looking highlight across the cup and a second sheen along the hip, and at her throat a separate collar banded snugly around the neck carries a ribbon whose tails drop onto the jacket's chest. Both hands are gloved in clean white glove fabric, the left resting flat on her hip with fingers spread over the jacket hem, the right pinching the collar ribbon between thumb and forefinger. Her legs are sheathed in dark thighhigh tights whose tops band high on the thigh, and she is up on one black high heel with the other foot placed slightly forward, toes just touching down, weight shifted into the standing hip so her body makes one long asymmetric S. Her chin is tipped down and her eyes are half-lidded, looking straight down the lens with a flat confident smirk and one corner of the mouth pulled higher than the other. The only light is the studio key from high front-left, which lays a bright edge down her arms and thighs and drops a soft compact shadow beneath the heels and a thin cast shade under the jacket's hem; no fill beyond a faint bounce off the sweep. Palette is black, white, skin and the off-white field, with the glossy blacks separated from the matte white gloves only by the shape of their highlights. Her shadow shortens as her toes lift, the only soft mark on the seamless floor. Effortlessly stylish, cool.
バーチャル転移少女【呉葉channel】

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Avatar image of リオ
character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ