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MADLAX Movie Poster
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- Ursprünglicher Prompt
- character:Madlax (character), long hair, blonde hair, purple eyes, long hair, hair between eyes, brown gloves, heavy bomber jacket, green jacket, Pegasus emblem, open jacket, short sleeves, fingerless gloves, open clothes, red shirt, chest holsters, black jeans shorts, high waist shorts, thighs, knees, black boots. (masterpiece, best quality, ultra detailed, 8k:1.3), [(((title text\ \ \"MADLAX\" at bottom:1.6), (Stencil font:1.4), (black typography:1.4), (text integrated into background lighting:1.4), (subtle\ \ glow on text:1.3), (clean spacing, professional movie poster layout:1.4). \ style painterly rendering:1.7), \ (painterly shading, soft\ \ edge blending:1.6), (no realistic 3D skin, no glossy skin:1.5), (no PBR rendering:1.5),\ \ (cinematic lighting, strong rim light:1.5), (high contrast lighting with soft\ \ gradient shadows:1.5), (volumetric soft glow:1.3), (dark background with subtle\ \ particles:1.2), 1girl, solo, full body, centered composition, holding sniper rifle, arms down, calm, neutral expression, fiery Background, forest ablaze, helicopters, sunset, jungle, (clean but painterly\ \ edges:1.6), (no hard anime lineart:1.6), (no cel shading:1.6), (depth of field:1.2),\ \ \n(cinematic mood:1.5), (cinematic movie poster composition:1.4),\n"
- Modus
- lite
- Größe
- 768 x 1280
Verwendetes Modell und LoRA
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r0
character: sniper_wolf
1girl, solo, full body, kneeling, one knee, holding weapon, sniper rifle, rifle, military uniform, open jacket, cleavage, tactical pants, combat boots, black gloves, fingerless gloves, long hair, blonde hair, messy hair, blue eyes, intense gaze, low angle, from below, outdoors, forest, woods, pine trees, mist, damp ground
A low-angle full-body view captures a woman kneeling low on the damp forest floor in a grounded three-quarter stance, her right knee pressed into the wet bed of pine needles while her left knee is drawn up with the boot planted flat. Both hands securely cradle a long, heavy sniper rifle equipped with a high-magnification scope and folded bipod; her left forearm rests across her raised left knee to steady the rifle's fore-end, while her right hand, clad in a black fingerless combat glove, grips the stock near the trigger. She wears an unzipped olive-drab tactical field jacket pulled open across her chest, revealing bare skin, worn over loose utility cargo trousers tucked securely into heavy black combat boots. Layered strands of long, wind-ruffled blonde hair fall around her shoulders and across her cheeks. Her vivid blue eyes are locked in a cool, calculating gaze directed outward into the distance, her chin held level in focused stillness. Surrounding her is a dense, quiet coniferous forest where vertical pine trunks fade backward into layers of cool blue-gray fog. Diffused, overcast daylight filters through the high canopy, picking out faint metallic highlights along the rifle’s matte receiver and wet moss. Her heavy knee visibly compacts the dark, damp earth and fallen needles beneath her, and a faint plume of breath condenses in the chilly air just before her lips. The palette is dominated by olive greens, damp earth browns, cold charcoal, and misty slate, contrasted by her pale skin and light hair. Focused tension.
Rider 09 MK2 (Rider09)
t5
1girl, solo, blonde hair, ponytail, high ponytail, beautiful girl, mature female, tall, slim but curvy, c-cup, black battle suit, skintight, armored panels, matte black with gloss accents, anti-materiel rifle, huge rifle, holding weapon, both hands, from below, low angle, cowboy shot, dutch angle, three-quarter view, head tilt, looking at viewer, confident smirk, one eye narrowed, focused gaze, windblown hair, ponytail swinging, standing on rubble, urban ruins, dusk, orange rim light, long shadow, cinematic, high contrast, muted palette with hot orange edge light,
Camera looks up from below ground level at a three-quarter angle, tilted slightly on the diagonal, so the girl's full figure from boots to the crown of her head fills the frame against a bruised twilight sky, her anti-materiel rifle — longer than she is tall, its barrel ribbed with a heavy muzzle brake, a folded bipod and a big boxy scope clamped on top — carried across the front of her body: her right hand grips the pistol grip and trigger guard, her left palm cradles the handguard just ahead of the magazine well, the stock tucked under her right armpit, the long barrel angling down past her left hip and its muzzle nearly grazing the broken concrete at her feet. She stands on a tilted slab of collapsed roadway, right boot planted forward and higher on a chunk of rebar-shot concrete, left boot back and lower, weight carried on the back leg so her hips tilt and her shoulders counter-rotate; one hip is cocked, her torso leans just off vertical. Her black battle suit is built from matte panels with a wet-looking sheen along the raised seams — a hard chest plate segmented over the bust, articulated ribs of molded plate down each flank, a high collar, a close-fitting waist section with a small utility belt, and armored thigh plates strapped over the tight black underlayer; a narrow reflective strip runs down the outside of each leg and catches the low sun as a bright hairline. Her blonde ponytail is pulled high and tight at the back of her head, the long tail swept sideways by the wind so it crosses the sky behind her left shoulder, a few loose strands lifting off her temple. She has tilted her head slightly down toward the lens, one eyebrow raised high, one eye narrowed, the corner of her mouth pulled into a lopsided smirk, chin lifted, and her eyes are fixed straight on the viewer. Behind and around her the ruined street recedes in three depth layers: a foreground of shattered curb and dust, a midground of leaning concrete pillars and a burnt-out vehicle hull, and a background of skeletal towers fading into haze. The sun sits low behind her right shoulder, its orange light rimming her hair, her shoulder plate, the top ridge of the rifle barrel and the upward-facing edges of every broken slab, while her front falls into cool blue-black shadow; her shadow runs long and thin toward the camera across the rubble, and the dust hanging in the air glows only where the sunlight passes through it. Palette of charcoal black, smoke blue and one hot orange, nothing else. Cinematic, tense.
tw5zsz4kgp@privaterelay.appleid.com
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이름
이름
2
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