The God of AI Art
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- Ursprünglicher Prompt
- Peripheral Wrapper AI-Powered VI Kit Generator,Capture the specific energy of absolute beginnings. Show the first day on the job, the first morning in a new home, the inaugural moment of any venture.,beautiful light, best shadow, color blink
- Qualitäts-Tag
- high quality, year_2025, year_2024, ﹝Prompts﹞
- Größe
- 1280 x 768
- Sampling-Schritte
- 34
- Sampling-Methode
- Euler
- CFG Scale
- 4.5
- Negativ
- bad quality, low quality, worst quality, lowres, nsfw, jpeg artifacts, scan artifacts, mosaic, cropped, error, fewer digits, bad reflection, bad composition, bad anatomy, bad hands, bad fingers, missing fingers, extra hands, extra legs, excess fingers, light particles, artist name, text, watermark, username, copyright name
Gesichtskorrektur
Hohe Auflösung
Verwendetes Modell und LoRA
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cy
first-person view, pov, looking down, from own eyes, 1girl, solo, own hands, pov hands, sleeves past wrists, oversized sweater, cream knit sweater, holding cup, ceramic mug, steaming drink, wooden table, open notebook, pencil, window, morning sunlight, sunbeams, light rays, dust motes, bangs in eyes, blurry foreground, shallow depth of field, indoor
From a strict first-person perspective positioned directly behind her eyes, the frame captures an intimate subjective field of vision angled slightly downward toward a sunlit wooden desk. At the very top periphery of the frame, translucent and softly blurred strands of dark brown bangs dip into the field of view, naturally framing the upper edge of sight. Extending upward from the bottom edge of the frame, her own two slender hands enter the composition, her wrists engulfed in the long, ribbed cuffs of an ivory oversized knit sweater that extend past her palms. Her gaze is fixed directly upon a white ceramic mug held in her right hand, where her fingertips press against the warm curved surface and her index finger threads through the handle. Her left hand rests open and flat against the pages of an open lined notebook on the desk, anchoring the paper to the table surface beside fine, illegible pencil notes. A sharpened wooden pencil rests nestled in the center gutter of the notebook, its graphite tip pointing away from her. A delicate plume of steam curls upward from the dark tea in the mug, drifting softly to the right under a gentle indoor thermal current and casting a faint, wavering shadow across the polished oak. In the immediate midground, the table extends to a large multi-pane window where morning sunlight streams through, illuminating floating dust motes in distinct diagonal shafts. The low morning sun from the upper left serves as the dominant light source, striking the left edges of her wool sleeves and the rim of the mug, while casting soft, elongated shadows to the lower right across the wood grain. The palette is built on rich honey-colored wood, soft cream yarn, gentle leaf greens visible through the glass, and luminous golden light. Quietly peaceful.
Chi Yiu Mak
cy
first-person view, pov, looking down, from own eyes, 1girl, solo, own hands, pov hands, sleeves past wrists, oversized sweater, cream knit sweater, holding cup, ceramic mug, steaming drink, wooden table, open notebook, pencil, window, morning sunlight, sunbeams, light rays, dust motes, bangs in eyes, blurry foreground, shallow depth of field, indoor
From a strict first-person perspective positioned directly behind her eyes, the frame captures an intimate subjective field of vision angled slightly downward toward a sunlit wooden desk. At the very top periphery of the frame, translucent and softly blurred strands of dark brown bangs dip into the field of view, naturally framing the upper edge of sight. Extending upward from the bottom edge of the frame, her own two slender hands enter the composition, her wrists engulfed in the long, ribbed cuffs of an ivory oversized knit sweater that extend past her palms. Her gaze is fixed directly upon a white ceramic mug held in her right hand, where her fingertips press against the warm curved surface and her index finger threads through the handle. Her left hand rests open and flat against the pages of an open lined notebook on the desk, anchoring the paper to the table surface beside fine, illegible pencil notes. A sharpened wooden pencil rests nestled in the center gutter of the notebook, its graphite tip pointing away from her. A delicate plume of steam curls upward from the dark tea in the mug, drifting softly to the right under a gentle indoor thermal current and casting a faint, wavering shadow across the polished oak. In the immediate midground, the table extends to a large multi-pane window where morning sunlight streams through, illuminating floating dust motes in distinct diagonal shafts. The low morning sun from the upper left serves as the dominant light source, striking the left edges of her wool sleeves and the rim of the mug, while casting soft, elongated shadows to the lower right across the wood grain. The palette is built on rich honey-colored wood, soft cream yarn, gentle leaf greens visible through the glass, and luminous golden light. Quietly peaceful.
Chi Yiu Mak
cy
first-person view, pov, looking down, from own eyes, 1girl, solo, own hands, pov hands, sleeves past wrists, oversized sweater, cream knit sweater, holding cup, ceramic mug, steaming drink, wooden table, open notebook, pencil, window, morning sunlight, sunbeams, light rays, dust motes, bangs in eyes, blurry foreground, shallow depth of field, indoor
From a strict first-person perspective positioned directly behind her eyes, the frame captures an intimate subjective field of vision angled slightly downward toward a sunlit wooden desk. At the very top periphery of the frame, translucent and softly blurred strands of dark brown bangs dip into the field of view, naturally framing the upper edge of sight. Extending upward from the bottom edge of the frame, her own two slender hands enter the composition, her wrists engulfed in the long, ribbed cuffs of an ivory oversized knit sweater that extend past her palms. Her gaze is fixed directly upon a white ceramic mug held in her right hand, where her fingertips press against the warm curved surface and her index finger threads through the handle. Her left hand rests open and flat against the pages of an open lined notebook on the desk, anchoring the paper to the table surface beside fine, illegible pencil notes. A sharpened wooden pencil rests nestled in the center gutter of the notebook, its graphite tip pointing away from her. A delicate plume of steam curls upward from the dark tea in the mug, drifting softly to the right under a gentle indoor thermal current and casting a faint, wavering shadow across the polished oak. In the immediate midground, the table extends to a large multi-pane window where morning sunlight streams through, illuminating floating dust motes in distinct diagonal shafts. The low morning sun from the upper left serves as the dominant light source, striking the left edges of her wool sleeves and the rim of the mug, while casting soft, elongated shadows to the lower right across the wood grain. The palette is built on rich honey-colored wood, soft cream yarn, gentle leaf greens visible through the glass, and luminous golden light. Quietly peaceful.
Chi Yiu Mak
cy
first-person view, pov, looking down, from own eyes, 1girl, solo, own hands, pov hands, sleeves past wrists, oversized sweater, cream knit sweater, holding cup, ceramic mug, steaming drink, wooden table, open notebook, pencil, window, morning sunlight, sunbeams, light rays, dust motes, bangs in eyes, blurry foreground, shallow depth of field, indoor
From a strict first-person perspective positioned directly behind her eyes, the frame captures an intimate subjective field of vision angled slightly downward toward a sunlit wooden desk. At the very top periphery of the frame, translucent and softly blurred strands of dark brown bangs dip into the field of view, naturally framing the upper edge of sight. Extending upward from the bottom edge of the frame, her own two slender hands enter the composition, her wrists engulfed in the long, ribbed cuffs of an ivory oversized knit sweater that extend past her palms. Her gaze is fixed directly upon a white ceramic mug held in her right hand, where her fingertips press against the warm curved surface and her index finger threads through the handle. Her left hand rests open and flat against the pages of an open lined notebook on the desk, anchoring the paper to the table surface beside fine, illegible pencil notes. A sharpened wooden pencil rests nestled in the center gutter of the notebook, its graphite tip pointing away from her. A delicate plume of steam curls upward from the dark tea in the mug, drifting softly to the right under a gentle indoor thermal current and casting a faint, wavering shadow across the polished oak. In the immediate midground, the table extends to a large multi-pane window where morning sunlight streams through, illuminating floating dust motes in distinct diagonal shafts. The low morning sun from the upper left serves as the dominant light source, striking the left edges of her wool sleeves and the rim of the mug, while casting soft, elongated shadows to the lower right across the wood grain. The palette is built on rich honey-colored wood, soft cream yarn, gentle leaf greens visible through the glass, and luminous golden light. Quietly peaceful.
Chi Yiu Mak
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