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Prachi Sherawat
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- Ursprünglicher Prompt
- prachi sherawat, 1girl, solo, yellow eyes, black hair, long hair, curly hair, side strands, bangs,parted bangs, dark skin, dark-skinned female, large breasts,mato uniform, black military uniform, black jacket, red trim, gold buttons, cape black, high collar, gold epaulets, brown belt, white gloves, black cape, long sleeves,matosla
- Größe
- 614 x 1024
- Sampling-Schritte
- 28
- Sampling-Methode
- Euler a
- CFG Scale
- 5.5
- Negativ
- nsfw, worst quality, low quality, too many fingers, fused fingers, missing arms, missing fingers, bad anatomy, bad hands, text, signature, artist name, watermark, nsfw, username, error, missing fingers, extra digit, fewer digits, disfigured, jpeg artifacts, cropped, blurry, mutation, deformed, dehydrated, bad proportions, disfigured, gross proportions, nsfw, malformed limbs, long neck, duplicate, ugly
Gesichtskorrektur
Hohe Auflösung
Verwendetes Modell und LoRA
![Style/yuuki/kyouka/tenka/himari/yakumo/nei/shushu/ren/fubuki/yachiho/homare/shikoku/kuusetsu/beru/tobera/sahara/maia/konomi [Mato Seihei no Slave] - AI Model cover image](https://images-ng.pixai.art/images/thumb/4e4efc3a-3e15-43a2-bcd8-dd6e3d1d17bb)
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1girl, upper body portrait, combat stance, ready for battle, fierce and focused expression, intense dark purple eyes, sharp gaze, black straight hair, red knot hairpin accessory, black and red military style hussar jacket, gold epaulets, ornate gold buttons, white gloves, red capelet draped over shoulders, dynamic angle, dramatic lighting, high quality illustration, crisp line art, vivid colors
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1girl, solo, hayami_kanade, short hair, blue hair, black hair, parted bangs, yellow eyes, upper body, slight turn, looking at viewer, serious expression, cold gaze, white military uniform, double-breasted jacket, red lapel, gold ornament, black tie, black pleated skirt, wide belt with buckle, chain accessory, white cape, red lining, epaulettes, thighhighs, garter straps, machinery background, yellow abstract background, sharp focus, detailed clothes, intricate design, from below, dutch angle, from side, half-closed eyes, closed mouth, arms at sides, clenched hand, cape flowing, depth of field,
seen from a low dutch angle just off her right side, the camera tilts up past the sweep of her cape so her head sits high in the frame and the yellow abstract field opens out behind her shoulders; she has turned only slightly, chest still angled away toward the right edge of the frame while her chin swings back over her shoulder, and her yellow eyes come down the barrel of the lens dead-on, lids lowered to a flat horizontal line, mouth shut and set, brows drawn level -- the coldness is entirely in the lids and the still mouth, not in any scowl. Short blue-black hair, the dark mass falling to the nape with a blue sheen along the lit edge, parted bangs split cleanly off the forehead with a single strand broken loose by the turn and dragged across her cheek. The white double-breasted jacket closes high at the throat with two weighty columns of gold buttons, its red lapel standing stiffly up on the near side and folding flat on the far side; a small gold ornament catches on the collar above the black tie, which hangs straight and narrow down the front. Gold epaulettes cap both shoulders, the far one foreshortened into a thin bar, tassels hanging still. The white cape is thrown back off the near shoulder so its red lining flashes out across the lower foreground, the hem lifted and driven sideways away from her body by the same push that turned her head; it cuts the composition on a diagonal. Below, the wide black belt cinches the waist, its square buckle dead center, a fine chain looping out from the buckle and hanging in a slack curve past her hip, one link resting against the belt edge. The black pleated skirt flares slightly with the turn, pleat shadows running dark and vertical. Thighhighs climb her legs above the knee, each garter strap pulled taut and cutting a shallow groove into the stocking top. Her near hand hangs low beside the cape, fingers curled tight against the palm; her far arm is lost behind the turn and the cape's spread.
Behind her the machinery reads in cold grey depth -- a shaft, a bracket of vent slats, a wheel rim, all hard-edged and out-of-focus in the middle distance -- while the yellow abstract background burns flat and graphic along the top third, a single saturated block of color with no gradient of its own. The key light comes from high on the left, a hard white source that lays a bright edge along the red lapel, the epaulette, and the lit half of her jaw, and throws the shadow side of her face and the far half of the jacket into a cool blue-grey; the red lining picks up a secondary warm bounce from below. Where the cape lifts, the shadow it casts falls across the skirt pleats and slides as the cloth moves. The gloss on the stocking tops catches a thin white specular sliver only along the stretched thigh where the garter pinches the fabric. Sharp focus held on the eyes, the tie knot and the buckle, falling off fast behind the shoulders; palette disciplined to white, black, deep red, gold, cold grey, with the flat yellow held back as a single graphic field. Detailed clothes, intricate design, severe and effortlessly composed.
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