Bacon as Prince Vegeta
Meggy-Tari
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Vegitarra 1
KI-Kunst „Vegitarra 1“ auf PixAI. Tags: Bodysuit, große Brüste, Schwarze Haare, schwarze Augen. Erstellt mit VXP IL Base Model (NSFW alert!).
Prompts sind auf PixAI standardmäßig öffentlich, aber Creator können sie bei jedem veröffentlichten Werk verbergen. Der Creator dieses Werks hat sich dafür entschieden – die Wörter, mit denen das Bild generiert wurde, bleiben also privat und nur diese Person kann sie sehen. Sonst ändert sich dadurch nichts: Das Werk bleibt öffentlich, und du kannst es wie gewohnt liken, kommentieren und teilen.
Vom Autor versteckt
Verwendetes Modell und LoRA
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1girl, solo, android 18, blonde hair, short hair, bob cut, blue eyes, earrings, hoop earrings, black sleeveless vest, short vest, black leggings, pantyhose, black boots, standing, arms under breasts, crossed arms, serious, expressionless, looking at viewer, straight-on, eye-level, cowboy shot, laboratory, life pods, glass stasis tubes, background, science fiction interior, cool lighting, glossy finish, high detail
The camera faces straight level at eye height, a slightly wide cowboy shot from mid-thigh to the top of her head, so the figure fills the center of a tall frame and the vertical stasis tubes behind her stack up into the ceiling. One woman stands planted on both feet, her weight sunk onto her right leg with the left hip eased out a few degrees, shoulders square and level, chin dipped a fraction so her blue eyes look at the viewer from under lowered blond bangs without a single muscle moving toward a smile. Her arms are folded tightly under the curve of her chest, the left forearm crossed over the right, and the underside of each breast rests compressed on the crossed forearms, pressing a soft raised line into the black fabric while her fingers curve loose and relaxed around her own upper arms; the fold lifts and narrows her silhouette at the waist and pulls the sleeveless black vest taut across the shoulders. Her short blond hair is a blunt bob with a side part, one lock skimming her cheek, the tips stirring faintly from the ventilation draft that also nudges the ends of her vest; she wears small hoop earrings, the cold lamp catching one as a thin bright ring against her jaw. Her black leggings run unbroken into dark boots, giving the standing figure a clean unbroken column below the waist.
The floor is a polished pale composite with a broad reflection that slides beneath her feet, and the laboratory recedes behind her in three depths: a console edge at the far left foreground, cropped; the stasis tubes in the midground, four pale glass cylinders with metal collar rings at top and base, each holding a dim suspended silhouette, their curved glass squeezing the reflections into vertical streaks; and a back wall of pipes and dark recessed panels fading out of focus. The key light is a cold cyan-white from the overhead fixtures, flat and even on her face for the seriousness the shot demands, and a second cooler rim from the tubes behind her traces the edges of her hair, shoulders and crossed arms so she separates cleanly from the machinery; the shadows sit under her jaw, beneath the crossed forearms and in the hollows behind the tubes, and the polished floor carries a dimmer, softer copy of her whole dark silhouette. Only one accent warms the frame: the faint amber glow drifting inside the tube fluid behind her right shoulder, which also throws a thin moving caustic line across the glass the moment the fluid shifts. Palette of cold white, steel blue and black, with her blond hair and that one amber note as the only warmth. Crisp glossy shading, controlled high-finish rendering, quiet menace.
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