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Reading
Prompts sind auf PixAI standardmäßig öffentlich, aber Creator können sie bei jedem veröffentlichten Werk verbergen. Der Creator dieses Werks hat sich dafür entschieden – die Wörter, mit denen das Bild generiert wurde, bleiben also privat und nur diese Person kann sie sehen. Sonst ändert sich dadurch nichts: Das Werk bleibt öffentlich, und du kannst es wie gewohnt liken, kommentieren und teilen.
Vom Autor versteckt
Verwendetes Modell und LoRA
![Background Enhancer [SDXL] - AI Model cover image](https://images-ng.pixai.art/images/thumb/a457fe15-b995-4aac-86f4-bb9d344f6f97)
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1girl, solo, black hair, blue nightgown, sitting, fireplace, reading book, smile, dog, cat, sleeping, cup, hot chocolate, side table, score_9, score_8_up, score_7_up, source_anime, (((masterpiece, intricate details, ultra hires, illustration, detailed, 4k, highest quality, ultra hd, high resolution, absurdres, 8k, official visual, sharp lines, vivid contrast, glossy texture, aesthetic))), cinematic lighting, cinematic angle, soft light, color detail, backlighting, depth of field, long exposure, light steps, intricate colors, vibrant colors
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1girl, solo, mature female, tall, black hair, long hair, hair past shoulders, side part, forehead exposed, silver eyes, sharp gaze, expressionless, cold expression, elegant, suit, high heels, half boots, large breasts, sitting, on chair, reading, holding book, wooden chair, round table, old lantern, lantern as only light source, library, bookshelf, endless bookshelves, dark, from side, cowboy shot, side profile view, looking at book
The camera views her from the side at a slight low angle, framing her from mid-thigh up as she sits deep in an old wooden chair, upholstered only by its own bare rails, at the brink of a small round table of dark worn oak; she is turned three-quarters away from the lens, knees angled toward the table edge, her spine straight and unhurried, one leg crossed over the other at the knee so the outer half-boot turns its gloss to the light. Her black hair is parted cleanly to one side and swept back from a bare, exposed forehead, the long length falling straight past her shoulders and lying along her back and one upper arm, a few strands lifted and disturbed by her slow breath. Her silver eyes are fixed downward on the open book held in both hands, the sharp, cool focus of a reader who has forgotten the room; her face holds no expression at all, lips closed and level, brows unknit, the stillness of carved marble. Both thumbs press into the gutter of the book, fingertips spread flat on the facing pages, and the bound volume rests against her lap and the table edge, its spine in the crook of her palms. She wears a tailored elegant suit of deep charcoal-black, the jacket closed and precisely cut, over a dark inner top; a slim skirt follows the line of her hips, and both hands and forearms are bare below the cuffs. The tall, well-proportioned figure fills the chair, E-cup bust drawn into the jacket's precise line, legs long enough that her boots reach the floor with room to spare. Her half boots are dark leather with a sturdy block heel, laced close along the ankle and rising just past it.
Around her the old library recedes in tunnel perspective: bookcases run straight back from both sides of the frame in endless identical bays, packed with leather-spined volumes and rolled papers, their upper shelves fading into blackness so the rows seem to have no end. Dust lies on the shelf ledges, and loose pages have settled in drifts on the floor between the bays. The only light source is the old lantern on the table in front of her: a tarnished metal cage with cloudy glass, its wick burning low, throwing a small warm amber pool that lights the book's pages, the underside of her jaw and the near edge of one cheek, the buckles of her boots, and the table's scarred grain. Everything outside that pool falls away into absolute darkness, and the bookshelves stand as a wall of shadow behind her, their gold tooling catching only a bare pinprick of reflected light. A thin thread of smoke rises from the lantern's vent straight up in the still air. Palette: charcoal black, tarnished brass, dusty leather brown, and the lantern's single low amber glow. Quiet, cold, absorbed.
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In a cinematic medium shot from a slightly low angle, a commanding mafia boss femme fatale is seated in a luxurious, dark room. She is a woman of striking elegance, wearing a tailored black velvet suit and a lavish emerald necklace that glitters against her skin. She sits with her legs crossed, leaning back with a cold, authoritative expression while looking directly at the viewer. In one hand, she holds a crystal glass of amber whiskey, and in the other, a lit cigar, with a delicate swirl of grey smoke drifting upward. The setting is opulent, featuring dark mahogany furniture and rich textures. The scene is rendered in a chiaroscuro style, with dramatic lighting creating deep shadows and sharp highlights that emphasize her commanding presence. The color palette is dominated by deep blacks and rich gold tones, with a sharp focus on the intricate textures of the velvet and the sparkling jewelry.
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