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AI art "エル・ビアンノ" featuring #Gundam, #Yoshiyuki Tomino, #Mobile Suit Gundam ZZ and #Elle Vianno
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エル・ビアンノ

#Gundam#Yoshiyuki Tomino#Mobile Suit Gundam ZZ#Elle Vianno
Avatar image of Mako Satou

Mako Satou

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1girl, solo, elle vianno\(gundam zz\), official art, high ponytail, thin red ribbon, voluminous hair, fluffy hair, blonde hair, slender face, sharp chin, almond eyes, 80s vintage palette, flat cel shading, bold lineart, no gradient, no messy hair, cropped hot pink bomber jacket, long white t-shirt (not tucked), pink leggings, no belt, no waistband, well-balanced body, smile, standing, contrapposto, model posing, looking at viewer, full body, cowboy shot, best quality, masterpiece, ultra detailed, perfect hands, (dynamic angle:1.3), (4k, 8k, Ultra HD), (Masterpiece:1.2), (Best quality:1.2), (Detailed image:1.5), (Detailed background:1.5), Detailed Illustration, 8k wallpaper, aesthetic, photorealistic, high detailed image, realistic anime girl style illustration, digital paint style, (alluring skin:1.2), traditional media, retro artstyle, watercolor (medium), 1980s (style), HD, 4k, 8k, dynamic pose, dynamic angle, (aesthetic wallpaper:1.2), ((4k wallpaper, cinematic scene, background overloaded with details)), sfw
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Ursprünglicher Prompt
1girl, solo, elle vianno(gundam zz), official art, high ponytail, thin red ribbon, voluminous hair, fluffy hair, blonde hair, slender face, sharp chin, almond eyes, 80s vintage palette, flat cel shading, bold lineart, no gradient, no messy hair, cropped hot pink bomber jacket, long white t-shirt (not tucked), pink leggings, no belt, no waistband, well-balanced body, smile, standing, contrapposto, model posing, looking at viewer, full body, cowboy shot, best quality, masterpiece, ultra detailed, perfect hands, (dynamic angle:1.3), (4k, 8k, Ultra HD), (Masterpiece:1.2), (Best quality:1.2), (Detailed image:1.5), (Detailed background:1.5), Detailed Illustration, 8k wallpaper, aesthetic, photorealistic, high detailed image, realistic anime girl style illustration, digital paint style, (alluring skin:1.2), traditional media, retro artstyle, watercolor (medium), 1980s (style), HD, 4k, 8k, dynamic pose, dynamic angle, (aesthetic wallpaper:1.2), ((4k wallpaper, cinematic scene, background overloaded with details)), sfw
Größe
512 x 768
Sampling-Schritte
16
Sampling-Methode
Euler
CFG Scale
5
Seed
1927751774
Negativ
bad quality,worst quality,worst detail,bad, low quality,low details, poorly drawn, bad anatomy, extra fingers, bad hands, bad finger, bad fingers, split fingers, missing finger, split finger, split fingers, extra digits, fused arms, fused hands,split limbs, (nsfw:1.2),(nude:1.6),(nipple:1.2),naked
Upscale

Verwendetes Modell und LoRA

VXP IL2 vPred - AI Model cover image

SDXL

VXP IL2 vPred
1.10k
[XL] Hiroyuki Kitazume/北爪宏幸 《Mobile Suit Zeta Gundam》/《机动战士Z高达》/《機動戦士Ζガンダム》 - Artist Style - AI Model cover image

Benutzer-LoRA

[XL] Hiroyuki Kitazume/北爪宏幸 《Mobile Suit Zeta Gundam》/《机动战士Z高达》/《機動戦士Ζガンダム》 - Artist Style
23
Ultimate Quality SDXL - AI Model cover image

Benutzer-LoRA

Ultimate Quality SDXL
716
エル・ビアンノ - AI Model cover image

Benutzer-LoRA

エル・ビアンノ
12

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character: android_18, copyright: dragon_ball, dragon_ball_gt 1girl, solo, android 18, blonde hair, short hair, bowl cut, blue eyes, smirk, standing, hand on hip, white blouse, long sleeves, pink pants, khaki pants, black flats, slim figure, sexy, contrapposto, laboratory, life pods, glass capsules, background, eye-level, straight-on, full body, looking at viewer, one eye half-closed, raised eyebrow, head tilt, glossy rendering, soft lighting, polished anime finish, controlled palette Eye-level, straight-on full-body shot, camera dead level with the floor, one slim woman centered in a bright laboratory. She stands in a confident contrapposto: weight sunk into her left leg, right hip pushed out and the right foot set slightly forward and turned outward, black flat on the tile with its toe box creased from the load. Her left hand is planted flat-backed on her left hip, elbow flared wide, fingers pressed into the fabric; her right arm hangs relaxed with the hand loose at her thigh, one finger half-curled. Short yellow bowl-cut hair hangs in a blunt even fringe just above her brows, the ends curving inward at her jaw, a few strands lifted away from her cheek by the ventilated air; blue eyes tilt toward the lens under a raised left brow, the right lid lowered a fraction, one corner of her mouth pulled up in a lopsided smirk, chin turned slightly. She wears a white blouse buttoned high with the sleeves long, its cotton catching a soft sheen across the chest and shoulder and creasing at the waist where her hand compresses it; slim pink khaki pants with a sharp front seam, faint knee and hip wrinkles, the fabric matte and slightly dusty-toned; black flats low and plain, both ears bare and unadorned at the visible side of her head. Behind her the lab recedes in shallow depth: a row of tall glass life pods in dark metal frames stands along a pale wall, each cylinder lit from within by a cold cyan fluid glow that rims her hair, shoulder and the outer edge of her hip in a thin cool line while a warmer overhead panel lights her face and the front of the blouse from above; her soft shadow falls short and to the right on the seamless floor, and the pods' faint reflections smear across the polished tile in duller, softer duplicates. The palette is restrained to white, dusty pink, black and the cold cyan of the capsules. Intimate, effortlessly composed.
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