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- 768 x 1280
- Sampling-Schritte
- 28
- Sampling-Methode
- Euler a
- CFG Scale
- 5
- Negativ
- nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, nsfw, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands
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Palisade
自
asamiya athena
自然体
1girl, pearl \(gemstone\), ATHKOF2002, purple hair, long hair, purple eyes, white hairband, blue sleeves, pearl \(gemstone\), short sleeves, red top, belt, fingerless gloves, navel, red skirt, biker shorts, purple shoes, ({{crying, tears, tearing up}}), half closed eyes, clenched teeth, saliva, heavy breathing, sweat
Palisade
糖分
character: asamiya_athena, copyright: the_king_of_fighters
1girl, solo, asamiya athena, purple hair, long hair, hairband, red hairband, star hair ornament, gold star, single hair ornament, purple eyes, pale skin, red vest, white puffy sleeves, puffy sleeves, white sash, biker shorts, fingerless gloves, black pantyhose, pearl, pearl jewelry, beads, both hands on own cheeks, slapping own face, self-slapping, cheeks pressed, head tilted back, eyes squeezed shut, clenched teeth, furrowed brow, from side, profile, cowboy shot, dynamic angle, looking at object, motion blur on hands, indoor, empty gymnasium, hard overhead light
The view is a three-quarter profile from the side, camera slightly below her chin line, so her face fills the left third of the frame and both arms cut across it toward the viewer. One figure stands alone on an empty gymnasium floor, feet planted wide, weight sunk into her back leg with the front knee bent, torso arched back and chin lifted as her head snaps up from the blow. Both hands are pressed hard, palms flat, against her own cheeks and jaw, fingers splayed along the cheekbones, the fingertips of the near hand digging a soft dent into the skin, the far hand's knuckles just visible past her nose; her elbows are flung wide and thrown back, wrists cocked inward. Her eyes are squeezed shut into hard crescents, brow drawn down in two sharp creases, teeth clenched behind parted lips, breath caught, a flush blooming where the palms meet skin; the impact compresses her cheeks and pushes her lower lip slightly askew. Her purple hair is caught mid-swing, strands flung back off her shoulders and across the raised forearms, some sticking to the cheek under her fingers. The red hairband sits high on her head with the single gold star ornament cocked to one side above her left temple, catching the light. Her red vest rides up on the arched torso over the white puffy sleeves, the white sash knotted at her waist trailing loose with one end flicked outward; her biker shorts and black pantyhose run down into the wide stance. Small pearls and beads at her throat and wrist swing out on their threads from the jerk of her arms.
The gymnasium is a plain midground of pale wooden floorboards and a distant wall, kept simple and recessive, one boundary line stretching away at the floor to give depth. One hard, cool overhead light source sits high and slightly behind her: it strikes the top of her head, the gold star, the crown of each raised forearm and the upper white sleeve, leaving her jaw, the undersides of her hands and the far side of her face in shadow, and it throws a compressed, foreshortened shadow of her arms and bent torso down onto the boards directly beneath her. Colour is disciplined to purple, red, white and black with the single gold star and the small pale shimmer of pearls and beads against the floor's warm neutral. A micro-detail for the eye: the sweat sheen at her temples is squeezed into a fine ridge where her palms press, and the strands of hair there stay stuck flat to the damp skin. Sharp focus on the face and hands, shallow fall-off to her legs and the far wall, intensity high, raw and electric.
糖分
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lumiglaze_pastel_opal_painting, beautiful colors, magical lighting, hnyst01 anime illustration style, masterpiece, best quality, ultra-detailed, delicate illustration, detailed illustration, anime illustration, Kagamine Rin, VOCALOID, solo, side profile portrait, close-up composition, eyes gently closed, peaceful expression, listening to music, short golden blonde hair, distinctive white hair bow, delicate facial features, black and white sailor collar, futuristic headphones, a large compact disc perfectly aligned with the headphone earcup, the CD itself visually functioning as the headphone earcup, circular CD rings surrounding her ear, iridescent reflective disc surface, concentric circles framing her face, face occupying most of the composition, head slightly tilted downward, hair softly framing her cheeks, vibrant yellow, golden orange, violet and hot pink color palette, Y2K music album cover design, retro futuristic CD packaging aesthetic, intricate geometric frames, transparent interface panels, thin circuit-like lines, orbiting circular graphics, decorative typography, abstract music symbols, tiny stars and sparkling highlights, layered graphic elements overlapping the portrait, asymmetrical layout, crisp geometric details, dense decorative composition, square format
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character: eren_yeager, mikasa_ackerman
character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
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The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
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