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Miku in a Summer Yukata!
I absolutely adore this illustration of Miku relaxing in her beautiful blue yukata, surrounded by hanging wisteria flowers. Her charming smile and playful pose always melt my heart—I can't get enough of her adorable style! If you love her as much as I do, please like, follow, and share your thoughts in the comments. Stay tuned for more cute artworks!
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- Ursprünglicher Prompt
- 1girl, (nakano miku), go-toubun no hanayome, blue eyes, hair between eyes, medium hair, brown hair, blue headphones, [headphones around neck], solo, looking at veiwer, closed mouth, dynamic pose, smile, bluesh, kimono, blue kimono, 藤の花, flower, purple flower, wind, jewelry, 下駄, こちらに手を伸ばす, pastel colors, ,748cmstyle,<lora:LCMTurboMix2fix:1>,best_falling,
- Größe
- 1024 x 1024
- Sampling-Schritte
- 28
- Sampling-Methode
- Euler a
- CFG Scale
- 5
- Negativ
- nsfw, worst quality, low quality, too many fingers, fused fingers, missing arms, missing fingers, bad anatomy, bad hands, text, signature, artist name, watermark, nsfw, username, error, missing fingers, extra digit, fewer digits, disfigured, jpeg artifacts, cropped, blurry, mutation, deformed, dehydrated, bad proportions, disfigured, gross proportions, nsfw, malformed limbs, long neck, duplicate, ugly
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character: nakano_miku
1girl, solo, nakano miku, long hair, brown hair, hair between eyes, blue eyes, headphones around neck, yukata, japanese clothes, floral pattern yukata, obi, yukata hem rolled up, bare legs, thighs, side buttocks, partially exposed buttocks, sitting, cross-legged, wariza, facing viewer, looking at viewer, blank stare, dazed, shy, blush, parted lips, head slightly tilted, hands on thighs, pure white background, white void, simple background, full body, from above, slightly high angle, soft even lighting, soft cel shading, warm cream and indigo yukata palette, quiet flustered mood
The camera looks down from slightly above eye level, straight onto a single girl seated alone at the center of a seamless pure white field that extends past every edge of the frame, no floor line, no horizon, no furniture, nothing else in the image. She sits with her legs crossed at the front, one calf folded over the other thigh, her weight settled back on her hips with a slight lean to her left; both hands rest loosely on her thighs, fingers curled, the right thumb pressed absently against the rolled cuff of the yukata. The yukata is hers, cream-white cotton with a fine indigo pattern, its collar crossed left over right at her throat and its wide sleeves sliding back from her forearms; the obi is tied in a flat knot at her waist, and the hem has been rolled and tucked up in a thick band above her hips so that both legs are bare from the hip down, knees and shins fully uncovered, and a small crescent of her side buttocks shows at her right hip where the fabric lifts away. Her long brown hair falls past her shoulders with a few strands between her eyes and the rest spilling onto the white ground behind her hips; the headphones sit around her neck above the yukata collar. Her chin is lifted a touch toward the lens, eyes wide and unfocused, lips parted in a small slack O, a faint blush high on both cheeks, brows slightly drawn -- caught and not yet reacting. Both eyes look directly into the lens. The light is soft, even and directionless, a studio-white key with no visible source, so the only shadows are the gentle shading beneath her chin, under the sleeves and where her legs cross, and the faint contact shadow pooling dark under her hips on the white; the white ground stays clean and unbroken around her. Palette limited to the cream and indigo of the yukata, warm brown of her hair, pale skin and the pure white ground. Quiet, flustered, tender.
长生
character: nakano_miku
1girl, solo, nakano miku, long hair, brown hair, hair between eyes, blue eyes, headphones around neck, yukata, hem hitched up, bare legs, side buttocks, sitting, crossed legs, facing the camera, looking at viewer, full body, from below, dutch angle, plain white background, white seamless backdrop, bare feet, toes pointed, hands resting on knee, head tilt, half-closed eyes, light blush, seductive smile, parted lips, leaning back on one arm, arm support
Shot from a low, slightly tilted angle below her eyeline, one girl sits alone in the dead center of a pure, seamless white void: no horizon, no floor line, no props — just her and the white. Her weight rests on her right hip, left leg folded high over the right thigh at the knee, so the crossed leg swings a little forward toward the lens and the lower calf trails aside; her bare left foot hangs free with the toes relaxed and pointed, the right foot planted flat under the fold. Both hands settle on the top knee — the left hand lightly over the shin, fingers curling around it, the right hand resting loose beside it — and behind her the right arm props partway back to hold the lean, palm flat at her hip where the white swallows the contact shadow. The yukata hem is gathered and hitched up high above the thigh, fabric bunched and creased at the waist, leaving both legs bare to the hip and a small sliver of the side of her buttock showing where the fabric has ridden aside on the outside of her hip. The cloth itself is the original yukata: a deep indigo-purple ground crossed by pale gold and ivory patterns, wrapped left-over-right over the chest with the broad obi tied low at the waist in a flat, firm knot; the collar sits off the nape and the wide sleeves fall open beside her thighs, loose and heavy. Her long brown hair spills down over both shoulders and past her back, a few strands caught in front between her eyes, a few lying across the collar of the yukata, the ends swinging a little toward her right shoulder with the tilt of her head. The headphones rest around her neck, the cups sitting against her collarbone just above the indigo cloth. Her chin is dipped slightly and her head tilts a touch to one side as she looks straight down the lens from beneath half-lowered lids, a faint blush high on both cheeks, lips parted a bare fraction, one corner of her mouth drawn up in a slow, knowing half-smile — a challenge, not a greeting. The light is flat, soft and completely even from a broad source directly in front and slightly above, so her skin reads smooth and warm-toned, the white ground stays a flawless unmarked field with no gradient, and only a soft, low-contrast pool of shadow gathers under her hips and beneath the crossed leg, anchoring her to a floor that isn't there; the indigo and gold of the yukata and the warm brown of her hair are the only color in the frame. Self-assured, quietly teasing.
长生
character: nakano_miku
1girl, solo, front view, facing viewer, cowboy shot, standing, miko outfit, white kimono top, red hakama skirt, diagonal collar, red cord, knot, hanging cord, obi sash, obi below bust, underbust sash, tight sash, side slit, bare thigh, bare hip, side of buttock, slim waist, arm up, hand in own hair, adjusting hair, reaching up, long hair, brown hair, hair between eyes, blue eyes, headphones around neck, original headwear, glossy skin, shiny skin, sheen, light smile, closed mouth, shy, blush, looking at viewer, head tilt, white background, simple background, cel shading, soft bloom
Front view, head-on and level with her chest: a girl of slight build stands alone against a pure white field with no horizon line, no cast shadow on the floor, nothing in the frame but her. A white kimono top crosses her chest in a single diagonal lapel line from her left shoulder down to her right hip, and where the lapels cross a thick red cord is knotted once, its two ends hanging loose down her sternum and swinging slightly away from her body toward the lower right. An obi sash in deep red is cinched tight just under the bust, gathering the white fabric above it so the bust lifts firm and rounded beneath the taut cloth, and the waist below the sash pinches narrow before the red hakama skirt flares out. The hakama is closed on her right and split high on her left, the slit running from the hem up past her hip so the outer edge of the left thigh and a sliver of the side of her buttock show bare against the fabric's edge; the hem stops mid-shin and the shot crops just below her knees, her feet out of frame. Her right arm is raised, elbow lifted to shoulder height, fingers spread and pushed back into her long brown hair at the temple, lifting a lock off her ear while the rest of her hair falls straight past her shoulders to the middle of her back, a fine strand hanging between her eyes; the canonical headwear stays on her head above the raised hand, and a pair of headphones hangs around her neck as a black band crossing the white collar. Her left arm hangs relaxed with the hand resting against the outer seam of the hakama, fingers just touching the slit's edge. Her shoulders tip a few degrees off square, weight settled on her left leg, right knee slack, chin dipped and tilted toward her raised arm; her blue eyes come up to the viewer from under her brows, a bright open smile on her lips with the corners pulled tight and a flush warming both cheeks -- sunny and pleased and at the same time bashful about being looked at. Skin gloss is one continuous specular treatment: a hard narrow highlight running down her forehead, nose bridge, collarbone, the top of each shoulder and the raised forearm, with a cooler reflected fill along the underside of her jaw and inner arm, while the white kimono stays matte so the shine reads only on skin. The white background is a single flat value with no gradient and no texture, so the figure's contour is the only line in the composition; light comes from the upper left and stays soft, its only darkness a faint core shadow inside the slit's fold and under the hanging cord. Red, white and warm brown only, nothing else admitted -- red in the obi, the cord, the hakama and the flush of her cheeks and lips; brown in her hair; white in the kimono and the empty ground. Effortlessly bright, a little shy.
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ᯓ★ ⚡ ♡ ᯓ★
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𝚖𝚎𝚛𝚒𝚖𝚎𝚛𝚒
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₊˚ ꒰ᐢ. .ᐢ꒱ 🍓🍞 ✧
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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica
Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
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1
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the ballerina
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
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