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AI art "Anthro Sheep Dynamic Posing" featuring #Furry, #Schaf, #Schaf-Mädchen and #weiblicher Furry
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Anthro Sheep Dynamic Posing

KI-Kunst „Anthro Sheep Dynamic Posing“ von zeroneba34 auf PixAI. Tags: Schaf-Mädchen, weiblicher Furry. Erstellt mit Banana Splitz XL.

#Furry#Schaf#Schaf-Mädchen#weiblicher Furry
z3

zeroneba34

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Prompts sind auf PixAI standardmäßig öffentlich, aber Creator können sie bei jedem veröffentlichten Werk verbergen. Der Creator dieses Werks hat sich dafür entschieden – die Wörter, mit denen das Bild generiert wurde, bleiben also privat und nur diese Person kann sie sehen. Sonst ändert sich dadurch nichts: Das Werk bleibt öffentlich, und du kannst es wie gewohnt liken, kommentieren und teilen.
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Verwendetes Modell und LoRA

Banana Splitz XL - AI Model cover image

SDXL

Banana Splitz XL
313
The Walten Files - AI Model cover image

Benutzer-LoRA

The Walten Files
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[sdxl] dynamic poses - AI Model cover image

Benutzer-LoRA

[sdxl] dynamic poses
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Avatar image of LITTAUN I
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LITTAUN I
#Reißzahn#gekippte Kamera#Spitzohren
AI artwork
Avatar image of LITTAUN I
artist: vanripper alice (fpe), 1girl, solo, halloween costume, demon girl, red skin, long white hair, blunt bangs, black horns curving back from the temples, pointed ears, small bat wings folded behind her shoulders, thin tail with a spade tip, red eyes, black bodysuit, cropped jacket, high-heeled boots, vanripper (style), bold black linework, hard-edged cel shading, limited high-contrast palette, red and black and bone-white, flat background, from below, cowboy shot, dutch angle, leaning forward, one hand on hip, outstretched arm, pointing at viewer, head tilt, smug, lopsided grin, one eye half-closed, fang, looking at viewer, halloween Low three-quarter camera tilted a few degrees off level, looking up at the girl so the flat bone-white field behind her runs unbroken from the top of the frame down past the bottom edge; she is the only thing in it, standing with her weight sunk into the right hip, left leg crossed loosely in front of the right with the knee bent and the toe of the heel resting on nothing but the ground line the shading implies. Her spine arches toward the lens, shoulders rolled back, chest lifted by the tilt of her chin. The right hand is planted flat at the crest of her hip, fingers spread and pressing a crease into the jacket's hem; the left arm swings up and out, elbow soft, index finger aimed straight at the viewer and foreshortened short by the low angle, the sleeve dragging back off the wrist. Her head tips toward her left shoulder, chin down but eyes up under the brows, the near eye narrowed to a slit and the far one wide, upper lip curled so a single pointed fang catches the light — a look that dares the viewer to react. The long white hair hangs heavy and straight past her shoulders, tips kicking sideways with the tilt of the head; the small bat wings sit folded high on her back, one edge visible past her right shoulder against the white ground; the thin tail curls out low and lazy to the right of the heel, spade tip turned up. She stands bare of ornament at the throat and ears, lobes and neck completely unobstructed, the jacket collar turned up on both sides against the bare column of the neck. Light comes from one hard source high and to the left of the frame, so the lit planes of her face, the near horn, the front of the jacket and the tops of the boots are flat fills of red and bone-white while the shadow side of her jaw, the far wing, the inside of the raised arm and the whole wedge of the tail drop into one solid unbroken black shape; the shadow she throws falls hard-edged across the ground at the lower right and is cut off by the bottom edge. Palette admitted: red skin, black hair-gloss and garment, bone-white field and white hair, and nothing else — the ground flat, the cel edges hard, the linework bold and even. Playful, swaggering.
LITTAUN I
#Schwanz#Reißzahn#stehend

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