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AI art "El día E" featuring #Doom
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El día E

#Doom
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Kommentare

1boy, berserker, monster, muscular, full body, human zombie, animal zombie, warm skin, pale eyes, exposed teeth, tattered clothing, torn skin, exposed bones, exposed muscles, fresh blood, horror body, missing body parts, sharp teeth, spikes on back, bipedal, red glowing eyes, red glowing lights, Ratatakat74
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Ursprünglicher Prompt
Berserker, monster, big, muscular, male, 1boy, full body, ,human zombie/animal zombie, full body, warm skin, pale eyes, exposed teeth, tattered clothing, torn skin, exposed bones, exposed muscles, fresh blood, horror body, missing body parts, monster, sharp teeth , spikes on back, bipedal, red glowing eyes, red glowing lights, red glowing lights,Ratatatat74
Größe
768 x 1280
Sampling-Schritte
28
Sampling-Methode
Euler a
CFG Scale
5.5
Negativ
nsfw, worst quality, low quality, too many fingers, fused fingers, missing arms, missing fingers, bad anatomy, bad hands, text, signature, artist name, watermark, nsfw, username, error, missing fingers, extra digit, fewer digits, disfigured, jpeg artifacts, cropped, blurry, mutation, deformed, dehydrated, bad proportions, disfigured, gross proportions, nsfw, malformed limbs, long neck, duplicate, ugly

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AI artwork
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(masterpiece best quality 1.2) ultra-detailed eldritch deity character design extreme low angle zoomed in up close front view camera positioned extremely low tilted sharply upward full body framing 1creature solo The Immortal Demon Monster a being that cannot die and has been alive so long that life has become a punishment the god is the concept of persistence given claws the god's body is massive and bestial and WRONG the body is not humanoid the body is a creature a THING that has survived every attempt to end it the body is covered in scars — not hundreds not thousands but EVERY SCAR the god has ever received in its immortal existence every cut every burn every wound every death that failed to stick the scars are layered the scars have scars the scars have built up over eons until the scar-tissue is thicker than the original body the god's surface IS scar-tissue the original body is buried beneath millennia of healing the scars are black and red — black where the tissue has died and calcified red where the tissue is still fresh and angry the god's body is a living archaeological record of every battle it has survived the god's face is the densest scar-cluster the face is barely recognizable as a face the features are buried under layers of healed-over wounds the eyes are visible between scar-ridges — two burning red eyes in a canyon of scar-tissue the eyes are the only part of the god that has never been damaged the eyes are immortal the eyes have been burning since the beginning and the burning is the god's vitality the god's mouth is a gap in the scar-tissue the mouth is not a mouth the mouth is a wound that never closed the mouth is the first wound the god ever received the mouth is open and the mouth has been open since the first battle and the opening has never healed because the wound is too deep the god's teeth are visible in the permanent wound-mouth the teeth are sharp and broken and grown back the teeth have been knocked out and regrown so many times that the current set is the latest generation the god has gone through generations of teeth the way mortals go through generations of descendants the god's body is covered in bone-protrusions — not horns not spikes but REGROWTHS where bones have broken through skin and healed wrong the bone-protrusions are calcium deposits from fractures that never set properly the god's skeleton has been broken so many times that the bone has grown into new shapes the god is a different shape than it started the god has been REDESIGNED by damage the god's current form is the result of a billion injuries and the form is not the original form the original form is forgotten the god's body is massive and hunched and the hunching is from spines that healed curved the god's hands are enormous the hands are scar-covered clubs of bone and tissue the hands have been rebuilt so many times that the fingers are too thick the knuckles are too pronounced the wrists are too wide the hands are WEAPONS that were shaped by violence the hands are not hands they are clubs that grew from hands body language the god stands with the posture of something that has been hit so many times it EXPECTS to be hit the god's stance is braced the god is always braced the god is always expecting the next blow the god flinches but the flinching is from memory not from pain because the god cannot feel pain anymore the nerves died eons ago the god's body is numb and the numbness is the immortality the god does not feel the god does not rest the god does not stop the god persists and the persistence is the curse and the curse is the god the god's wings are the most tragic feature the wings exist but the wings do not fly the wings have been torn and healed and torn and healed and the healing has fused the wing-membranes into useless scar-webbing the wings are vestigial the wings are monuments to a time when the god could fly the god has not flown in a million years the god has forgotten what flying feels like but the wings remain because the wings cannot be removed because the god is immortal and immortality means keeping everything even the parts that do not work environment shown as a battlefield — the environment around the god is a landscape of battles the god has fought the ground is churned and scarred the ground matches the god the ground is the god's body extended the ground has been walked on so many times by the god's scarred feet that the ground has become scarred too the environment is the god and the god is the environment and both are immortal and both are tired and the tired is the worship and the worship is persistence and the persistence is the prayer rim light along massive scar-covered body-surface catching black calcified scar-ridges and red angry fresh scar-tissue rim light catching burning red immortal eyes between scar-canyon ridges on face rim light catching permanent wound-mouth with broken regrown teeth visible in the open gap rim light catching bone-protrusion calcium deposits from fractures healed wrong rim light catching enormous scar-rebuilt club-hands too thick too wide too pronounced rim light catching vestigial fused scar-webbing wings that cannot fly rim light catching scarred churned battlefield environment that matches the god's body shadow immortal shadow with scarred battlefield environment of eternal endurance chi aroscuro eldritch divine lighting with red immortal-eye burn-glow between scar-ridges and black-red scar-tissue texture-contrast on massive scar-surface highly detailed 8K cinematic composition detailed Immortal Demon Monster eternal endurance scar-body texture
grim
AI artwork
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In a (low-angle cowboy shot), a towering, muscular creature known as Zion Ninth Birth Chaos form dominates the frame, viewed from a sharply upward tilt. The creature possesses a dense, hardened black body resembling volcanic rock, crisscrossed with pulsing crimson red fissures that glow like magma. Massive, ridged devilish horns curve backward from its skull, and blazing red eyes pierce from deep sockets above a wide, aggressive snarl revealing sharp red teeth. Its hands end in sharp claws surrounded by red anti-magic nullification fields, while red lightning arcs violently from its skin. The surrounding environment is actively dissolving, with magic barriers and energy constructs shattering into pieces, and the ground cracking under its sheer power. The visual style is a high-contrast anime illustration with sharp ink-like strokes and bold silhouettes. The lighting is a volatile chiaroscuro, featuring a crimson-red ambient glow and intense rim lighting that accentuates the horns, teeth, and the volatile energy surging across its form.
Diablogrim

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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ