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AI art "thranduil" featuring #Elf, #Krone, #lange Haare, #Blonde Haare, #Schwert, #Zwei-Waffen-Kampf, #Rüstung, #Ganzkörper and #Tolkiens Legendarium
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thranduil

KI-Kunst „thranduil“ von ORI auf PixAI. Tags: lange Haare, Blonde Haare, Schwert, Zwei-Waffen-Kampf. Erstellt mit Tsubaki.2.

I've always been captivated by Eldrian's noble and commanding presence. Her intricate armor and regal crown truly embody her strength and grace. I can't help but admire her elegant design and fierce aura—hope you feel the same! Please like, follow, and share your thoughts in the comments; I look forward to creating more such art for everyone!

#Elf#Krone#lange Haare#Blonde Haare#Schwert#Zwei-Waffen-Kampf#Rüstung#Ganzkörper#Tolkiens Legendarium
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ORI

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Thranduil, elf king, Lord of the Rings, anime illustration. Thranduil has long, straight, ash-blonde hair falling nearly to the waist, framing a pale aristocratic face with sharp, bone-carved cheekbones. He has wide, dark, expressive eyebrows under piercing cold blue eyes with a faint magical aura, capable of freezing and incinerating. His skin is flawless and pale. He has a nose with a thin bridge and a volitional, clearly defined chin. His facial expression is usually cold and distant, but in the heat of battle, it distorts with a battle cry, revealing hidden fury. Special note: He considers this beauty a mask—under the influence of strong emotions or extreme stress, the illusion drops, revealing his true, disfigured face marred by an ugly scar—a memory of the encounter with the Dragons of the North, usually hidden by elven magic. His battle crown is a unique work of art, a whimsical intertwining of gilded and silvered branches and leaves. Unlike peaceful wreaths of fresh flowers, the battle crown is an ingenious metallic structure of thin and sharp lines, resembling a winter forest or deer antlers. In its center on the forehead is a large precious gemstone of a deep red or burgundy shade—like a drop of frozen blood, symbolizing his ancient and dangerous nature. The crown does not so much fit to the head as float above it, being an integral part of his majestic and intimidating appearance. Thranduil's cloak is a long royal cape with a high stand, crimson as the sunset on the inside, and shimmering silver-gray or cold blue velvet on the outside, which shimmers in the sun's rays with every movement. The heavy hem of the cloak falls to the very ground, adding majestic smoothness to his movements. Under the cloak is concealed a fully form-fitting armor made of silvered steel. The breastplate has a complex anatomical shape and is covered with finest engraving in the form of plant ornaments. The pauldrons consist of several layers of metal plates—externally they resemble thin curved leaves or scales. Gauntlets and greaves, tightly fitting the legs, completely repeat the design, protecting from the wrist to the elbow and from the knee to the ankle. His riding boots are pointed, high, made of soft leather and dark steel, ending with metal overlays over the knees. Thranduil chose two identical long straight swords as his main weapon. The sword guards are curved with smooth lines resembling tree roots. The handle and the entire surface of the blade are covered with engraved patterns in the form of intertwining grapevines and leaves. The blades themselves are cast from "silver elven steel" and have a characteristic bluish sheen. Both swords are hung on the belt on leather straps with metal inserts. great quality, best quality
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Ursprünglicher Prompt
elf,elf king,thranduil,lord of the ring, Волосы Трандуила — длинные, прямые и пепельно-белокурые, они ниспадают почти до пояса, обрамляя бледное аристократическое лицо с острыми, словно выточенными из кости, скулами. Его брови широкие, тёмные и выразительные — под ними скрывается пронзительный взгляд холодных голубых глаз с лёгким налётом магии, способный в равной степени заморозить и испепелить (в ранних концепциях и литературной основе цвет серый). Кожа безупречно-светлая, характерная для его народа, без единого изъяна. Нос с тонкой переносицей, подбородок волевой и чётко очерченный. Выражение лица обычно холодное и отстранённое, но в пылу битвы оно искажается боевым кличем, обнажая скрытую ярость. Особое примечание: Эту красоту он считает маской — под воздействием сильных эмоций или в моменты крайнего стресса иллюзия спадает, открывая истинное, обезображенное уродливым шрамом лицо — память о встрече с Драконами Севера, которую обычно скрывает эльфийской магией. Его боевая корона — это уникальное произведение искусства, представляющее собой причудливое переплетение позолоченных и посеребрённых ветвей и листьев. В отличие от мирных венков из живых цветов, боевая корона — искусная металлическая конструкция из тонких и острых линий, напоминающих зимний лес или оленьи рога. В её центре на лбу крепится большой драгоценный камень глубокого красного или бордового оттенка — словно капля застывшей крови, символизирующая его древнюю и опасную природу. Корона не столько прилегает к голове, сколько парит над ней, являясь неотъемлемой частью его величественного и устрашающего облика. Накидка Трандуила — длинный королевский плащ с высокой стойкой, изнутри алого, как закат, бархата, снаружи — мерцающего серебристо-серого или холодного синего бархата, который переливается в лучах солнца при каждом движении. Полы тяжёлого плаща ниспадают до самой земли, добавляя его движениям величавую плавность. Под плащом скрывается полностью облегающий доспех из посеребрённой стали. Грудная кираса имеет сложную анатомическую форму и покрыта тончайшей гравировкой в виде растительных орнаментов. Наплечники, или паuldrons, имеют несколько слоёв металлических пластин — внешне они напоминают тонкие изогнутые листья или чешую. Перчатки (gauntlets) и поножи (greaves), плотно облегающие ноги, полностью повторяют дизайн, защищая от запястья до локтя и от колена до щиколотки. Его сапоги для верховой езды — остроконечные, высокие, из мягкой кожи и тёмной стали, заканчивающиеся металлическими накладками поверх колен. Своим главным оружием Трандуил избрал два идентичных длинных прямых клинка. Гарды мечей изогнуты плавными линиями, напоминающими древесные корни. Рукоять и вся поверхность клинка покрыты выгравированными узорами в виде переплетающихся виноградных лоз и листьев. Сами лезвия отлиты из «серебряной эльфийской стали» и имеют характерный голубоватый блеск. Оба меча подвешены к поясу на кожаных перевязях с металлическими вставками.
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768 x 1280

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Tsubaki.2 - AI Model cover image

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Tsubaki.2
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copyright: warhammer_fantasy character reference sheet, 1boy, Tyrion, elf, high elf, male elf, long straight silver-white hair, hair past shoulders, pointed ears, sharp elven features, high cheekbones, clean-shaven, tall lean muscular build, teal-blue eyes, stern noble expression, raised chin, level gaze, ornate silver filigree plate armor, pauldrons with dragon motifs, engraved breastplate, fine sapphire-blue surcoat, high collar, mail sleeves, gauntleted hands, sword at hip, magical sword, full body, multiple views, front view, side view, three-quarter view, back view, head close-up portrait, arms crossed, hand resting on sword pommel, from front, from side, from behind, looking at viewer, looking to the side, static pose, neutral ground, muted parchment ground, Warhammer Old World art style, painterly grimdark fantasy illustration, visible oil texture, heavy chiaroscuro, desaturated palette, weathered metals, character design sheet layout, A character reference sheet in the grim, weathered Old World manner, drawn as a full sheet rather than a single scene: one tall male elf warrior presented in several views at once, arranged on a muted parchment-toned ground with no environment at all -- no sky, no floor, no landscape, only a faint neutral field so that the figure and its colors carry the entire image. Down the left of the sheet stands the full front view: he is well over six feet, lean and broad-shouldered, weight settled onto his left leg with the right hip dropped slightly, so that the long silver-white hair falling past his shoulders swings a little toward his left and the edge of his surcoat hangs straight. His arms are crossed over the engraved breastplate, the right gauntlet folded over the left forearm, and the fingers of his left hand rest loose on the pommel of the long sword at his hip. His chin is lifted a fraction, teal-blue eyes level and cool, mouth closed and flat at the corners, and the whole bearing is that of a soldier who has never once needed to raise his voice. Beside that, a three-quarter view from his right side repeats the face and the armor at a slight turn, showing the high cheekbones, the pointed ear cut clear of the hair, the sharp jaw clean-shaven, and the tall flared collar of the surcoat; here his right hand is lifted, thumb and forefinger pinching the edge of the collar to settle it, the gauntlet's silver knuckles catching a highlight. A narrow profile view follows, in which the nose and brow read as a single sharp line, the eyes fixed somewhere past the sheet's edge, the pauldron with its coiled dragon motif thrust forward and the mail sleeve bunching at the elbow. On the right of the sheet a back view stands with the hair falling in a straight bright curtain to the shoulder blades, the cape of sapphire-blue cloth caught over one shoulder and pinned, the plate of the back and the sword scabbard angled down behind the leg, and the whole spine of the armor drawn edge to edge. Crowning the sheet, a head close-up in three-quarter turn: the eyes look a little to his left, not at the viewer, one brow very slightly raised, a thin scar-like wear in the silver of the brow plate above, the lips pressed. The armor is everywhere the same object: ornate silver filigree over darkened steel, engraved scrollwork on the breastplate, rivets and rivet-chips visible at the edges, the metal tarnished in the seams and polishing to a hard cold shine on the upward faces. The sapphire-blue surcoat and cape are the single strong color and sit only there, over a palette of hammered pewter, bone-white, ash and dull gold. Light comes from the upper left of the sheet as a single studio shaft, so it strikes the left cheek, the left pauldron and the flat of the drawn sword, throws a hard cast shadow down and to the right across the parchment behind each figure, and leaves the right side of the face and the inner folds of the cape in deep warm shadow. Fine dust hangs in the shaft of light, and where the sword's flat catches it the blade throws a thin cold reflection brighter than any painted silver on the sheet. Hair and cloth are always drawn with their own weight: the silver-white strands splay at the crown where they leave the scalp, the cape's fibers show at its hem, and each view keeps the same proportions as the others. Grim, dignified, Old World stillness.
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