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Prompts sind auf PixAI standardmäßig öffentlich, aber Creator können sie bei jedem veröffentlichten Werk verbergen. Der Creator dieses Werks hat sich dafür entschieden – die Wörter, mit denen das Bild generiert wurde, bleiben also privat und nur diese Person kann sie sehen. Sonst ändert sich dadurch nichts: Das Werk bleibt öffentlich, und du kannst es wie gewohnt liken, kommentieren und teilen.
Vom Autor versteckt
Verwendetes Modell und LoRA
![[Yume335 Artist Style | Illustrious-XL] - AI Model cover image](https://images-ng.pixai.art/images/thumb/8433225c-d1c1-4798-abbb-b04ecfc867ed)
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pov, first-person view, driver pov, inside car, looking through windshield, car interior, silhouette, steering wheel, dashboard, cinematic wide shot, night, dark night, night scenery, empty road, rural road, asphalt road, two-lane road, no other cars, gas station, retro gas station, roadside, two fuel pumps, unlit building, dark office, illuminated sign, pole sign, fluorescent light, pale blue light, pool of light, headlights, rice fields, farmland, distant mountain, mountain silhouette, starry sky, anime background art, highly detailed background. From a first-person driver's point of view seated inside an automobile, the cinematic wide composition looks straight out through the clear front windshield. The lower foreground is anchored by the solid black silhouette of a right-hand steering wheel and the horizontal curve of the dashboard spanning the bottom edge of the frame. Through the glass, the car's headlights project an angled wedge of pale yellow light along an empty two-lane asphalt national highway, picking out faded painted lane markings before tapering into impenetrable darkness; the road stretches ahead completely barren, entirely devoid of oncoming traffic or other vehicles. Off to the left shoulder sits an old-fashioned rural gas station under a flat weathered canopy. Beneath the shelter, two vintage rectangular fuel pumps stand on a raised concrete island, starkly illuminated by the pale blue-white glare of exposed fluorescent strip lights mounted overhead. The harsh, cool light spills onto the concrete apron in a sharp geometric pool, leaving the single-story glass office building behind the pumps completely unlit, dark, and shuttered. Near the highway edge, a tall metal roadside pole holds a backlit rectangular signboard glowing cleanly in the dark with red lettering that reads "ガソリン". Beyond the station and across the right side of the highway, vast unlit farmland and flat rural fields stretch outward into deep blue shadow, flanked by the rhythmic cadence of utility poles and drooping telephone lines. On the far horizon, the dark, continuous silhouette of low rolling mountains meets a deep indigo night sky dusted with faint pinprick stars. The overhead fluorescent tubes cast sharp, elongated shadows of the fuel pump nozzles and coiled hoses across the pale concrete pad, while the windshield glass catches a faint, translucent optical reflection of the glowing roadside sign. The palette is disciplined in ink black, deep midnight navy, and muted asphalt gray, contrasted sharply against the stark cyan-white fluorescent glare and localized headlight illumination. Precise anime background art linework with painterly atmospheric depth. Quiet solitude.
アルル
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iuteeh
仰
from behind, two people, 1boy, 1girl, boy and girl, sharing umbrella, dark navy umbrella, umbrella tilted toward girl, school uniform, white short-sleeved button-down shirt, navy blue trousers, white short-sleeved blouse, navy blue pleated skirt, white crew socks, wet clothes, soaked shoulder, rain, rain-soaked street, rainy dusk, dusk sky, grey-lavender sky, power lines, telephone lines, convenience store, small japanese convenience store, vertical store sign, warm interior light, light spilling onto street, large puddle, reflection, puddle reflection, wide shot, cinematic, viewed from behind, standing close, soft anime background art, muted palette, nostalgic, rain haze, detailed background, no text,
The camera sits behind the two of them at a slight distance and a little to the left, wide and cinematic, so the whole storefront and the puddle stay in frame and their faces are never seen. They stand shoulder to shoulder on the cracked asphalt just outside the store's automatic doors, the boy on the left, the girl on the right, close enough that their sleeves brush. The dark navy umbrella is held in the boy's right hand, its shaft angled across toward the girl so the canopy dips low over her side and rides high on his; the girl's head tips slightly toward him under the low rim, her loose hair pushed forward and lifting in the damp breeze. His left shoulder and the outer half of his back are dark and plastered to the shirt, the wet fabric clinging with a sharp edge where the water has run down and stopped, while under the canopy his collar, right sleeve and the girl's blouse and pleated skirt stay dry. Rainwater beads and runs in threads off the umbrella's ribs, drops in a fine broken line onto the boy's exposed shoulder, and patters in shallow rings across the asphalt.
Behind them stands the small convenience store, its glass front hazed with condensation and stacked with softly colored product shelves, the warm interior light spilling out of the doorway and the windows in a wide ochre fan that falls across their calves, the wet pavement and the near edge of the puddle; the store's vertical sign rises against the grey-lavender sky in tall stacked characters, glowing dimly, and its light bleeds along the wet ground in a long streak. Above and behind the store, telephone pole and power lines cut clean diagonal lines across the evening sky, which grades from indigo overhead down to a faint violet-orange band on the horizon; the sun is entirely gone. At their feet a large puddle holds an inverted, softly trembling image of the two figures, the tilted umbrella dome and the glowing store sign, darker and blurred at its edges, rippling where the rain hits.
The world around the warm doorway stays in muted desaturated navy, slate, moss green and faded lavender, with the store's interior the one concentrated pocket of warm amber. Gray-violet rain haze softens the far street and the buildings beyond the sign. Quiet, tender.
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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica
Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
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이름
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