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AI art "Auaka&Nilou"
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Auaka&Nilou

KI-Kunst „Auaka&Nilou“ von Mr.BlueApple auf PixAI. Tags: Mode, Denim, bauchfrei, Haarschmuck, lange Haare. Erstellt mit Tsubaki.

本物Y2Kより

Wettbewerbseinreichung
PixAI “Entering Y2K” Art Contest
#Mode#Denim#bauchfrei#Haarschmuck#lange Haare#Freizeitkleidung#Alternatives Kostüm#blaue Haare#Kopfhörer#Jeans#Crop-Top#Jacke#Doppel-Dutt#Gürtel#gerader Pony#blaue Augen#Lange Ärmel#Blick zum Betrachter#Schmuck#Tasche#Ganzkörper#blauer Rock#geschlossener Mund#Genshin Impact#Kamisato Ayaka#Dutt#Nilou
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Prompts sind auf PixAI standardmäßig öffentlich, aber Creator können sie bei jedem veröffentlichten Werk verbergen. Der Creator dieses Werks hat sich dafür entschieden – die Wörter, mit denen das Bild generiert wurde, bleiben also privat und nur diese Person kann sie sehen. Sonst ändert sich dadurch nichts: Das Werk bleibt öffentlich, und du kannst es wie gewohnt liken, kommentieren und teilen.
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Verwendetes Modell und LoRA

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character: yumemi_riamu, mayuzumi_fuyuko, copyright: subarashiki_kono_sekai 2girls, full body, walking, strolling, yumemi_riamu, pink_hair, multicolored_hair, two-tone_hair, blue_hair, short_hair, ahoge, hair_intakes, pink_eyes, fang, mask, white mask pulled aside, holding mask aside with one hand, smile, open-mouthed grin, fang visible, sad eyes half closed, smartphone, holding smartphone, backpack, badges, button badges, accessories, earrings, short_sleeves, latest fashion, oversized streetwear, cute design, sneakers, mayuzumi_fuyuko, black_hair, long_hair, blunt_bangs, brown_eyes, gothic lolita, black_mask, black frilled dress, long_sleeves, bow, ribbon, jewelry, earrings, frills, skirt, black boots, walking beside, from side, full body, wide shot, shibuya, cityscape, realistic background, street, crowd, signage, pop illustration character, mixed media, dutch angle, looking at another, daytime, overcast The camera sits low and slightly to the side in a wide full-body shot, tilted a few degrees off level so the crossing and the street behind it lean; Yumemi Riamu strides at the near left of the frame, and Fuyuko Mayuzumi walks half a pace behind and to her right, their bodies angled three-quarters toward each other and down the street rather than to the lens. Riamu's illustration-flat body moves in a long mid-step, her weight sunk into the bent front leg with the rear heel lifting free of the pavement, and her right forearm lifts to hook two fingers under the edge of her white mask and drag it down past her chin, so the mask hangs from one ear loop and her whole face is open in a wide crescent-eyed grin with one sharp fang catching the light -- she is looking over her shoulder at Fuyuko, chin turned, mid-laugh. Her pink-and-blue two-tone short hair cuts the air in flat clumps, the ahoge springing, her oversized latest-fashion zip jacket riding loose over a frilled crop layer, its seams, her mismatched bright platforms from another label, and the studded bracelet at her wrist each reading as a different brand by different trim, colours and hardware; a chunky badge-barnacled backpack is shrugged onto one shoulder with the strap crossing her chest, badges pinned in clusters across the strap and the jacket lapel, her left hand swinging a smartphone in a decorated case down at her hip, one thumb still on the screen. Fuyuko steps with her weight carried high and straight, chin lowered, black blunt-banged hair swinging in a heavy arc over the shoulder as she angles her face toward Riamu, brown eyes just seen over the top rim of a snug black mask fitted over nose and mouth; her gothic lolita black frilled dress with its ribbon at the throat, long black sleeves and heavy black boots make a dark column against the bright street, both hands loosely folded around the strap of a small bag at her waist. Contact points stay exact: Riamu's two fingers pinched white on the mask edge, her lifted toe rolling off the paving, Fuyuko's boot soles flat and taking her weight, the strap pressed into Riamu's collarbone. Behind them the Shibuya crossing reads photoreal -- sharp frontal facades, layered rows of kanji and Latin signage rendered as illegible distant texture, a scatter of blurred pedestrians at a respectful distance, glass and steel holding the depth -- while the two girls alone are drawn flat with hard cel edges, saturated pinks and blacks, and thin linework; the ambient overcast daylight is soft and even from above, flattening into near-shadowless fill on the illustrated figures but drawing a true shadow under Fuyuko's boots and a soft one beneath Riamu's feet, and a faint reflection of the signage smears on the damp paving. The palette is split: hot pink, electric blue and white on Riamu, unbroken black on Fuyuko, both stitched onto the grey-white realism of the street. The mask's ear loop stretches and whitens under the pull, and Riamu's grin skews lopsided because of it -- loud, sunny, effortlessly stylish.
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