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AI artwork
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DuyDuc

KI-Kunst von DuyDuc auf PixAI. Erstellt mit Haruka v2.

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1girl, masterpiece, light blue hair, long hair, straight hair, blue eyes, glasses, looking at viewer, school_uniform, pleated_skirt, artist:neooil, artist:seiha_shiunji <lora:getsuyoubi-no-tawawa-400-illustriousxl-lora-nochekaiser:1>, getsuyoubinotawawa 400, x fingers, looking away, blush, closed mouth, 1boy, lying, solo focus, on back, pov, nose blush, alcohol, can, pov hands, drunk, drink can, beer can, spill, on floor, neooil, seiha_shiunji, light blue hair, long hair, straight hair, blue eyes, glasses
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Ursprünglicher Prompt
1girl, masterpiece, light blue hair, long hair, straight hair, blue eyes, glasses, looking at viewer, school_uniform, pleated_skirt, artist:neooil, artist:seiha_shiunji <lora:getsuyoubi-no-tawawa-400-illustriousxl-lora-nochekaiser:1>, getsuyoubinotawawa 400, x fingers, looking away, blush, closed mouth, 1boy, lying, solo focus, on back, pov, nose blush, alcohol, can, pov hands, drunk, drink can, beer can, spill, on floor,
Größe
768 x 1280
Sampling-Schritte
28
Sampling-Methode
Euler a
CFG Scale
5
Negativ
nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, nsfw, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands

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Avatar image of らり
character: yukino_mifuyu_(puuzaki_puuna) 1girl, solo, yukino_mifuyu_(puuzaki_puuna), lying on stomach, facedown, prone, completely limp, exhausted, eyes closed, no highlights in eyes, matte eyes, white hair, hair bun, loose front strands, sidelocks, hair between eyes, long hair, cyan eyes, white turtleneck, tight dark blue short skirt, dark brown leggings, black heels, torn clothes, ripped fabric, small puddle, living room, indoors, on floor, from above, dutch angle, foreshortening, high angle, best quality, great quality, anime illustration The camera looks down from above at a steep, slightly tilted angle, so the single figure lies across the floor in foreshortening, her head at the near-bottom of the frame and her hips and legs receding up and away. She is flat on her belly, face down on the wooden living-room floor, one cheek pressed into the boards, and every limb is surrendered to gravity: her arms are splayed loosely forward and out, palms half-curled and upturned, fingers slack and touching nothing; her hips lie heavy and twisted a fraction to one side so one black heel has slipped half off its foot and hangs at an angle from the toe, the other heel still on. Her back has no arch and no tension in it, and her legs trail loose behind her. Her eyes are shut, the lids smooth and motionless, and where they meet, the closed lids carry flat-matte cyan with no glint, no catchlight, no sheen anywhere -- dull, drained, unlit. Her white hair is gathered into a bun at the back of her head, but the front has come loose: long white strands and sidelocks spill free across her brow and cheek and fan out over the floorboards beside her face, fine tips lifting slightly where the air stirs them. Her white turtleneck is still on her, pulled askew and rucked up around the shoulders, and it is torn -- a long rip opening across one shoulder seam and a jagged hole at the ribs exposing a scrap of pale skin, the fibres frayed and the knit stretched out of shape. The tight dark blue short skirt sits low on her hips, hiked and creased from the fall, its hem twisted. Dark brown leggings sheath her legs all the way down to the black high heels, matte and close-fitting, a run starting faintly at one knee. Beside her cheek and one outflung hand, a small puddle of water sits in a low hollow of the floorboards; the boards' seams break its edge into notches, it reflects the white of her hair and the pale blue of the room in a soft, darker, dimmer mirror than the hair itself, and the wetness creeps into the grain of the wood well past the standing water. Her outflung fingertips rest just short of the wet edge. The living room around her holds itself still: a low sofa against the far wall, a coffee table with a toppled cushion beneath it, a rug rucked at one corner, curtained windows at the left. The only light comes in through those curtains as a lowered, cool late-afternoon wash that lands across the floor and over her back and hair, catching the dust and the damp sheen of the puddle; under the sofa, beneath the table, and in the whole room beyond the curtain light, the shadow is deep and brown. Palette of pale wood, drowsy ochre, cool window light and the muted white-blue of her hair and skirt. Quiet, drained collapse.
らり
AI artwork
Avatar image of らり
character: yukino_mifuyu_(puuzaki_puuna) 1girl, solo, yukino_mifuyu_(puuzaki_puuna), lying on stomach, facedown, prone, completely limp, exhausted, eyes closed, no highlights in eyes, matte eyes, white hair, hair bun, loose front strands, sidelocks, hair between eyes, long hair, cyan eyes, white turtleneck, tight dark blue short skirt, dark brown leggings, black heels, torn clothes, ripped fabric, small puddle, living room, indoors, on floor, from above, dutch angle, foreshortening, high angle, best quality, great quality, anime illustration The camera looks down from above at a steep, slightly tilted angle, so the single figure lies across the floor in foreshortening, her head at the near-bottom of the frame and her hips and legs receding up and away. She is flat on her belly, face down on the wooden living-room floor, one cheek pressed into the boards, and every limb is surrendered to gravity: her arms are splayed loosely forward and out, palms half-curled and upturned, fingers slack and touching nothing; her hips lie heavy and twisted a fraction to one side so one black heel has slipped half off its foot and hangs at an angle from the toe, the other heel still on. Her back has no arch and no tension in it, and her legs trail loose behind her. Her eyes are shut, the lids smooth and motionless, and where they meet, the closed lids carry flat-matte cyan with no glint, no catchlight, no sheen anywhere -- dull, drained, unlit. Her white hair is gathered into a bun at the back of her head, but the front has come loose: long white strands and sidelocks spill free across her brow and cheek and fan out over the floorboards beside her face, fine tips lifting slightly where the air stirs them. Her white turtleneck is still on her, pulled askew and rucked up around the shoulders, and it is torn -- a long rip opening across one shoulder seam and a jagged hole at the ribs exposing a scrap of pale skin, the fibres frayed and the knit stretched out of shape. The tight dark blue short skirt sits low on her hips, hiked and creased from the fall, its hem twisted. Dark brown leggings sheath her legs all the way down to the black high heels, matte and close-fitting, a run starting faintly at one knee. Beside her cheek and one outflung hand, a small puddle of water sits in a low hollow of the floorboards; the boards' seams break its edge into notches, it reflects the white of her hair and the pale blue of the room in a soft, darker, dimmer mirror than the hair itself, and the wetness creeps into the grain of the wood well past the standing water. Her outflung fingertips rest just short of the wet edge. The living room around her holds itself still: a low sofa against the far wall, a coffee table with a toppled cushion beneath it, a rug rucked at one corner, curtained windows at the left. The only light comes in through those curtains as a lowered, cool late-afternoon wash that lands across the floor and over her back and hair, catching the dust and the damp sheen of the puddle; under the sofa, beneath the table, and in the whole room beyond the curtain light, the shadow is deep and brown. Palette of pale wood, drowsy ochre, cool window light and the muted white-blue of her hair and skirt. Quiet, drained collapse.
らり
AI artwork
Avatar image of らり
character: yukino_mifuyu_(puuzaki_puuna) 1girl, solo, yukino_mifuyu_(puuzaki_puuna), lying on stomach, facedown, prone, completely limp, exhausted, eyes closed, no highlights in eyes, matte eyes, white hair, hair bun, loose front strands, sidelocks, hair between eyes, long hair, cyan eyes, white turtleneck, tight dark blue short skirt, dark brown leggings, black heels, torn clothes, ripped fabric, small puddle, living room, indoors, on floor, from above, dutch angle, foreshortening, high angle, best quality, great quality, anime illustration The camera looks down from above at a steep, slightly tilted angle, so the single figure lies across the floor in foreshortening, her head at the near-bottom of the frame and her hips and legs receding up and away. She is flat on her belly, face down on the wooden living-room floor, one cheek pressed into the boards, and every limb is surrendered to gravity: her arms are splayed loosely forward and out, palms half-curled and upturned, fingers slack and touching nothing; her hips lie heavy and twisted a fraction to one side so one black heel has slipped half off its foot and hangs at an angle from the toe, the other heel still on. Her back has no arch and no tension in it, and her legs trail loose behind her. Her eyes are shut, the lids smooth and motionless, and where they meet, the closed lids carry flat-matte cyan with no glint, no catchlight, no sheen anywhere -- dull, drained, unlit. Her white hair is gathered into a bun at the back of her head, but the front has come loose: long white strands and sidelocks spill free across her brow and cheek and fan out over the floorboards beside her face, fine tips lifting slightly where the air stirs them. Her white turtleneck is still on her, pulled askew and rucked up around the shoulders, and it is torn -- a long rip opening across one shoulder seam and a jagged hole at the ribs exposing a scrap of pale skin, the fibres frayed and the knit stretched out of shape. The tight dark blue short skirt sits low on her hips, hiked and creased from the fall, its hem twisted. Dark brown leggings sheath her legs all the way down to the black high heels, matte and close-fitting, a run starting faintly at one knee. Beside her cheek and one outflung hand, a small puddle of water sits in a low hollow of the floorboards; the boards' seams break its edge into notches, it reflects the white of her hair and the pale blue of the room in a soft, darker, dimmer mirror than the hair itself, and the wetness creeps into the grain of the wood well past the standing water. Her outflung fingertips rest just short of the wet edge. The living room around her holds itself still: a low sofa against the far wall, a coffee table with a toppled cushion beneath it, a rug rucked at one corner, curtained windows at the left. The only light comes in through those curtains as a lowered, cool late-afternoon wash that lands across the floor and over her back and hair, catching the dust and the damp sheen of the puddle; under the sofa, beneath the table, and in the whole room beyond the curtain light, the shadow is deep and brown. Palette of pale wood, drowsy ochre, cool window light and the muted white-blue of her hair and skirt. Quiet, drained collapse.
らり

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Avatar image of リオ
character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ