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Lidia Royal Maid (impact frames)
Parameter anzeigen
- Größe
- 992 x 1280
- Sampling-Schritte
- 30
- Sampling-Methode
- Euler a
- CFG Scale
- 8.300000190734863
- Negativ
- erotic, cleavage 1.3, exposed chest 1.2, sexy, worst quality,bad quality,lowres, bad proportions,bad anatomy,bad reflection, logo,text,watermark,username,date,signature,artist name,jpeg artifacts,worst quality,bad quality,lowres, bad proportions,bad anatomy,bad reflection, logo,text,watermark,username,date,signature,artist name,jpeg artifacts,
Gesichtskorrektur
Verwendetes Modell und LoRA
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character: scathach \(fate\). A full body shot from a straight-on angle depicts a mature woman standing with perfect posture in the center of a 1950s suburban pastel living room. Scathach has long, flowing purple hair and piercing red eyes, maintaining a fixed, polite smile and a serene, doll-like expression while looking directly at the viewer. She is dressed as a corporate stepford maid in a high-gloss black dress with a satin sheen, paired with a glossy white frilled apron featuring intricate lace trim and puffy sleeves. Her attire is completed with a high white collar, a black bowtie, a white frilled headdress, white gloves, white stockings, and black Mary Jane shoes, with a small company name tag pinned to her chest. Her hands are neatly clasped in front of her. The background is a well-off household interior with retro furniture, a polished reflective floor, and a vase of flowers, all bathed in soft, diffused lighting that enhances the vintage atmosphere.
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solo, 1girl, full body, standing, 18 years old, maid, enmaided, victorian maid dress, black silk dress, tight dress, gold-embroidered trim, layered dress, too many frills, long sleeves, bell sleeves, juliet sleeves, very wide sleeves, sleeves past wrists, very long dress, maxi skirt, skirt covering ankles, white petticoat, frilled skirt, frilled apron, long apron, white apron, apron with chest panel, frilled shirt collar, white gloves, frilled gloves, glove bow, black tights, black mary janes, loafers, white maid's cap, white maid's hat, collar jewel, earrings, gigantic white bowtie at neckline, back bow, white hair bow, short hair, orange hair, ahoge, one side up, yellow eyes, breasts, western-style guest room interior, from below, dutch angle, standing on one leg, hand on own hip, outstretched arm, head tilt, looking to the side, light smile, half-closed eyes,
(8k, best quality, masterpiece:1.2) — seen from a low, gently canted camera that puts the whole room's height behind her, the young woman in the black Victorian maid dress stands full-figure in the middle of a Western-style guest room, her weight settled onto her left leg so that the right knee bends and the right toe touches down in a black Mary Jane loafer just ahead of the other foot, the long maxi skirt and white petticoat dragging their frilled hem all the way across the floor to hide her ankles completely. Her right arm is flung out and slightly upward in a presenting gesture, the fingers of the white frilled glove spread and the glove's own small white bow riding at the cuff; her left hand rests on her hip, pressing into the layered frills of the white apron and pulling the long apron panel a little crooked over the black tights beneath. The gigantic white bowtie at her neckline swallows the frilled shirt collar, its loops overflowing the shoulders, the collar jewel pinned at its center and a single earring swinging below each ear. The bell-shaped Juliet sleeves are wide enough to swallow her wrists and hang past her hands in heavy black silk, their inner lining catching the window light; gold-embroidered trim edging every layer of the frilled skirt flashes as the dress turns with her hips, and the back bow at her waist strains outward behind her, its white loops billowing because she has just turned. Her short orange hair, one side tied up in a scrunchie, has a single ahoge springing and bending against the pale wall molding, the white hair bow pinned above the gathered side, and the white maid's cap perched on the crown with its ribbon ends hanging loose. Her yellow eyes cut sideways toward the tall windows, half-lidded and amused, one corner of her mouth lifted in a light smile; she is looking at nothing in particular through the room.
The guest room is a high-ceilinged Western suite: striped wallpaper above a dark dado rail, a tall multi-paned window at the left casting cold daylight that falls across the left side of her dress, stripes of brightness sliding over the gold trim and dying in the black silk folds; a chandelier hangs unlit out of frame top, a marble-topped console stands behind her right shoulder with a brass candlestick, and a section of panelled door frames the far right edge. Foreground floorboards run toward the camera and blur, the wallpaper pattern softens with distance, and the only hard edges are on her: crisp gold thread against black, and the white apron's frills doubled over the room's cooler blues and greys. Deep blacks in the sleeves and tights, warm orange of the hair, and cold light on the window side make the palette; slight red seam of the earring nearest the camera. Elegant, faintly mischievous.
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