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州光
KI-Kunst „州光“ von 藁乃俵屋 auf PixAI. Erstellt mit Hoseki - LustrousMix [IllustriousXL/Noo….
Parameter anzeigen
- Ursprünglicher Prompt
- 1girl,Medium chest, long_hair, red_hair, ponytail, purple_eyes, japanese_clothes, kimono_sleeveless, short_kimono, mini_kimono, sash, obi, gauntlets, vambraces, shin_guards, knee_pads, gloves, grey_gloves,High socks,カウボーイショット、ヨーロッパの部屋、微笑む、手を振る、((帯に狐の面))、面を顔に着けない
- Größe
- 768 x 1280
- Sampling-Schritte
- 7
- Sampling-Methode
- Euler a
- CFG Scale
- 1.1
- Negativ
- nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, nsfw, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands
Gesichtskorrektur
Verwendetes Modell und LoRA
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1girl, solo, dark skin, tanned brown skin, very long white hair, low ponytail, black eyes, large breasts, curvy, wide hips, thick thighs, narrow waist, ancient Chinese warrior outfit, hanfu armor, lamellar pauldron, flowing silk sash, long gloves, elbow-length gloves, shoulder-length gloves, cat mask on head, mask on left side of head, calm, elegant, serene expression, closed mouth, looking at viewer, standing, hand on own chest, from below, cowboy shot, dutch angle, outdoors, ancient Chinese palace courtyard, stone terrace, dusk light, wind, flowing hair, billowing sash,
Composed from a low, tilted angle in a three-quarter cowboy shot, one tanned brown-skinned woman stands alone on a stone terrace of an ancient Chinese palace courtyard at dusk, chin level with the lens so the frame looks slightly up at her. Her very long white hair is gathered into a low ponytail at the nape, the tail falling past her waist and swinging to her right in the wind; a few loose strands cross her cheek. Her black eyes are half-veiled by calm, lowered lids and rest on the viewer with an unhurried, elegant stillness, lips closed in a faint composed line, one brow slightly lifted. A cat mask with white lacquer and painted whiskers sits tilted on the left side of her head, its cord tucked under the hair above her ear. She wears an ancient Chinese warrior's outfit: a fitted crossed-collar silk tunic in deep indigo with a gilt-brocade trim, a lamellar shoulder guard edged in brass on her right shoulder, a wide sash cinched tight at the narrow waist to accent her full chest and curvy hips, layered wide silk trousers and armored skirt panels. Both arms are sheathed in long gloves that run from the fingertips past the elbow to the upper arm, dark leather with pale stitched seams. Her right hand rests flat over her heart on the tunic; her left hangs relaxed, fingers loosely curled, close to a hanging sash end. Her weight sinks into her right leg, the left knee eased forward, hips subtly counter-tilted, so the silhouette curves without posing. The dusk sun sits low behind her right shoulder: warm amber rim light traces the white hair, the brass shoulder guard, the mask edge and the silk folds, while a soft cool violet fills her front from the open sky, and her long shadow stretches forward toward the viewer across the wet stone. Behind her, red lacquered pillars and a curving tiled roof recede in haze; the terrace flagstones hold thin standing water that catches the sun in stretched reflections. Her loosened sash end and ponytail both stream to her right, the fabric bellied and rippling in the same steady wind. Palette held to indigo, ivory-white, warm tan skin, and amber brass against violet dusk. Regal, quietly imposing.
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