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AI art "Girls Frontline - G41/Faelynn Feet"
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Girls Frontline - G41/Faelynn Feet

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Zql12

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Prompts sind auf PixAI standardmäßig öffentlich, aber Creator können sie bei jedem veröffentlichten Werk verbergen. Der Creator dieses Werks hat sich dafür entschieden – die Wörter, mit denen das Bild generiert wurde, bleiben also privat und nur diese Person kann sie sehen. Sonst ändert sich dadurch nichts: Das Werk bleibt öffentlich, und du kannst es wie gewohnt liken, kommentieren und teilen.
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G41 | Heckler & Koch Gewehr 41 (Girls Frontline) [Pony] - AI Model cover image

Benutzer-LoRA

G41 | Heckler & Koch Gewehr 41 (Girls Frontline) [Pony]
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Girls' Frontline 2: Exilium(少女前线2：追放) 3d game style - AI Model cover image

Benutzer-LoRA

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character: shirakami_fubuki 1girl, solo, shirakami_fubuki, long white hair, ahoge, single braid over one shoulder, hair between eyes, sidelocks, aqua-green eyes, white animal ears, black shorts, detached sleeves, neckerchief, gold earrings, thigh strap, sitting, leaning back on both hands, legs raised, both feet up, soles of feet, bare right foot, right foot sole bare and damp, left foot wearing a single white sock, sock sole visibly damp and darkened, sweaty, showing off both soles, looking at viewer, one eye half-closed, lopsided smirk, blush, from below, foreshortening, close-up on feet, The camera sits low and close, tilted up from below the level of her knees, so her raised feet dominate the foreground with their soles turned flat toward the lens while her upper body recedes small and tilted behind them. She has flopped back onto a low padded bench, weight propped on both hands planted behind her hips, elbows slightly bent, arms taking the load; her spine arches and her shoulders roll back, which lifts both bare legs high and swings them toward the viewer. Her right leg crosses slightly over the left so the two soles sit one above the other, both facing outward, toes of the right foot spread and the right sole fully exposed from heel to ball; the left foot sits just behind it, its sole seen through the pale knit of a single white sock. The bare right sole reads damp: skin sheened and faintly flushed pink at the heel and the ball, a soft shine along the arch where moisture catches the light, tiny beaded sweat along the edges of the toes and a few curling strands of hair stuck to the ankle. The sock on the left foot is damp through, the sole fabric darkened in a soft irregular blotch at the ball and heel, clinging and slightly wrinkled where it presses, the toe seam a little wet-darkened. Her white hair spills back over the bench edge in a loose fan, the single braid flipped forward across her shoulder with its tip resting near her hip, sidelocks hanging free, and the animal ears tilt outward as she turns her chin down over her chest to look straight into the lens, one eye half-lidded, one corner of her mouth pulled up in a lopsided smirk, a light flush across the nose and cheeks. Contact points are exact: both palms flat on the bench cushion just behind her hips, the cushion compressed and creased under them, her shoulder blades brushing the bench back, her shorts hem rucked up at the hip, the two soles hanging over the bench edge with nothing supporting the heels. Warm afternoon light comes in low from a window at the left of frame, striking the outer edge of the bare right sole and the curve of her ankle while the inner arch and the socked sole sit in a soft olive-grey shadow; the bench, the pale wall behind and the floor fall into muted shadow beyond, and her cast shadow slides down and to the right across the floor. Palette is restricted to white, warm pink-skin tones, dusty slate grey and the deeper grey of the damp sock, with only her aqua eyes as saturated accent. The smooth matte of the bench fabric, the moist gleam of the bare sole and the flat wet cling of knit against skin are the three distinct surfaces carrying the detail. Warm, teasing.
風竜桜華
#Shirakami Fubuki#Hololive Production

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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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3#Attack on Titan#Mikasa Ackerman
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