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AI art "洗車しに来たシロさま" featuring #The Helpful Fox Senko-san
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洗車しに来たシロさま

KI-Kunst „洗車しに来たシロさま“ von まいまい auf PixAI. Tags: The Helpful Fox Senko-san. Erstellt mit WAI-NSFW-illustrious-SDXL V1~v15.

#The Helpful Fox Senko-san
ま

まいまい

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Kommentare1

(solo:1.5),(1girl:1.5),shiro,white hair, long hair, parted bangs, forehead, red eyes, whisker markings, fox ears, fox tail,flat chest,(school swimsuit:1.3),(masterpiece:1.5),(best quality:1.5),(highly detailed:1.5),8k,(lens flare:1.5),smug face,open mouth,(upper body:1.5),((w4sh, motor vehicle, behind glass, against glass, cleaning, sponge, water, soap bubbles))
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Ursprünglicher Prompt
(solo:1.5),(1girl:1.5),shiro,white hair, long hair, parted bangs, forehead, red eyes, whisker markings, fox ears, fox tail,flat chest,(school swimsuit:1.3),(masterpiece:1.5),(best quality:1.5),(highly detailed:1.5),8k,(lens flare:1.5),smug face,open mouth,(upper body:1.5), ((w4sh, motor vehicle, behind glass, against glass, cleaning, sponge, water, soap bubbles)),
Größe
768 x 1280
Sampling-Schritte
8
Sampling-Methode
Euler a
CFG Scale
1.25
Negativ
lowres, worst quality, bad quality, bad anatomy, jpeg artifacts, signature, watermark

Verwendetes Modell und LoRA

WAI-NSFW-illustrious-SDXL V1~v15 - AI Model cover image

SDXL

WAI-NSFW-illustrious-SDXL V1~v15
7.29k
Shiro [2 outfits] | Illustrious | Sewayaki Kitsune Senko-san - AI Model cover image

Benutzer-LoRA

Shiro [2 outfits] | Illustrious | Sewayaki Kitsune Senko-san
2
Carwash - AI Model cover image

Benutzer-LoRA

Carwash
39

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#zetaCollab#Shirakami Fubuki#Hololive Production
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character: shirakami_fubuki giantess, huge breasts, expansive body, 1girl, solo, long white hair, ahoge, single braid, hair between eyes, sidelocks, aqua eyes, green eyes, animal ears, animal ear piercing, earrings, detached sleeves, white shirt, neckerchief, black shorts, thigh strap, lying on top of car, prone on car hood, covering the car, breasts pressed against windshield, hands on windshield, pressed against glass, driver's seat pov, pov, from inside car, looking down at viewer, looking through windshield, close-up, foreshortening, from below, glass distortion, car interior visible, steering wheel in foreground, dashboard, night, city lights, blue and white palette, cinematic lighting, detailed glass reflections, smug, half-closed eyes, light smile, playful, dominant, giant, towering, windshield framing, interior darkness, low angle through glass, breath fog on glass, giant hands splayed on windshield The camera sits low in the driver's seat, looking up and forward through the windshield at a steep foreshortened angle; the dark dashboard and the arc of the steering wheel occupy the bottom foreground, and the interior is nearly black around the frame edges. Beyond the glass, a gigantic white-haired girl with a single braid and animal ears lies prone across the car, her enormous body draped over the hood and roof so the metal sags beneath her weight; her chest is pushed flat and wide against the windshield, spreading across the glass with the flesh compressed and reshaped by the pressure, and both of her huge hands are planted palm-down on the windshield on either side, fingers splayed, her face hanging just above the top edge of the glass looking down into the cabin with half-lidded aqua-green eyes and a faint smug closed-lip smile. The glass distorts her — the parts of her body behind it slightly warped and softened, a faint halo of breath-fog beginning to bloom where her warmth meets the cold pane, and pale reflections of the city's night lights sliding across the surface between her and the lens. Her braid and sidelocks fall forward over her shoulders, dangling toward the glass, gravity pulling them down across the windshield's upper frame. Light comes from the city beyond and above — cool blue-white street glow from her side, rimming her hair and ears — while the car interior stays in deep shadow, so her lit form reads as a bright mass looming over the dark cabin. Palette held to white, aqua, and the cold blue of night glass against the warm dark interior. The windshield's edge frames her entirely, cropped at her collarbone and where her arms leave the glass, so the whole image is the press of her against the pane; looming, intimate, overwhelming.
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