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AI art "Kotegawa Yui" featuring #To Love-Ru: Trouble and #Yui Kotegawa
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Kotegawa Yui

Not quite the same from Darkness, but hey, i tried making the ouftit myself for the first time.

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AD

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kotegawa yui, long hair, black hair, brown eyes, school uniform, skirt, underwear, brown hair, green skirt, yellow eyes, shirt, bow, very long hair, pointing at viewer, hand on own hip, v-shaped eyebrows, smile, school hallway, daytime,
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Größe
768 x 1280
Sampling-Schritte
28
Sampling-Methode
Euler a
CFG Scale
5
Negativ
nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, nsfw, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands

Verwendetes Modell und LoRA

Haruka v2 - AI Model cover image

PixAI XL

Haruka v2
25.31k
Darkness Kotegawa Yui (Arranged School Uniform Ver.) - AI Model cover image

Benutzer-LoRA

Darkness Kotegawa Yui (Arranged School Uniform Ver.)
3

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character: himeragi_yukina, copyright: strike_the_blood 1girl, solo, full body, standing, long black hair, brown eyes, black hair, long hair, smiling, happy expression, gentle expression, closed mouth, hands behind back, clasped hands, white school uniform shirt, collared shirt, short sleeves, red tie, ((blue plaid pleated skirt:1.4)), dark navy knee-high socks, black leather shoes, school uniform, serafuku, (anime screencap:1.8), (official art:1.8), cel shading, dramatic lighting, school hallway background, upper body turned slightly, looking at viewer, head tilt, (姫柊雪菜:1.3), (ストライク・ザ・ブラッド:1.8) Full-body standing shot taken from a low three-quarter angle, the camera slightly below eye level and offset to her left so the hallway recedes in a single long diagonal behind her. A slender teenage girl stands with her weight settled on her right leg, left knee relaxed and slightly bent, hips tilted a few degrees off square, shoulders rolled back; both arms disappear behind her waist, hands clasped together at the small of her back so the white shirt pulls taut across her chest and the cuffs bunch at her wrists. Her long black hair falls straight past her shoulder blades with a slight inward curl at the tips, a few strands lifted and swinging forward over her right collarbone as if she has just turned her head; a faint sheen runs along the crown where the overhead light catches it. Her face is turned toward the lens with a gentle closed-lip smile, the corners of her mouth lifted and softened, cheeks faintly warmed, brown eyes meeting the viewer directly, one brow a touch higher than the other and the lower lids slightly raised so the expression reads happy and warm rather than posed. The white school uniform shirt is buttoned to the collar, sleeves ending just above the elbow, thin fabric creasing at the waist where the skirt band takes it; the red tie hangs straight down the center line of the shirt, its knot snug at the throat, the tail lying flat and unswinging. The blue plaid pleated skirt sits at her natural waist and falls to mid-thigh, its knife pleats opening into clean triangular shadows as they hang, the plaid's darker blue and thin white lines crossing the fabric and bending with each fold. Dark navy knee-high socks rise to just below the knee, the ribbed knit hugging the calf and compressing it faintly at the top band; black leather shoes are planted flat, her right shoe square to the floor taking the weight, the left angled out, a soft highlight running over each polished toe. The hallway behind her is a long corridor of pale cream wall panels, a row of classroom doors with narrow frosted windows along the left wall, and a linoleum floor whose seams run away toward a bright vanishing point; tall windows on the right side throw hard trapezoids of light across the floor and up the opposite wall, and her own shadow stretches toward the camera, long and sharp-edged, cast by the window light behind and to her right. Dust motes hang visible inside the light shafts. The lighting is dramatic and directional: cool daylight from the windows rakes her left side, a warm ceiling fixture above and behind her edges her hair and shoulders in a thin rim, while the front of her uniform and the underside of her chin fall into a softer, cooler half-shadow. Palette restricted to white, red, blue plaid, navy, black hair, cream walls and the cold blue-grey of the shadowed linoleum, with warm amber only where the ceiling light touches. Fabric texture is crisp and readable at the collar, tie knot, pleat edges and sock ribbing, cel-shaded with clean flat fills and hard two-tone shadows. Tender, luminous.
車掌（秋）

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3#Puella Magi Madoka Magica#Madoka Kaname#Puella Magi Madoka Magica
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