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holding head sekibanki
Prompts sind auf PixAI standardmäßig öffentlich, aber Creator können sie bei jedem veröffentlichten Werk verbergen. Der Creator dieses Werks hat sich dafür entschieden – die Wörter, mit denen das Bild generiert wurde, bleiben also privat und nur diese Person kann sie sehen. Sonst ändert sich dadurch nichts: Das Werk bleibt öffentlich, und du kannst es wie gewohnt liken, kommentieren und teilen.
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character: yasaka_kanako
1girl, solo, bare feet, soles, toes, foot focus, foot in face, presenting foot, feet out, feet toward viewer, front split, sitting, on ground, contortion, extreme flexibility, muscular legs, toned thighs, strong legs, close-up, extreme foreshortening, fisheye, wide-angle, from below, worm's-eye view, dynamic angle, extreme perspective, depth of field, short purple hair, red eyes, leaf hair ornament, long sleeves, red shirt, shimenawa, skirt, sandals removed, floor sit, looking at viewer, smug, (:d), (foot_focus:1.5), (extreme_foreshortening:1.4), (fisheye:1.3), (soles:1.4), (foot_in_face:1.3), (close-up:1.2), (muscular_legs:0.9), (toned_thighs:0.9),
A (extreme_foreshortening:1.4) worm's-eye view from just above floor level, the camera almost flat on the ground and tipped up so the girl towers over it: a short-haired woman with purple hair and red eyes, a leaf-shaped ornament tucked into her hair, red shirt and long sleeves under a thick straw shimenawa rope looped across her shoulders, sandals kicked off to one side. She sits on the bare floor in a full front split, one leg stretched straight along the boards toward the lens and the other swept out flat to the side, hips square on the ground and weight sunk into the seat bones, both palms braced flat on the floorboards behind her hips to hold the contortion open, spine lengthened and turned slightly so her shoulders angle away while her chin tips down over her chest and her red eyes look straight down the line of her raised leg onto the viewer. Her foremost foot fills the frame: (foot_in_face:1.3), the sole thrust forward at the lens, (soles:1.4) heel pad and arch and the ball of the foot pressed open, five toes fanned and flexed, the foot so close it blurs soft at the edges while her face and the far leg recede sharp to the background on a shallow depth of field. (extreme_foreshortening:1.4) telescopes her: the presented foot enormous and near, the muscular legs foreshortened short and thick through the stretched split, (muscular_legs:0.9) the strong legs carrying visible taut muscle along the extended thigh, (toned_thighs:0.9) the toned thighs drawn tight by the split, the far foot a small shape at the vanishing point. (fisheye:1.3) bows the floorboards and the room edges into curves that bend away at the frame borders and pulls the ceiling high and distant, so the (close-up:1.2) crops her at mid-torso while still holding the whole split in wide-angle. The room is a plain empty wooden hall, boards running toward the lens under her, a single shoji-lit window off frame left throwing a low warm shaft across the floor; the light grazes the presented sole so the wrinkles of the skin and the shadow under the arch and between the toes read clearly, and her cast shadow stretches long and thin behind her. Palette of warm honey wood, deep straw gold of the rope, and the red of her shirt against cool grey shadow. Effortful, dominant.
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