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AI art "水天" featuring #Wasser, #sitzend, #Kleid, #Aufstützen, #lange Haare, #weiße Haare, #Graue Haare and #1 Mädchen
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水天

#Wasser#sitzend#Kleid#Aufstützen#lange Haare#weiße Haare#Graue Haare#1 Mädchen
Avatar image of 透明甜甜圈

透明甜甜圈

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A full body shot from a slightly high angle depicts a slender 20-year-old woman with a graceful, alluring posture, positioned centrally within a serene, ethereal water domain. She has knee-length, flowing silver hair and pale blue eyes, her expression vacant and detached as she gazes away from the camera with a cold, distant look. She is dressed in a thin, translucent white chiffon gauze gown that is loose and airy, the sheer fabric clinging slightly to her body and floating softly on the water's surface, elegantly revealing the contours of her long legs. She leans back in a lazy, relaxed pose that emphasizes her feminine curves and slender proportions. The environment is a minimalist, dreamlike void of still water with soft ripples and a light mist, reflecting a harmonious palette of pale blue, light purple, and soft pink. The lighting is gentle and natural, creating a tranquil and spiritual atmosphere. The visual style features clean linework, smooth and glossy skin tones, and a delicate, storybook illustration quality with a soft, ethereal glow.
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Ursprünglicher Prompt
畫面中只有一位約20歲年輕女性，長髮，銀色及膝長頭髮，淺藍色眼睛，表情空洞淡然，無明顯情緒，眼神冷清疏離，不看鏡頭。姿勢舒展、勾人。 背景場景：池核風格靜謐水域 人物穿著單薄白色透膚薄紗長裙，輕透雪紡面料，寬鬆飄逸，微透明，裙擺自然垂墜或漂浮於水面／地面，優雅露腿，若隱若現的腿部線條。 全身構圖，視角略高或平視，強調女性柔美曲線、腰臀比、修長腿部線條，姿勢慵懶放鬆，氛圍寧靜。 背景靜謐空靈，水面倒影，淡藍淡紫淡粉和諧色調，柔和自然光，水面漣漪或霧氣，乾淨簡約無雜亂。 高品質插畫，細膩筆觸，繪本質感，夢幻唯美，每張皆要不同動作、背景和構圖，人體邏輯要正確。 禁止：寫實照片風、3D感、過度寫實皮膚紋理、暗黑沉重色調、複雜雜亂背景、額外角色、兒童化特徵、變形肢體、變形關節、文字。
Modus
lite
Stil
Klassischer Anime
Größe
768 x 1280
Wasserzeichen
Ein
Stil: Klassischer Anime

Verwendetes Modell und LoRA

Tsubaki.2 - AI Model cover image

PixAI DiT.2

Tsubaki.2
19.02k

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음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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3#Attack on Titan#Mikasa Ackerman
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