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- Qualitäts-Tag
- ﹝Prompts﹞, masterpiece, best quality
- Größe
- 768 x 1280
- Sampling-Schritte
- 28
- Sampling-Methode
- Euler a
- CFG Scale
- 7
- Negativ
- worst quality, low quality, normal quality, bad hands, bad feet, bad anatomy, bad proportions, cropped, missing fingers, jpeg artifacts, signature, watermark, username, artist name,
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masterpiece, best quality, high quality, highres, ultra detailed, highly detailed, intricate details, detailed illustration, sharp focus, clean lineart, beautiful detailed eyes, detailed hair, detailed face, anime illustration, boy, long hair, tall, droopy downturned eyes, sleepy half-lidded eyes, heavy upper eyelids, lowered eyelids, unfocused vacant gaze, dull eyes, tired eyes, low eye highlights, minimal eye highlights, soft sleepy expression, detail illustration, -2::simple illustration, cool lighting, pale color, girl waking up, full body, cute, long hair, young, elementary school student, chubby cheeks, black hair, small, casual clothes
rin
ｍ✚
Appearance like mochi, A highly refined, visually distinctive bishoujo anime/manga illustration with the perceptual richness of fine-art imagery, built around intelligent visual compression, unusual linework, abundant color information and exceptionally clear character readability.
A cute, beautiful young woman is compressed into an extremely narrow visual space while naturally trying to escape from it. There is no literal box, cage, room, wall, floor or container. The feeling of confinement is created entirely through extreme framing, overlapping forms, opposing body vectors, dense graphic structures and limited visual breathing room.
Her body forms a dynamic chain of opposing forces. The torso twists naturally, the spine follows an elegant S-curve, one leg folds tightly inward while the other drives diagonally outward. Both feet remain clearly visible and anatomically connected. The extended foot is a major visual anchor, almost as important as the face. One arm is compressed toward the body while the opposite arm reaches outward through the narrow visual space. The pose should feel constrained but playful, as though a compressed spring is beginning to unfold.
Despite the physical tension, the character looks unexpectedly cheerful, cute and slightly amused, with a natural sense of playfulness and freedom. Her expression should make the entire scene feel enjoyable rather than stressful. She seems to be having fun with the strange compressed situation. Cute confidence, slight bashfulness and effortless charm.
She wears a cute, refined black bikini with a simple but charming design. The bikini should remain visually minimal so the anatomy, waist, hips, torso and leg structure are immediately readable. Add only subtle cute details such as tiny bows, delicate curved edges, small decorative shapes or softly rounded design elements. Keep it elegant and tasteful rather than ornate.
Over the bikini is a slightly small apron-like garment. The apron must clearly read as an actual small apron rather than a tiny decorative front panel. It begins naturally around the waist and extends downward over the front of the hips and upper thighs, with enough width to create a recognizable apron silhouette while remaining noticeably smaller and lighter than a full skirt. The sides remain open enough to preserve the body's silhouette and the black bikini. The apron has a cute, slightly playful shape, soft folds and a clean compact construction. It should feel like a deliberately small apron worn over the bikini, not a skirt, dress or oversized costume.
Her hair is extremely long, asymmetrical deep chestnut brown, swept strongly toward one side. Keep it within one unified color family with subtle reddish-brown, copper-brown, plum-brown and violet-brown modulation. No strong two-tone division. The hair participates in the escape motion, flowing beyond the compressed space. Use broad elegant masses with selective internal linework rather than countless individual strands.
CORE VISUAL LANGUAGE: The image is high-resolution and information-rich, but visually compressed. Abundant pixels, colors, tonal values and line information are concentrated into the perceptually important regions: face, eyes, hair silhouette, torso, waist, hips, hands, legs and feet. Secondary regions use larger coherent masses and fewer redundant details.
Large color planes remain simple and readable while containing sophisticated internal modulation. The image should feel dense without feeling noisy. Precision comes from exact color relationships, tonal hierarchy, anatomy, silhouette, line placement and compositional balance rather than excessive micro-detail.
SURFACE + LINE PRINCIPLE: The colors and lines should feel gently embedded into the depicted forms, as though the visual information has settled naturally into a soft, warm, dense surface.
Use softly fused color planes, gently embedded coloration, compressed tonal volume, warm integrated surface coloration, smooth pigment-to-form transitions and clean but softly settled edges.
The linework follows the same principle. Lines should not look like hard digital ink sitting on top of the image. They should feel partially absorbed into the color surface while remaining exceptionally readable. Some lines are crisp at important anatomical landmarks, while others soften slightly into adjacent color planes. The result is a distinctive line-and-color relationship in which the drawing appears to exist inside the surface rather than being mechanically overlaid on it.
Create UNIQUE LINEWORK: The line is neither conventional clean anime lineart nor rough sketching. It has a soft, tactile, slightly pressed quality with controlled variation in thickness, density and visual pressure. Lines can subtly widen, narrow, flatten, disappear into a color plane, then re-emerge where structural information becomes important.
Use selective line density instead of uniform outlines. Important contours around the face, eyes, hands, waist, knees, ankles and feet receive highly intentional lines. Secondary contours may partially dissolve into adjacent color masses. Some contours are represented by a narrow tonal boundary instead of an explicit line.
Lines should feel as if they have been gently impressed into the color rather than drawn aggressively over it. Their edges may have an extremely subtle softness while retaining structural precision. Avoid messy sketchiness. Avoid fuzzy outlines. Avoid generic cel-animation lineart.
The most distinctive lines should appear where form changes direction: the cheek, jaw, hair turns, shoulder, waist, hip, knee, ankle and foot. These lines should communicate volume through their curvature and pressure rather than through conventional cross-hatching.
Use occasional short, elegant graphic marks that echo the movement of the body and hair. These marks should feel organically integrated into the composition rather than decorative symbols.
SKIN: Smooth, plump and beautiful with substantial dimensionality despite the flattened rendering language. Use rich internal tonal variation: warm skin tones, dusty rose, soft raspberry, lavender, lilac, peach, warm pink-violet and muted periwinkle in the shadows. Highlights are localized and controlled. The lips have softly plump three-dimensional form with restrained localized gloss communicated mainly through curved color relationships.
APPARENT LUMINOSITY: Create visual brightness through carefully organized color relationships rather than literal emission. Dark colors can appear visually lifted by surrounding values. Use strong but controlled warm/cool relationships, local value hierarchy and concentrated high-value areas. Maintain many perceptually distinct tonal levels throughout the image without turning the image into a smooth-gradient painting.
ABSTRACT BACKGROUND: No recognizable environment. No walls, floor, room, poster, screen or literal container. The background is an abstract field of sophisticated compressed color planes and integrated graphic structures. It shares the same surface and line logic as the character.
Integrate an artistic FX trading-chart vocabulary: thin candlestick-like structures, rising and falling price paths, zigzag movements, support/resistance lines, small volume-bar rhythms, horizontal levels and trend curves. These are not a trading interface. No numbers, labels, logos, menus or platform UI.
The chart structures behave like an invisible force field: pressure → resistance → momentum → breakout.
They become denser around compressed body regions and stretch toward the escaping hand, foot and hair. Rising paths may echo the extended leg. Resistance structures can align with the compressed torso. Breakout-like lines may emerge exactly where the silhouette begins to escape.
The FX graphics and character linework should feel like parts of the same visual language, not separate layers.
COMPOSITION: The character nearly fills the canvas. Minimize unused space. The framing itself creates the sensation of compression. Hair, hands, feet and graphic structures may push toward or slightly beyond the expected spatial boundary without appearing accidentally cropped.
Primary perceptual flow: FACE → TORSO → WAIST → HIPS → EXTENDED LEG → FOOT
Secondary flow: HAIR → SHOULDER → ARM → OUTER EDGE
The face and feet are the two strongest recognition anchors.
The final image should feel strangely cheerful, cute, soft, dense, tactile and sophisticated at the same time. Its uniqueness should come from the unusual relationship between embedded color, partially absorbed linework, compressed information, playful body mechanics and elegant FX-chart visual forces. It should feel like a new drawing language rather than a conventional anime rendering style.
Ｍｒ．✚ナタ 'ﾉ
山
1girl, mio\(pixai\), masterpiece, ultra detailed, laying down, lazy pose, looking at viewer, white shirt, pleated skirt
山田洋平
soi\(plusout oc\), 1girl, brown hair, white tank top, athletic shorts, bare feet, bare legs, lying on bed, on stomach, rating questionable, (sweet smile), smile, long hair, expressiveh, xmc, aiu
Gator
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