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AI art "Gasmask"
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Gasmask

KI-Kunst „Gasmask“ von Simon Kennedy auf PixAI. Erstellt mit Z-Image Turbo MXFP8.

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Simon Kennedy

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Cinematic photorealism, medium close-up shot of a woman wearing a weathered black rubber military gas mask, single offset circular filtration canister on the left cheek, translucent glass eye-ports revealing focused human eyes, matte rubber texture with subtle surface scuffs and dust particles, blonde hair peeking from beneath the strap, red ribbed knit fabric top under a heavy charcoal grey oversized cardigan, thin silver necklace with a small metallic pendant resting on the collarbone, shallow depth of field with a heavily blurred background of a desolate urban wasteland, skeletal remains of burnt-out brown buildings and grey rubble, overcast dismal sky, diffuse natural lighting, muted desaturated color palette, dominant earth tones of olive drab, rust, and charcoal, oppressive atmospheric haze, shot on 35mm Kodak Portra 400, 85mm prime lens, f/1.8 aperture, subtle film grain, high contrast shadows in the mask crevices, tactile fabric weave on the knitwear, damp cold autumn atmosphere, psychological sense of isolation and survival, dystopian aesthetic, reminiscent of Children of Men cinematography and The Last of Us environmental storytelling, centered composition, eye-level angle, muted saturation, cinematic color grading with heavy emphasis on ochre and slate grey.
Parameter anzeigen
Größe
1280 x 720
Sampling-Schritte
20
Sampling-Methode
Euler a
CFG Scale
2
Negativ
worst quality, photorealistic, bad anatomy, blur, low resolution

Verwendetes Modell und LoRA

Z-Image Turbo MXFP8 - AI Model cover image

Community DiT

Z-Image Turbo MXFP8
5

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An anime-style illustration depicts a desolate, radioactive wasteland in a medium shot from a low angle. The scene features a lone survivor standing amidst crumbling concrete ruins and rusted metal debris. The character is a young man wearing a weathered olive-green military jacket, worn brown trousers, and heavy combat boots; his face is completely concealed by a bulky, industrial gas mask with dual circular filters and dark glass lenses. He stands still, his gloved hands gripping the straps of a worn canvas backpack. The environment is thick with a heavy, sickly yellow-green haze and floating radioactive particles that shimmer like dust. In the background, collapsed skyscrapers loom under a dim, overcast sky, with glowing radioactive puddles reflecting the eerie light on the cracked ground. The atmosphere is oppressive and melancholic, characterized by a desaturated color palette dominated by ochre, grey, and toxic greens, with a soft depth of field blurring the distant ruins.
Andrew Buivol

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