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Clicker
KI-Kunst „Clicker“ von Eian True auf PixAI. Erstellt mit Nova Furry XL Illustrious v3.0.
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- Größe
- 1024 x 1024
- Sampling-Schritte
- 8
- Sampling-Methode
- Euler a
- CFG Scale
- 4.5
- Negativ
- human, multiple tails, modern, recent, old, oldest, graphic, cartoon, text, painting, crayon, graphite, abstract, glitch, deformed, mutated, ugly, disfigured, long body, lowres, bad anatomy, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, (worst quality, bad quality:1.2), bad anatomy, sketch, jpeg artifacts, signature, watermark, username, simple background, conjoined, bad ai-generated
Verwendetes Modell und LoRA
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1girl, solo, dark-skinned female, tanned skin, athletic body, toned stomach, muscular, wide hips, thick thighs, large breasts, plump ass, blond dreadlocks, long dreadlocks tied back, blue eyes, moon earrings, earrings, belly button piercing, navel, eyebrow piercing, bandana on top of head, red bandana, tight crop top, shirt lifted by breasts, midriff, navel visible, open camo jacket, camouflage jacket, tight jeans, ripped jeans, torn denim, jeans unbuttoned, jeans hanging low, low-rise jeans, red thong, thong visible, underwear visible above jeans, knife, holding knife, bloody knife, dead body, corpse, blood, gore, entrails, eviscerated, dismembered, lying on ground, standing over, bored expression, half-closed eyes, sly smile, smirk, head tilt, looking at viewer, from above, high angle, dutch angle, full body, wide shot, woods, forest, trees, ground covered in leaves, daylight, dappled sunlight
The camera looks down from slightly above and off-axis, tilted a few degrees so the treeline runs crooked across the top of the frame: a high-angle dutch shot in which the woman fills the centre and the body lies angled across the lower third of the image, her boots planted on either side of it. She stands with her weight on her right leg, hip cocked out, left knee loose and turned inward, so the low waistband of the jeans cuts a sloping line across her hips and the red thong rides up in a narrow band above the unbuttoned denim; the open fly hangs in a frayed V and the waistband sags so low it sits below the rise of her ass, the torn knees and white frayed threads of the jeans catching the light down the length of her thick thighs. The crop top is pulled tight over her large breasts and rides up over the toned plane of her stomach, the navel ring glinting against tanned skin, and the open camo jacket hangs off both shoulders with its sleeves shoved to the elbows, the green-and-brown mottling breaking up the shape of her wide hips. Her blond dreadlocks are gathered and pushed back by a bandana knotted on top of her head, a few loose strands swinging forward across her right cheek as her head tilts.
Her right hand holds the knife low, blade angled down and forward across the body, blood slick along the flat of the steel and beaded at the guard and running down over her knuckles; her grip is loose and casual, thumb resting along the spine of the blade rather than wrapped tight. Her left hand hangs at her side, fingers slack. Her eyebrows sit level, the pierced brow catching light, her eyelids half lowered and her blue eyes turned down toward the corpse rather than at the camera, and the corner of her mouth pulls up on one side only, a slow sly smile with her lips closed. The corpse lies on its back among crushed ferns and leaf litter, arms flung out, torso opened from sternum to belly in a dark wet cavity, one leg bent under it at a wrong angle, blood pooled in the hollows of the leaves and soaking in a wide dark stain through the leaf litter, and a few severed sections set apart from the main mass in the shadow of a fallen log. Her boots stand clear of the blood, only the toe of the left one touching the edge of the stain.
The forest is medium scale: thick trunks behind her at staggered depths, a scatter of undergrowth and ferns in the foreground, the canopy overhead breaking the daylight into patches so a shaft of sun falls across her shoulder and the top of her thigh while the corpse lies mostly in shade. Light comes from high and slightly behind the camera to her left; it strikes the tops of the dreadlocks, the ridge of her cheekbone, the swell of her breasts and her right forearm, and leaves the undersides of the ferns and the cavity of the body in deep shadow. Palette is limited to the tan of her skin, the bleach-blond of her hair, the olive and brown camouflage, the pale torn denim, the single hot red of the thong and bandana, and the wet dark red of the blood against green undergrowth and brown leaf litter. Shadows of leaves fall across her stomach and the tops of her thighs, and the blood in the leaves has begun to pool along the seams of the litter rather than sitting on top of it. Effortlessly stylish, quietly ugly.
Joshua Froat
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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica
Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
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the ballerina
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
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