Kirby, Kirby
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PixAI Tsubaki.3 Creation Contest Now Open#Tsubaki.3
Prompts sind auf PixAI standardmäßig öffentlich, aber Creator können sie bei jedem veröffentlichten Werk verbergen. Der Creator dieses Werks hat sich dafür entschieden – die Wörter, mit denen das Bild generiert wurde, bleiben also privat und nur diese Person kann sie sehen. Sonst ändert sich dadurch nichts: Das Werk bleibt öffentlich, und du kannst es wie gewohnt liken, kommentieren und teilen.
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소녀 인형
꽃담
ピンク髪のかわいい少女
むぅ。
LiHu
painterly digital rendering, chunky brushwork, broad opaque strokes, faceted shapes, angular color blocking, hard-edged shading, painterly edges, soft tonal transitions, diffused highlights, ambient lighting, cinematic lighting, subtle bloom, painterly-anime, colored lineart, soft pencil sketch, painterly rendering, soft blended shading, rim lighting, luminous skin, oil pastel texture, warm pastel tones, cobalt-periwinkle palette, chalky grain, dimensional facial rendering, sculpted facial features, defined facial planes, textured brushwork, layered shading, crayon style, flat color, bold color blocking, broad color shapes, simplified shading, rough painted edges, matte colors, clean color separation, expressive brushwork, rim lightning, straight-on close shot through smudged arcade glass, saturated neon lighting reflecting off the surface. a girl with two short pigtails tied in mismatched ribbons, wearing an oversized hoodie and knee-high socks, sits posed among plush toys inside a claw machine as if she herself were a prize, knees pulled up, cheek resting on one hand, giving a playful wink toward the glass, the claw's metal prongs hovering just above her head. surrounding stuffed animals in bright primary colors are piled unevenly beneath and around her. the glass surface doubles her reflection faintly, ghosted and slightly offset. pink and cyan neon glow bathes the scene, scattered coin-slot light blinking nearby, shallow depth of field blurring the arcade behind the glass into colorful bokeh, playful surreal arcade atmosphere.
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