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vovovo_style, clean lineart, detailed shading, glossy highlights, detail illustration, cool lighting, pale color, highest quality, high resolution, delicate and elaborate depiction, Korean webtoon style illustration, soft coloring, delicate lineart, natural shading, beautiful colors.
Character: A boy around six years old by human standards. Small and lovely, with a particularly cute and prettily handsome face. An atmosphere of innocence and youthfulness unique to a young child, with a fluffy and cozy impression. A child with a small, frail build and clear, standout eyes. A gentle and harmless aura, as if not yet accustomed to the world. He looks exhausted and slightly intimidated, but his inherent lovely impression remains.
Hair: Deep black hair that seems to absorb almost all light. Mixed with subtle grey highlights, with the texture of thin and soft hair delicately expressed. The top of the head is naturally round and voluminous, with short, lightly disheveled hair. Soft hair with naturally divided layers and thin, delicate ends. The bangs naturally cover the forehead and are irregularly scattered, with a few strands falling softly over the forehead and eyes. The hair on the sides lightly wraps around his chubby cheeks, and the hair at the back is short and fluffy, touching the nape of the neck. It is slightly messy as if it hasn't been properly groomed for a long time, but not severely tangled or dirty. A hairstyle that doesn't look too neat or pointy, and seems like it would be soft to the touch. The flow of every single hair strand and the delicate shading according to the light are alive.
Face: A small, round, and soft face shape. Like a young child, the jawline is short and round, and there is still some chubby flesh on both cheeks. Eyes that are moderately large and clear compared to the face, with deep and transparent dark brownish-black pupils. The pupils contain delicate light and multiple layers of sparkle, with a subtle brown tint depending on the lighting. Round yet distinct eyes, with long and thin eyelashes. The corners of the eyes curve gently downward, giving an exceptionally gentle and kind impression. Small and compact features, a small and delicate nose, and small, soft lips that are naturally closed. Fair and clean skin, with a very faint blush on the cheeks. The round and soft feeling unique to a child remains on the face, and while the features are small, they are harmonious and distinct. A face where the loveliness and clear beauty unique to a child coexist. A cute appearance that naturally reveals he is a boy, without being overly feminine or mature. In particular, the eyes, cheeks, and small, compact nose and mouth combine for an exceptionally cute and prettily handsome impression. Under the eyes, there are faint grey-brown dark circles, as if he hasn't slept properly. These are expressed subtly, naturally blending into the skin, without sunken black eyes or severe illness. The area under the eyes is slightly shaded and looks tired, but the clear, sparkling feel of the pupils and the innocence unique to a child are maintained. There is a very faint redness around the eyes, subtly revealing an atmosphere of having been tense and exhausted for a long time.
Body: A small and petite build suitable for a six-year-old child. Narrow and soft shoulders, short and thin arms, and small, frail hands. A round and soft body shape unique to a young child. Even if he looks thin and exhausted, he is not overly skeletal or bony. A small, cozy, and frail feeling. The shoulders are slightly curled inward, and a posture of crouching small is natural. The ratio of head to body is natural and close to an actual child. Not an excessively large head or chibi proportions, but delicate Korean webtoon-style child proportions.
Clothing: Faded and worn everyday clothes for a child. The top is a loose long-sleeved t-shirt or thin sweatshirt that was originally dark grey but has faded over time. There are fine pills of fabric in places, and the neckline and sleeve ends are slightly stretched. The surface of the fabric shows the soft and blurred texture characteristic of old clothing. The sleeves are long enough to almost cover the small wrists, and there are natural creases in the fabric. The bottoms are worn long pants in faded dark navy or grey tones. There is some wear and fine wrinkles at the knees, but they are not severely torn or dirty. Overall, a calm and faded color palette as if washed many times. Ordinary and humble clothing, not expensive or flashy. He is wearing the clothes he usually wears, not a suit dressed up for a funeral. The worn texture and natural wrinkles of the clothes are delicately expressed, but the face and eyes are made to be the first things noticed.
Expression and Pose: Inside a modern Korean funeral hall, crouching on the floor with his back pressed tightly against the wall. A posture of curling his small body as much as possible and pulling both knees close to his body. Both arms are loosely wrapped around the knees or resting on the knees, and small, thin hands are carefully gripping the worn pants or clothing. The shoulders are slightly hunched, and the back is leaning against the wall. He looks as if he is staying quietly in a corner, not knowing where to go in an unfamiliar situation.
He is lifting his head slightly and looking up at someone standing in front of him. His gaze is directed at a point outside the screen, higher than his own eye level. The face is seen close to the front, and both eyes are clearly visible. His head is tilted slightly upward, and his pupils are naturally directed upwards. This is not an angle where only the side of the face is visible, but an angle where the child's expression and facial features are sufficiently revealed. The feeling that the child is looking up at someone taller than himself must be clear.
The expression is quiet and cautious. He is not smiling brightly or openly sad, and his lips are slightly closed. The eyebrows are very slightly drooping, and the gaze is a mix of fatigue, confusion, unfamiliarity, and a bit of fear. An expression as if he is staring at the other person silently, not knowing what to say. There is wariness, but no aggressive or fierce feeling at all. The faint dark circles and slight redness around the eyes, the slightly hunched shoulders, and the posture of hugging the knees naturally reveal the child's exhausted state. However, the clear and pure light unique to a child remains in the pupils. The moment of facing his biological father for the first time, whom he had never met after the divorce, after losing the mother who had abused him. Rather than depicting this situation with exaggerated tears or dramatic expressions, it is expressed as a child quietly looking up at the other person in a situation that is difficult for a child to handle. The fragile and pure emotions of the child are delicately captured in the gaze and gestures.
Background: Inside a modern Korean funeral hall. A funeral hall corridor or near the altar with a calm and solemn atmosphere. The child is crouching with his back against the lower part of the corridor wall. The wall is a calm grey or dark grey-brown tone, and the floor is covered in dark stone tiles with a subtle gloss. The ceiling lighting is not too bright and illuminates the space softly and calmly. The corridor stretching into the distance and the tidy interior structure characteristic of a funeral hall are vaguely visible. A quiet and heavy atmosphere prevails, overall composed of low-saturation greys, dark navies, and dull beiges. Funeral portraits or other people's figures do not appear clearly in the background. Other people such as mourners, funeral hall staff, or family members do not appear at all. The person the child is looking at does not appear on screen, and not even the other person's hand, leg, shadow, or reflection is expressed. A scene where only one child exists. The background only serves to support the character's situation and is not complex or flashy. The child's face and upper body are processed to be much clearer and more prominent than the background.
Composition: Vertical illustration. A solo character illustration featuring only one child. The character is placed close to the center of the screen, with a large proportion of the screen. Absolutely avoid a composition where the character looks small and far away. A medium-close shot where he is seen sufficiently large from the head to the crouching knees. While the child's small, curled posture is conveyed, the face and upper body must occupy a large portion of the screen. The face should not be placed small, but expressed large and clearly. A distance where the detailed depiction of the pupils, hair, faint dark circles, round cheeks, and small, compact features is clearly visible. The face and upper body are the central visual elements, and the background is softly blurred.
The camera is close to the perspective of a person standing slightly higher than the child. The feeling that the child is looking up at someone standing in front of him must be clear. However, care should be taken so that the camera is not too high, making only the crown of the head visible or the face look small. The face should be seen close to the front, and the two eyes and expression should be clearly revealed. The child's gaze is directed at a slightly higher place outside the screen. Parts of the body and knees are included in the screen so that the fact that the child is crouching against the wall is naturally conveyed. Do not use a long-shot full-body composition that shows too much of the wide space. Natural perspective, soft light, delicate hair expression, precise clothing wrinkles, worn fabric texture, a high-completion Korean webtoon-style illustration.
Overall Atmosphere: A six-year-old boy crouching small in a corner of a funeral hall. Deep black hair, clear and large brownish-black eyes, round and soft cheeks, faint dark circles, worn and faded clothes. Above all, a cute and gently handsome face is the
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