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Beautiful Girl's Room
Wettbewerbseinreichung
PixAI Tsubaki.3 Creation Contest Now Open#Tsubaki.3
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- Ursprünglicher Prompt
- background of a girl's room (one bed, three stuffed animals, two potted cacti, a closet, a small table, and a carpet); a room with a large floor-to-ceiling window and a clean, fresh color scheme, no humans.
- Modus
- pro
- Größe
- 1104 x 1824
- Negativ
- lowres, worst quality, low quality, bad anatomy, explicit
Prompt-Assistent
Verwendetes Modell und LoRA
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m6
Professional interior architectural photograph, wide-angle, Yuki's bedroom in a modern Japanese home, 3.6 x 3.8 meters. Bright, ordered, controlled: white walls with pale pink accents, a perfectly made single bed with crisp white linens and a pink throw, a serious dual-monitor PC setup on a clean desk under neatly cable-managed calm, gymnastics trophies and rolled ribbons on a shelf, a stretching mat leaned in the corner, a full-length mirror on the closet door. Soft daylight from a window, ultra detailed, realistic, best quality, razor-sharp clarity, magazine-quality real-estate photography, no people.
mehod61208
エ
Bed POV
エキュート
a
no humans, scenery, indoors, no character, cozy bedroom interior, comfortable bed beside a large window, window, night sky, starry sky, starry night, countless twinkling stars, bright full moon, full moon in window, soft ambient lighting, bedside lamp, warm lamp glow, nightstand beside the bed, fluffy pillows, soft blanket, rumpled bedding, curtains, curtain rod, decorative interior elements, potted plant on nightstand, moon phases wall art, small framed picture, wicker basket, starlight streaming through window, moonlight shaft on floorboards, dawn light at horizon, sunrise glow through window, dawn sky, atmospheric lighting, volumetric light, wide shot, dutch angle, from side, looking out the window, no humans, high quality, detailed background, peaceful, dreamy
A wide shot from a gently tilted dutch angle taken from the foot of the bed, the camera low and off to one side so the room's corner opens up diagonally. The left half of the frame is the bed, the right half the window: a comfortable bed sits flush beside one large window whose frame runs floor to sill in the right third, the mattress softened by a stack of fluffy pillows propped against a padded headboard and a soft blanket pulled half back, its folds gathered where someone has just slipped out, one corner trailing to the floorboards.
Through the tall panes the night sky fills the upper window: countless twinkling stars scattered in graded density, and a bright full moon sitting high in the right pane, its pale disc hard-edged against the deep blue-black. Directly behind the window's lower edge, low on the horizon, a thin band of dawn is already warming that narrow strip to peach and rose, so the eastern glass holds a slow sunrise glow beneath the still-dark zenith, the light at dawn spreading upwards, faint and hesitant; the stars nearest that horizon line are the first to dim.
Starlight and moonlight both stream through the glass in two separate shafts of cool white, twin beams slanting inward and down across the floorboards and the near corner of the blanket, and the glass throws a pale lattice of window muntins onto the wood. Warm ambient light rises from the other side: a bedside lamp on a simple nightstand to the left of the bed, a glowing fabric shade pooling a soft amber circle over the lamp's base, the nightstand's drawer front, a dark rimmed glass of water and a small potted plant with two trailing leaves, and washing up the curve of the nearest pillow. The two temperatures meet only at the edge of the blanket, where cool moonlight and warm lamplight cross.
Sheer curtains hang on a rod above the window and are drawn half open, the leading edge drifting inward as if in a slow draught, its fabric picked out white where the dawn light cuts through and grey-blue where only the stars reach it. On the left wall, a botanical print and a small arrangement of moon-phase prints hang level with each other; beside the door frame a pair of slippers on the floorboards and a wicker basket with a folded throw. Beyond the window glass the glass itself shows a soft ghost of the room reflected, darker and softer than the objects it mirrors. The palette holds three families: deep indigo and blue-black in the sky, warm amber and honey in the lamplight, and pale dawn peach only in the thin horizon strip.
The room is empty, dim at the corners and brightest precisely where the two light sources overlap. Airborne dust caught in the moonbeams makes the shafts visible as solid volumes. Quiet, dreamy
ARTCC
a
cozy bedroom interior, bed next to large window, night sky through window, countless twinkling stars, bright full moon, soft ambient lighting, bedside lamp with warm glow, fluffy pillows, soft blanket, starlight streaming through window, curtains, nightstand, decorative elements, atmospheric lighting, night scene, no humans, wide shot, from side, dutch angle, window light, moonlight, warm lamp light, volumetric light, lens flare through glass, starry sky, still life
The view is a wide shot from a low side angle, camera set just off the foot of the bed and tilted a few degrees into a dutch angle, looking across the mattress toward the window wall on the left. In the foreground, the near corner of a wooden nightstand occupies the bottom-right of the frame; the bedside lamp stands on it, its bulb the warm anchor of the room. The bed runs from lower right toward the window in the left midground, its headboard angled under the window sill. On the bed, three fluffy pillows stack in a soft slump against the headboard, the tallest one sinking where it leans, the pillowcases creased from use rather than smoothed. A soft blanket is thrown across the mattress, one corner trailing off the edge and pooling on the floorboards, its weave catching the lamp light in a warm amber rim along the folds and falling into cool blue shadow on the window side. A thin curtain rod spans the window; two curtains hang at either side, the near one drawn slightly forward so it clips the window's left edge and its hem drifts inward, disturbed by the draught of the room. Beyond the glass: a night sky packed with countless twinkling stars, denser toward the upper right of the pane, with a bright full moon set low in the left third, ringed by a faint halo. The moonlight is the second source, cool and silvery; it spills through the glass and casts a long parallelogram of pale light across the blanket and part of the floor, while the lamp's warm pool holds the right side of the room; where the two lights meet on the blanket, the warm amber gives way to a cool blue-grey. Curtain folds throw thin striped shadows into the moonlit patch. Decorative elements are kept to modest, lived-in details: a small framed picture on the wall above the nightstand, its image illegible, a short stack of books beside the lamp, and a small potted plant on the sill whose leaves cast tiny silhouetted shadows on the glass. The palette is deep midnight blue in the shadows and outside the window, warm amber around the lamp, and silver-blue in the moonlight. The light source is exclusive: the lamp and the moon, and beyond their reach the room falls into absolute darkness. High quality, detailed background, a single physical detail stands out -- the starlight's reflection in the window pane faintly doubles the stars, softer and dimmer than the real sky behind it. Peaceful and dreamy.
ARTCC
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