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書殿の守護ガエル
「抗うとも、お互いに守りたいものがあるのだから」
Prompts sind auf PixAI standardmäßig öffentlich, aber Creator können sie bei jedem veröffentlichten Werk verbergen. Der Creator dieses Werks hat sich dafür entschieden – die Wörter, mit denen das Bild generiert wurde, bleiben also privat und nur diese Person kann sie sehen. Sonst ändert sich dadurch nichts: Das Werk bleibt öffentlich, und du kannst es wie gewohnt liken, kommentieren und teilen.
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jyagainu
copyright: dota_2
1boy, solo, male focus, outdoors, cowboy shot, 3DCG, anthropomorphic creature, reptilian skin, bipedal predator, cat-like features, animal ears, sharp eyes, glowing eyes, yellow skin tone, old age, bald, mohawk, open hood, tattered hood, red scarf covering lower face, topless, leather armor, pauldrons, glowing gold accents, holding twin daggers, dual wielding, ninja stance, dynamic pose, crouching in shadows, stealth aura, smoky dark background, misty forest at night, cinematic lighting, dramatic shadows, splash art style, from below, foreshortening, looking at viewer, glowing eyes, sharp gaze, tense posture, wide stance, half-closed eyes, sweat, night, mist, dark background, high detail
From a low, tilted three-quarter angle looking up at him, an old anthropomorphic reptilian predator crouches at the center of the frame, seen in cowboy shot from mid-thigh to the top of his head, so the low camera makes his shoulders and pauldrons loom while the ground drops away beneath his braced feet. His body is held in a tight ninja stance: right foot planted flat forward with the knee deeply bent and driving over the toes, left leg folded back so the knee hovers close to the wet loam, his weight settled low between the two supports and his hips twisted slightly to his left. His bald skull is bare around a narrow strip of stiff grey-black mohawk bristling along the crown; cat-like animal ears stand out to either side, one angled forward, the other flicked back. The tattered hood hangs open and pushed back off his head, its frayed rim crumpled at the nape of his neck. Over his shoulders sit heavy leather pauldrons, and a worn leather harness crosses his bare, topless yellow chest, the skin scaled and leathery with age; thin glowing gold accents trace the pauldron rims and the buckle plates and throw weak warm flecks onto the scales beneath. A red scarf is wrapped high across his nose and mouth, its folds compressed by his jaw, so only his sharp glowing eyes show between the scarf and the hood's collar. Those eyes are narrowed and locked on something past the right edge of the frame, fixed and unblinking. Both gloved hands are at the ready: the right dagger held low and slightly forward, blade angled across his shin, the left dagger raised near his cheek, steel catching a thin cold highlight. His back is curved and his tail low behind him, and the motion-blurred drift of the scarf's tail and the hood's frayed hem show the crouch was just snapped into.
Around the figure the misty forest at night closes in: gnarled trunks and wet roots recede into layered grey-blue haze, the background sinking into a smoky dark wall that swallows the far trees. The only light is a cold moonlight filtering down from above and behind the trees, rimming his mohawk, the shoulders of the pauldrons and the raised knife edge in pale blue, while the rest of him sits in deep shadow and a low ground mist coils around his planted feet, gathering thicker in the hollows of the roots and thinning over the exposed loam. A faint stealth aura smears the mist around his outline, the blur strongest where his silhouette meets the haze. The palette is restricted to cold blue-grey mist, the flat warm yellow of his skin, the dull brown-black of the leather, and the ember gold of the glowing accents, with the red scarf the one saturated note in the middle of the composition. Every scale on the chest, the stitching of the pauldrons and the frayed threads of the hood are rendered crisp and visible while the far forest stays soft and smoky, in a high-fidelity digital render with smooth surfaces, dramatic cinematic lighting and a polished painterly finish typical of game promotional art. Tense, predatory.
Big fan of Murokasa Akane
copyright: dota_2
1boy, solo, male focus, outdoors, cowboy shot, 3DCG, anthropomorphic creature, reptilian skin, bipedal predator, cat-like features, animal ears, sharp eyes, glowing eyes, yellow skin tone, old age, bald, mohawk, open hood, tattered hood, red scarf covering lower face, topless, leather armor, pauldrons, glowing gold accents, holding twin daggers, dual wielding, ninja stance, dynamic pose, crouching in shadows, stealth aura, smoky dark background, misty forest at night, cinematic lighting, dramatic shadows, splash art style, from below, foreshortening, looking at viewer, glowing eyes, sharp gaze, tense posture, wide stance, half-closed eyes, sweat, night, mist, dark background, high detail
From a low, tilted three-quarter angle looking up at him, an old anthropomorphic reptilian predator crouches at the center of the frame, seen in cowboy shot from mid-thigh to the top of his head, so the low camera makes his shoulders and pauldrons loom while the ground drops away beneath his braced feet. His body is held in a tight ninja stance: right foot planted flat forward with the knee deeply bent and driving over the toes, left leg folded back so the knee hovers close to the wet loam, his weight settled low between the two supports and his hips twisted slightly to his left. His bald skull is bare around a narrow strip of stiff grey-black mohawk bristling along the crown; cat-like animal ears stand out to either side, one angled forward, the other flicked back. The tattered hood hangs open and pushed back off his head, its frayed rim crumpled at the nape of his neck. Over his shoulders sit heavy leather pauldrons, and a worn leather harness crosses his bare, topless yellow chest, the skin scaled and leathery with age; thin glowing gold accents trace the pauldron rims and the buckle plates and throw weak warm flecks onto the scales beneath. A red scarf is wrapped high across his nose and mouth, its folds compressed by his jaw, so only his sharp glowing eyes show between the scarf and the hood's collar. Those eyes are narrowed and locked on something past the right edge of the frame, fixed and unblinking. Both gloved hands are at the ready: the right dagger held low and slightly forward, blade angled across his shin, the left dagger raised near his cheek, steel catching a thin cold highlight. His back is curved and his tail low behind him, and the motion-blurred drift of the scarf's tail and the hood's frayed hem show the crouch was just snapped into.
Around the figure the misty forest at night closes in: gnarled trunks and wet roots recede into layered grey-blue haze, the background sinking into a smoky dark wall that swallows the far trees. The only light is a cold moonlight filtering down from above and behind the trees, rimming his mohawk, the shoulders of the pauldrons and the raised knife edge in pale blue, while the rest of him sits in deep shadow and a low ground mist coils around his planted feet, gathering thicker in the hollows of the roots and thinning over the exposed loam. A faint stealth aura smears the mist around his outline, the blur strongest where his silhouette meets the haze. The palette is restricted to cold blue-grey mist, the flat warm yellow of his skin, the dull brown-black of the leather, and the ember gold of the glowing accents, with the red scarf the one saturated note in the middle of the composition. Every scale on the chest, the stitching of the pauldrons and the frayed threads of the hood are rendered crisp and visible while the far forest stays soft and smoky, in a high-fidelity digital render with smooth surfaces, dramatic cinematic lighting and a polished painterly finish typical of game promotional art. Tense, predatory.
Big fan of Murokasa Akane
za
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