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AI art "ドロンジョ様・ヤッターマン"
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ドロンジョ様・ヤッターマン

思った方じゃないドロンジョが出来たけど　いい感じだし問題なし

#Leotard#Blonde Haare#Maske#Doronjo#Time Bokan Series#1 Mädchen#Leopard#schwarze Handschuhe#Yatterman Night#Yatterman
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リバーニンジャ

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character: doronjo, copyright: yatterman Manga-style color illustration of Doronjo, dynamic composition, intricately drawn with thin lines, thick and clear outlines, high contrast flat coloring, shadows painted solid black. The background is not a mere landscape but composed as a graphic design. Leave an appropriate amount of negative space around the character, boldly placing a few motifs such as geometric patterns. Do not draw details uniformly; keep the information density high near the protagonist and boldly omit details in the periphery. Use perspective that emphasizes depth and diagonal lines to lead the viewer's eye toward the character. Use a limited color palette shared between the background and the character to unify the entire screen like a manga cover or poster. The protagonist is Doronjo from Yatterman, large breasts and buttocks, sexy posing.
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Ursprünglicher Prompt
漫画風のドロンジョのカラーイラスト　ダイナミックな構図　細い線で緻密に描き込み　アウトラインは太くハッキリ　高いコントラスト平塗り　影を真っ黒に塗り。背景は単なる風景ではなく、グラフィックデザインとして構成する。人物の周囲には適度な余白を残し、幾何学模様など少数のモチーフを大胆に配置。細部を均等に描き込まず、主役付近は情報量を高く、周辺は大胆に省略する。遠近感を強調したパースと斜めのラインで視線を人物へ誘導する。背景にも人物と共通する限定色を使用し、画面全体を一枚の漫画表紙やポスターのように統一する。 主役はヤッターマンのドロンジョ　大きな胸と尻　セクシーなポージング
Modus
pro
Größe
1104 x 1824
Negativ
lowres, worst quality, low quality, bad anatomy, explicit

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Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
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음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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3#Attack on Titan#Mikasa Ackerman
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