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AI art "何してるの?お姉ちゃん?" featuring #Lucky Star, #Tsukasa Hiiragi, #Kagami Hiiragi and #Twins Weapons
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何してるの?お姉ちゃん?

Wettbewerbseinreichung
Don’t Twins with Weapons Look Awesome?
#Lucky Star#Tsukasa Hiiragi#Kagami Hiiragi
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character: hiiragi_tsukasa, hiiragi_kagami ((Information-overloaded illustration style), High-density illustration, high-density lines, information overload, strong lines, Intricate decorations, ultimate details.), masterpiece, ultra detailed, extremely intricate details, delicate rendering, fine lineart, artistic composition, sophisticated color design, cinematic lighting, extreme dynamic action, ultra dynamic composition, extreme wide-angle perspective, natureframe realistic landscape photography, anime_style, highly polished anime artwork, clean and bold lineart, polished cel shading, strong light and shadow separation, clean shadow shapes, dimensional character rendering, strong three-dimensional depth, polished digital painting, vibrant colors, realistic depth, highly detailed background, atmospheric scene, detailed eyes, cinematic angle, (high contrast style, two-tone style, monochrome style, clean details, bold outlines, black and white binarization, emphasized black shadows, monochrome background), Hiiragi Kagami (holding a bamboo broom), Hiiragi Tsukasa (holding a squeaky hammer), miko clothes, battle pose, cool pose, bold angle, sense of dynamism, looking at viewer
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Ursprünglicher Prompt
柊かがみ(竹箒を持っている) 柊つかさ(ピコピコハンマーを持っている) 巫女服、戦闘のポーズ、カッコいいポーズ、大胆なアングル、躍動感、こちらを見ている、
Modus
pro
Größe
1024 x 1024
Negativ
lowres, worst quality, low quality, (動きによるブレやボケ:1.5)ヘルメット、兜
Prompt-Assistent

Verwendetes Modell und LoRA

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AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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