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character: takano_miyo, copyright: higurashi_no_naku_koro_ni 1girl, solo, over the shoulder, from behind, from above, high angle, blonde hair, long hair, black beret, brown eyes, military uniform, submachine gun, firing, shooting, muzzle flash, bullet casing, brass casings, ejecting brass, tracer rounds, stone lanterns, shrine approach, torii path, night, dark, lantern glow, dynamic angle, looking back, looking at viewer, wide-eyed, ecstatic, grin, evil smile, open mouth, laughing, maniacal, cinematic lighting, dramatic anime style, high detail From an over-the-shoulder camera positioned behind and slightly above her, a young woman with long blonde hair crowned by a black beret unleashes automatic fire from a submachine gun pointed down a flagstone shrine approach lined with mossy stone lanterns. Her upper body leans forward into the violent recoil of the weapon, yet her neck twists sharply to glance back over her shoulder directly at the viewer. Her eyes are blown wide in manic ecstasy, her lips parted in an unhinged, delighted laugh as rapid bursts of orange-and-white muzzle flash cast harsh, flickering highlights across her lit cheek and teeth. Bright golden tracer lines streak forward down the descending stone path, bisecting the dark avenue between the lanterns, while a fountain of spent brass shell casings tumbles upward and outward into the night air, caught in mid-spin at varying depths. The warm, quiet amber glow filtering through the lattice windows of the stone lanterns clashes with the violent strobe of the gunfire, illuminating swirling ribbons of gunpowder smoke that whip through her flying hair. The surrounding ancient cedar trees recede into absolute blackness beyond the flash. Intense horror-thriller.
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Modus
flash
Größe
1536 x 2048

Verwendetes Modell und LoRA

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
800

Erstellungsassistent

Mio.2
Agent
Mio.2

Minimale Eingabe, professionelles Ergebnis

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AI artwork
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character: takano_miyo, copyright: higurashi_no_naku_koro_ni 1girl, solo, long hair, blonde hair, brown eyes, calm, light smile, beret, white dress, nurse dress, ascot, holding weapon, uzi, submachine gun, firing, hip fire, muzzle flash, spent brass, shell casings, bullet casing, tracer ammunition, tracer rounds, sparks, ricochet, rural, village, outdoors, night, dark, wooden wall, wooden building, low angle, from below, cowboy shot, dynamic angle, motion blur, cinematic lighting Seen from a dramatic low angle looking upward from the ground of a narrow unpaved rural road, a young woman stands planted with feet set wide, firing a compact black Uzi submachine gun clamped firmly at her right hip. Her right hand grips the pistol grip with index finger depressing the trigger, while her left hand supports the receiver against the rapid recoil vibration. Dynamic motion blur streaks across the oscillating gun barrel and bolt mechanism. Her face remains eerily calm, fixed in a serene, untroubled smile with warm brown eyes gazing steadily forward down the line of sight. Long blonde hair falls past her shoulders, strands blowing back slightly from the concussive gas discharge. She wears a crisp white nurse dress with short sleeves, a dark beret tilted atop her blonde locks, and an ascot tied neatly at the throat collar. A brilliant, jagged burst of golden-orange muzzle flash erupts from the weapon's muzzle, serving as the primary light source and throwing harsh, high-contrast amber highlights across her tranquil expression and the front folds of her white dress, while casting long, hard-edged shadows back into the dark village street. Gleaming brass shell casings tumble mid-air away from the ejection port, catching the bright flare. Blazing red-orange tracer rounds streak in parallel lines into the nocturnal distance, while stray impacts ignite showers of golden sparks and splintered debris off the weathered vertical wooden siding of traditional rural village houses behind her. Deep indigo shadows swallow the background, pierced only by the explosive ignition of gunfire. Tense horror-thriller.
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