AI art "一期一振 - ブルーオニキス" featuring #Touken Ranbu and #Ichigo Hitofuri
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一期一振 - ブルーオニキス

#Touken Ranbu#Ichigo Hitofuri
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character: ichigo_hitofuri aquarelume, luminous watercolor, soft glow, watercolor illustration, A square 1:1 close chest-up composition of Ichigo Hitofuri receiving a welcome message accompanied by a polished blue onyx stone. The emotional focus is his spontaneous delight as he looks at the blue-and-white banded stone resting on the opened correspondence. The crop runs from the top of his head to his lower ribs. His whole face occupies the upper-right area, while the letter, stone, and clearly visible contact of his fingers occupy the lower-left area. The camera is near face level, slightly toward his front-left side. The stone and both hands are close enough to read without exaggerated perspective. ichigo_hitofuri, one adult man, short aquamarine hair with neat side-swept bangs, elegant slender adult proportions, around twenty-five years old, visible eyebrows, porcelain-pale cool-toned skin, smooth even complexion, realistic adult male proportions, elegant slender build, balanced head-to-body ratio, restrained shoulder breadth, slight natural shoulder slope, slender oval face, face slightly longer than wide, narrow facial width, smooth forehead contour, smooth cheek line, softly tapered jawline, gently pointed chin, narrow lower face, no square jaw, no broad cheekbones, almond-shaped eyes, horizontally elongated eye shape, medium-sized eyes, refined upper eyelid crease, thin clean eyelid line, natural short eyelashes, restrained upper eyelashes, neat straight eyebrows, softly arched brows, moderate brow thickness, clear brow-to-eye distance, straight narrow nose bridge, short-to-medium nose length, refined small nose tip, subtle nose projection, compact nostrils, narrow philtrum, small mouth width, thin upper lip, slightly fuller lower lip, restrained lip volume, refined Japanese male features, elegant delicate face, non-westernized facial proportions, clean subtle eye area, (golden outer iris:1.25), (lime-green inner iris ring:1.35), (two-layer gold and lime-green iris:1.25). Both eyebrows rise distinctly. His mouth opens into an unguarded smile, the corners raised high enough to reveal a small glimpse of his upper teeth. His gaze settles on the banded blue stone upon the letter. His shoulders have relaxed, and his head inclines toward the object with unmistakable pleasure. The expression remains within the natural proportions of his adult face. He wears a fine powder-blue linen overshirt with a narrow turned-down collar and a pale ivory facing along its edges. The collar leaves a modest V-shaped opening at the throat, revealing the high edge of an ecru fine-knit inner shirt. Below the opening, a concealed front placket holds the overshirt closed, with two small mother-of-pearl buttons visible near the sternum. The sleeves have narrow buttoned cuffs, and the right sleeve gathers into soft diagonal folds along the bent forearm. The dry linen texture contrasts with the close knit beneath it and the smooth buttons. The front panels descend naturally beyond the lower crop. He is seated at a wooden writing table. His left hand holds the near edge of a cream envelope against the tabletop, while its partly unfolded letter rests flat beside a shallow open wooden box. His right forearm extends naturally across the lower frame, and the tip of his right index finger rests against the polished stone inside the box. The box is supported entirely by the table, and its rim stays below the stone's visible surface. His wrists, fingers, and the objects remain individually readable. The blue onyx is one round, gently domed cabochon, approximately twenty-five millimeters across, slightly wider than the adjacent fingertip and much smaller than his palm. Bands of sky blue, deep blue, and soft white follow the curved surface. The material has a polished chalcedony luster with restrained highlights rather than the sharp facets of a transparent gemstone. A thin layer of dark blue cloth cushions it inside the box. The envelope lies beside the box, and the unfolded paper passes behind it without concealing the stone. A section of a tall window frame remains visible along the upper-left edge. A pale warm wall occupies a small area behind his shoulder, while the wooden writing table fills the lower part of the frame. These connected surfaces establish a quiet contemporary interior without distracting architectural detail. Soft morning daylight enters from the upper left. The cream paper provides weaker warm reflected light beneath his chin and fingers, preserving the colors of his irises and the blue-white pattern of the onyx. Contact shadows hold the wooden box and envelope against the table. The linen carries broad muted reflections, and the stone catches one limited, curved highlight. masterpiece, best quality, detailed illustration
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Ursprünglicher Prompt
A square 1:1 close chest-up composition of Ichigo Hitofuri receiving a welcome message accompanied by a polished blue onyx stone. The emotional focus is his spontaneous delight as he looks at the blue-and-white banded stone resting on the opened correspondence. The crop runs from the top of his head to his lower ribs. His whole face occupies the upper-right area, while the letter, stone, and clearly visible contact of his fingers occupy the lower-left area. The camera is near face level, slightly toward his front-left side. The stone and both hands are close enough to read without exaggerated perspective. ichigo_hitofuri, one adult man, short aquamarine hair with neat side-swept bangs, elegant slender adult proportions, around twenty-five years old, visible eyebrows, porcelain-pale cool-toned skin, smooth even complexion, realistic adult male proportions, elegant slender build, balanced head-to-body ratio, restrained shoulder breadth, slight natural shoulder slope, slender oval face, face slightly longer than wide, narrow facial width, smooth forehead contour, smooth cheek line, softly tapered jawline, gently pointed chin, narrow lower face, no square jaw, no broad cheekbones, almond-shaped eyes, horizontally elongated eye shape, medium-sized eyes, refined upper eyelid crease, thin clean eyelid line, natural short eyelashes, restrained upper eyelashes, neat straight eyebrows, softly arched brows, moderate brow thickness, clear brow-to-eye distance, straight narrow nose bridge, short-to-medium nose length, refined small nose tip, subtle nose projection, compact nostrils, narrow philtrum, small mouth width, thin upper lip, slightly fuller lower lip, restrained lip volume, refined Japanese male features, elegant delicate face, non-westernized facial proportions, clean subtle eye area, (golden outer iris:1.25), (lime-green inner iris ring:1.35), (two-layer gold and lime-green iris:1.25). Both eyebrows rise distinctly. His mouth opens into an unguarded smile, the corners raised high enough to reveal a small glimpse of his upper teeth. His gaze settles on the banded blue stone upon the letter. His shoulders have relaxed, and his head inclines toward the object with unmistakable pleasure. The expression remains within the natural proportions of his adult face. He wears a fine powder-blue linen overshirt with a narrow turned-down collar and a pale ivory facing along its edges. The collar leaves a modest V-shaped opening at the throat, revealing the high edge of an ecru fine-knit inner shirt. Below the opening, a concealed front placket holds the overshirt closed, with two small mother-of-pearl buttons visible near the sternum. The sleeves have narrow buttoned cuffs, and the right sleeve gathers into soft diagonal folds along the bent forearm. The dry linen texture contrasts with the close knit beneath it and the smooth buttons. The front panels descend naturally beyond the lower crop. He is seated at a wooden writing table. His left hand holds the near edge of a cream envelope against the tabletop, while its partly unfolded letter rests flat beside a shallow open wooden box. His right forearm extends naturally across the lower frame, and the tip of his right index finger rests against the polished stone inside the box. The box is supported entirely by the table, and its rim stays below the stone's visible surface. His wrists, fingers, and the objects remain individually readable. The blue onyx is one round, gently domed cabochon, approximately twenty-five millimeters across, slightly wider than the adjacent fingertip and much smaller than his palm. Bands of sky blue, deep blue, and soft white follow the curved surface. The material has a polished chalcedony luster with restrained highlights rather than the sharp facets of a transparent gemstone. A thin layer of dark blue cloth cushions it inside the box. The envelope lies beside the box, and the unfolded paper passes behind it without concealing the stone. A section of a tall window frame remains visible along the upper-left edge. A pale warm wall occupies a small area behind his shoulder, while the wooden writing table fills the lower part of the frame. These connected surfaces establish a quiet contemporary interior without distracting architectural detail. Soft morning daylight enters from the upper left. The cream paper provides weaker warm reflected light beneath his chin and fingers, preserving the colors of his irises and the blue-white pattern of the onyx. Contact shadows hold the wooden box and envelope against the table. The linen carries broad muted reflections, and the stone catches one limited, curved highlight. masterpiece, best quality, detailed illustration,aquarelume,luminous watercolor,soft glow,watercolor illustration,
Modus
pro
Stil
Aquarellglanz
Qualitäts-Tag
﹝Prompts﹞
Größe
992 x 992
Negativ
lowres, worst quality, low quality, bad anatomy, explicit
Stil: Aquarellglanz
Prompt-Assistent

Verwendetes Modell und LoRA