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- Größe
- 768 x 1280
- Sampling-Schritte
- 8
- Sampling-Methode
- Euler a
- CFG Scale
- 1.8
- Negativ
- nsfw, worst quality, low quality, too many fingers, fused fingers, missing arms, missing fingers, bad anatomy, bad hands, text, signature, artist name, watermark, nsfw, username, error, missing fingers, extra digit, fewer digits, disfigured, jpeg artifacts, cropped, blurry, mutation, deformed, dehydrated, bad proportions, disfigured, gross proportions, nsfw, malformed limbs, long neck, duplicate, ugly
Verwendetes Modell und LoRA
1 private Modelle verwendet
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A medium shot, eye-level anime illustration depicting a nostalgic street scene from 1969, capturing a quiet neighborhood in Japan. The composition features a vintage 1960s sedan parked on the side of a narrow asphalt road, flanked by traditional wooden houses with sliding doors and weathered utility poles with tangled power lines overhead. In the distance, a soft, hazy horizon blends into a pale blue sky. The environment is filled with period-accurate details: old-fashioned signage, a bicycle leaning against a fence, and small potted plants lining the entrances of the homes. The lighting is the warm, golden glow of a late summer afternoon, casting long, soft shadows across the pavement. The color palette is dominated by muted, nostalgic tones, sepia tints, and faded pastels, evoking a melancholic yet peaceful retro atmosphere with a slight film grain effect and a gentle depth of field.
John Nelson
Korea village
I'm boy
masterpiece, best quality, absurdres, very aesthetic, realistic anime,
Modern setting, present-day environment, contemporary architecture, 3/4 view, front view,
Middle-class house as centrepiece, front garden, potted plants, electricity poles, city street, downtown, street signs,
Sunset, light rays, environmental storytelling,
cinematic lighting, volumetric lighting, depth of field, dynamic angle,<lora:more_details:0.5>,glowify
Zeon
A medium shot, eye-level anime illustration depicting a nostalgic street scene from 1969, capturing a quiet neighborhood in Japan. The composition features a vintage 1960s sedan parked on the side of a narrow asphalt road, flanked by traditional wooden houses with sliding doors and weathered utility poles with tangled power lines overhead. In the distance, a soft, hazy horizon blends into a pale blue sky. The environment is filled with period-accurate details: old-fashioned signage, a bicycle leaning against a fence, and small potted plants lining the entrances of the homes. The lighting is the warm, golden glow of a late summer afternoon, casting long, soft shadows across the pavement. The color palette is dominated by muted, nostalgic tones, sepia tints, and faded pastels, evoking a melancholic yet peaceful retro atmosphere with a slight film grain effect and a gentle depth of field.
John Nelson
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