手こずらせやがって…雑魚が!!
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- Ursprünglicher Prompt
- semi realistic,Masterpiece,Best Quality,Amazing Quality,(cyberpunk:1.5),sci-fi,vibrant colors,dramatic lighting,realistic lighting effects,cinematic atmosphere,intricate details,detailed facial features,super high definition,1girl,1corpse,lying on ground corpse,Itsumi erika \(girls und panzer\),aged up,long hair,very long coat,trench coat,camouflage painted coat,(gray camouflage paint:1.8),open-front coat,suit under coat,full-body suit,camouflage painted suit,(gray camouflage paint:1.8),(cyber suit:1.5),(cyber wear:1.5),(mechanical suit:2.0),(large breast:1.2),(angular chest armor:1.3),gun belt,small bags,bags attached belt,looking down,(mechanical visor:1.5),visor over eyes,gun belt,mechanical visor,visor over eyes,Illuminated visor,(opaque visor:1.5),black gloves,military boots,holding handguns,too gigantic handgun,so long handgun,standing up straight,full body,night,back alley,so many neon signs,too lot of neon lights,(too lot of pipes,pipes crawling wall,steam from pipes:1.3),(many glowing graffiti,graffiti on wall:1.2),(cyberpunk city:1.2),side view,detailed background
- Größe
- 768 x 1280
- Sampling-Schritte
- 8
- Sampling-Methode
- Euler a
- CFG Scale
- 3
- Negativ
- (no nipples:1.5),(brown skin:1.5),(sun-tanned skin:1.5),lowres, bad anatomy, bad hands, text, error, missing fingers, extra digit, fewer digits, cropped, worst quality, low quality, normal quality, jpeg artifacts, signature, watermark, username, blurry
Gesichtskorrektur
Verwendetes Modell und LoRA
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detail illustration, -2::simple illustration, cool lighting, pale color, flat shading, sketch, soft gradient, clean lineart,
A lone woman stands over the wreckage of a street fight in the rain, seen from a very low camera at the level of her knee looking sharply up at her so that she towers over the lens, not a bird's-eye view and not a horizontal eye-level shot; she is the only person standing. She is a lean tall adult woman with short wet platinum hair plastered flat to her skull, pale grey-violet eyes, a thin scar cutting through her left eyebrow, rain running down her face and war paint half dissolved into grey streaks. She wears a matte black tactical bodysuit and plate carrier, both shredded: her left shoulder panel is torn open and exposes the segmented metal vertebrae of her spine, her chest plate is split along its seam with the gap glowing, and her left arm is a chrome-plated prosthetic from the shoulder down, its outer shell cracked open along its whole length and throwing a continuous spray of white-orange sparks into the rain, a bundle of bare wires spilling out of the shoulder and sparking where it hangs, dark hydraulic fluid weeping down the metal and pooling at her wrist and dripping from her fingertips. Her right boot is planted on the chest of a defeated soldier lying flat on his back on the wet asphalt, his buckled armour crushed under her heel, his limbs spread, motionless; her left foot stands in a shallow rainwater puddle scattered with broken concrete and torn pieces of his rifle. She looks straight down the lens without blinking, chin lifted, a cold victorious smirk on her mouth, and raises her middle finger toward the camera, the gloved hand held at shoulder height so the gesture reads clearly without hiding her face, sparks drifting past her knuckles. Around her the asphalt is covered with eight more bodies lying exactly where they fell, some face down, some on their backs with their visors cracked, none of them moving, boots and weapon fragments scattered between them. The street runs away behind her into a rainy neon corridor: tall holographic advertising panels on both sides throw violet and cyan light downward, a bank of cascading code flickers across a floating transparent interface panel to her right, unreadable glyphs with no legible language, and the wet black tarmac mirrors all of it, broken by rain rings and reflections stretching toward the camera. Light: the dominant source is the violet holographic signage above and behind her, tracing a hard magenta edge along her wet hair, the chrome of her shoulder and the tear in her armour; a cyan neon tube running along the left wall fills the shadow side of her face cold blue; the flooded tarmac throws a dim upward reflection onto her jaw, the underside of her chin and the hanging hem of her suit; her own ruptured arm is the only warm source in the picture, its flickering sparks lighting the underside of her jaw, her raised hand and the rain around her in amber. Rain falls through every beam and every drop catches the violet and the cyan. Camera: an ultra wide 20mm lens at f/2.0, barrel distortion curving the buildings inward at the frame edges while her body stays undistorted, a one-point perspective corridor of light receding above and behind her, deep focus in the background falling off softly on the bodies at her feet. Style: a photorealistic cinematic still, the look of a frame lifted from a night action film, anamorphic widescreen flare across the highlights, chromatic aberration at the edges, fine film grain, cold desaturated skin against the neon, extreme contrast between the bright signage and the near black street, high detail, sharp focus on her face and her damaged arm.
Agent47
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