一期一振 - アメリカ初の航空写真撮影
Wettbewerbseinreichung
2nd "Favorite Work" Contest#Create What You Love 2
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- Ursprünglicher Prompt
- A square 1:1 wide view above Boston in October 1860, imagining the adventurous viewpoint of the first surviving American aerial photograph. The rooftops and harbor are the visual entrance. Ichigo Hitofuri is the only human figure, a small full-length presence in the lower-right corner inside a tethered balloon's wicker basket, occupying roughly one third of the image height. The camera looks slightly downward from the basket's rear-left side. His head, body and boots are visible above the basket floor, while the sprawling city fills the center and left of the image. There is open sky around the balloon rigging rather than a giant balloon envelope obscuring the city. ichigo_hitofuri, one adult man, short aquamarine hair with neat side-swept bangs, elegant slender adult proportions, realistic adult male proportions, about 8 heads tall, elegant slender build, balanced head-to-body ratio, restrained shoulder breadth, slight natural shoulder slope. He stands with his left boot forward on the wooden basket floor, his weight shared between both feet. His chest inclines over the view without leaving the safety of the basket. His head turns toward the astonishing pattern of streets and church spires below, and the buoyant lift of his chin and the eager forward angle of his shoulders communicate fascinated excitement even at this distance. His left hand grips the solid wicker rim at his side. His right hand steadies the wooden base of a camera fixed in front of him; his arm leads clearly from shoulder to wrist and to the camera support. He wears a deep blue-green wool frock coat reaching just above the knees over a buttoned dove-gray waistcoat and an ivory high-collared cotton shirt. A narrow black neckcloth is tied neatly at the throat. The coat's two front edges remain open from chest to hem, revealing the vest and its small dark buttons. A fitted sleeve ends in a plain turned cuff; the other sleeve gathers where his hand rests on the camera base. The waistcoat closes down to the natural waist, over straight taupe trousers and dark brown leather ankle boots. Dense wool contrasts with the smoother vest and crisp cotton collar. Coat tails shift gently toward the back of the basket, while the trouser fabric bends over his supporting knees. The early photographic camera is one substantial dark wooden box with a black folded bellows and a brass-rimmed lens pointing diagonally down toward the streets. Its rigid wooden mounting platform is secured to the basket floor and rim. The camera does not hang unsupported beyond the wicker side. Heavy suspension ropes rise from the basket corners toward the balloon above the crop. The woven basket has a continuous curved rim, upright ribs and a boarded floor beneath both boots. Long tether ropes descend away from the basket toward Boston Common far below. The city is nineteenth-century Boston: irregular blocks of close-packed brick buildings, pitched roofs, narrow streets and several church steeples spread toward the distant harbor. Small sailing-ship masts rise near the waterfront. The heights of the houses diminish progressively toward the water, and the street pattern runs continuously beneath the basket. Neither the city nor the camera is reduced to an ornamental emblem; their separation in depth makes the extraordinary aerial vantage understandable. Pale autumn sunlight enters from the upper left through a high, thin cloud layer. The roof planes facing the light are warmer, and their opposite slopes have soft gray shadows. Wicker and wool absorb more light than the brass lens rim, which catches one small highlight. Weaker reflected daylight preserves the outline of the man against the darker city. The basket floor casts contact shadows beneath his boots and the camera support. single coherent lighting setup. masterpiece, best quality, detailed environment,soft watercolor texture,ethereal pastel color palette,delicate brushstrokes,dreamy atmosphere,gentle lighting,high transparency,artistic hand-drawn texture,bleeding paint effects,romantic and soft focus,highly detailed watercolor illustrations.,astyle,girl,boy,masterpiece,nhosizayzfwnkiegykdcmdlltizbxo,
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- pro
- Stil
- Chromatischer Bleistift
- Qualitäts-Tag
- ﹝Prompts﹞
- Größe
- 992 x 992
- Negativ
- lowres, worst quality, low quality, bad anatomy, explicit
Stil: Chromatischer Bleistift
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Verwendetes Modell und LoRA
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Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
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