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View details特撮風怪人
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- Ursprünglicher Prompt
- original Japanese tokusatsu kaijin, original non-heroic monster design, motif-first anatomy, male humanoid monster body, lean athletic physique, long limbs, narrow waist, defined muscles, agile silhouette, hybrid creature head combining several biological motifs, sharp fangs, glowing eyes, predatory facial structure, organic armor plates growing across the chest and abdomen, large hooked claws and predatory hands, powerful humanoid legs with armored boots, exposed pipes, cables, tubes and mechanical connectors, thick overlapping outer-skin structures creating continuous non-human coverage over chest and pelvis, chest and pelvic areas are fully covered by continuous non-human anatomy, human breast anatomy is replaced by motif-derived biological, exoskeletal or mechanical structure, no visible nipples or areola, no recognizable human breast anatomy, no exposed human nudity, no underwear-like appearance, no human-style clothing, primary motif: flame-based humanoid monster, physical phenomenon embodied as grotesque anatomy, unstable energy, environmental effects, the flame motif shapes the anatomy rather than being decorative, secondary motif: beaver-based humanoid monster, mammalian anatomy, animal musculature, creature-like proportions, fur or skin texture, the beaver motif shapes the anatomy rather than being decorative, fusion: the two motifs are unnaturally merged, producing distorted anatomy, malformed transitions and grotesque hybrid structures, dominance: primary motif remains dominant while secondary motif is deeply integrated throughout the body, primary motif controls the base anatomy and silhouette, secondary motif is structurally fused into the body, both motifs affect multiple body regions, not decorative, not an emblem, not a costume accessory, frost white, pale blue and cold silver, left and right sides use different but related color combinations, body color is not monochromatic, use clearly separated color regions across anatomy, armor, organs and motif structures, modern anime character illustration, detailed stylized monster anatomy, crisp linework and cel shading, localized gravity manipulation, three-quarter side view, strong silhouette, secret underground laboratory, machinery and warning lights, dramatic transformation into a giant monster, expanding body, shockwave and debris, a large curved scythe, irregular silhouette, asymmetrical anatomy, unnatural proportions, grotesque practical monster suit, molded and organic textures, visible practical construction and material transitions, cinematic full-body tokusatsu shot, not a copy of any existing character, flame-based humanoid monster, physical phenomenon embodied as grotesque anatomy, unstable energy, environmental effects, the flame motif shapes the anatomy rather than being decorative anatomy is the primary design foundation, phenomenon embodied as anatomy, unstable natural energy, irregular force-based structures, motif traits recur across head, torso, limbs and body covering, the chest and pelvic covering must be derived from the primary motif, body covering is anatomy, not clothing, lingerie, or decorative armor.
- Qualitäts-Tag
- high quality, year_2025, year_2024, ﹝Prompts﹞
- Größe
- 768 x 1280
- Sampling-Schritte
- 16
- Sampling-Methode
- Euler
- CFG Scale
- 4.5
- Negativ
- bad quality, low quality, worst quality, lowres, nsfw, jpeg artifacts, scan artifacts, mosaic, cropped, error, fewer digits, bad reflection, bad composition, bad anatomy, bad hands, bad fingers, missing fingers, extra hands, extra legs, excess fingers, light particles, artist name, text, watermark, username, copyright name
Verwendetes Modell und LoRA
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character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
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