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新山聡美(センダイヘンジ：南町通)

Wettbewerbseinreichung

2nd "Favorite Work" Contest

#Schild #Reife Frau #Abend #realer Ort #Auto #Sonnenuntergang #Halskette #Schultertasche #Straße #Stadt #Gebäude #Sound! Euphonium #Yuyaki #Satomi Niiyama #Gehweg

Veröffentlicht: Oct 20, 2026

北

北宇治高校仙台分校

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copyright: hibike!_euphonium character: Niiyama Satomi (Hibike! Euphonium)., brown hair, loose wavy long hair, Don't let your bangs fall from the center of the forehead, bluish violet eyes, lavender eyes, cool-toned purple eyes, center part starting high on the crown, middle-aged women, 33 years old, medium breasts, A high-quality photo like a scene from a movie, realistically depicting the streetscape of central Sendai City at dusk in October. A composition looking down a city street where commercial buildings and shops line both sides of the road. The road extends straight from the foreground into the distance, and a large, setting sun is visible, overlapping at the far end. The sun is positioned in the center background, emitting dazzling golden light through the gap between buildings. Around the sunset, it glows with a bright yellow close to white, with colors softly spreading outward into orange, amber, and deep golden hues. Due to strong backlight, distant buildings and pedestrians appear hazy, and the light of the sunset extends long across the center of the road. Golden light reflects on the road surface, creating alternating patterns of bright areas and dark shadows. The sunset also reflects on the glass windows of buildings and the exterior walls of shops, enveloping the entire city in a warm evening glow. The setting is a street in the downtown area of Sendai City, surrounded by multi-story commercial buildings on both sides. The lower floors of the buildings are lined with cafes, restaurants, and retail stores, with building signs, windows, shop entrances, road signs, and power lines forming urban details. The boundary between the sidewalk and the roadway looks natural, with pedestrians and bicycles along the sidewalk. In the distance, multiple passersby are coming and going, and in the foreground, people on their way home are standing or walking. Cars and small commercial vehicles are parked by the side of the road, and bicycles are placed along the sidewalk. Some people appear as dark silhouettes due to the strong light of the sunset, but their postures and walking directions are natural, conveying the sense of evening life in the city. People and vehicles do not crowd the road, leaving sufficient open space for the gaze to pass through to the distance. The season is early to mid-October. Rather than the strong greenery of midsummer or the cold atmosphere of midwinter, express the calm air characteristic of an autumn evening. In areas with street trees, autumn leaves mixed with yellow and yellowish-brown are visible among the green leaves. Passersby are dressed in clothing appropriate for the cooling autumn, such as long-sleeved jackets or light coats. The air is clear, and the sunset illuminates the depths of the road from a low position. The golden sunlight strongly illuminates the corners of buildings, windows, and the contours of the road surface, creating a vivid contrast with the shadows of buildings and silhouettes of people. The scenery should convey the dazzle of dusk and the quiet excitement just before the city transitions into night. The woman is a married woman in her early 30s, with a neat and elegant long hairstyle. Leave the character design of the woman's facial features and hair to the character LoRA; clothing, accessories, posture, and expression should follow the specifications below. The woman is standing near the sidewalk in the foreground, with her body facing the camera. Her face is also turned toward the viewer, and her gaze is directed at the camera. Behind her, the sunset glows in the distance, and her expression looks natural against the background of the city lit by the sunset. Her body is turned slightly oblique from the front, with one shoulder slightly forward in a natural standing posture. One hand lightly holds the handle of a handbag, and the other hand hangs naturally by her side. Her shoulders are relaxed, creating a calm atmosphere as if she suddenly stopped while walking down the street. Her expression is gentle, with a modest smile on her lips and a natural gaze as if she noticed the viewer while enjoying the evening light. Avoid exaggerated laughter or model-like posed positions, making it look natural as a moment in urban daily life. The woman's clothing is neat and elegant autumn outing wear suitable for an evening in Sendai in October. She wears a thin, knee-length coat in beige or camel color, with an ivory blouse underneath. The bottoms are a below-the-knee skirt in greige or a subdued brown. On her feet are elegant dark brown short boots. She carries a small leather handbag, and accessories are modest, such as small earrings or a thin necklace. The subdued colors of the clothing harmonize with the golden light of the sunset; avoid flashy patterns, overly vivid colors, or revealing clothing. Her long hair and the hem of the coat are naturally swaying in a slight breeze blowing through the city. Strong backlight streams from the sunset behind the woman, creating golden outlines on her hair, shoulders, and the contours of the coat. The sunset itself is very bright, and the surrounding buildings and passersby are expressed as darker silhouettes. Meanwhile, the woman's face is not crushed into darkness, receiving soft light reflected from the sky and surrounding buildings, allowing her eyes, mouth, and gentle expression to be discernible. The woman does not stand out unnaturally bright; the warm light of dusk and the surrounding tones are naturally reflected on her skin, hair, and clothing. The composition should balance the beauty of the backlight and the presence of the person, making both the background sunset and the woman's face visible without strain. The camera is positioned near the sidewalk looking down the road, capturing the perspective of the street sandwiched between buildings and the presence of the sunset overlapping at the end of the road. The sunset is placed in the center background, with the vertical lines of the buildings on the left and right and the contours of the road leading the eye toward the sun. The woman is placed on the left or right side of the foreground, with her face and upper body clearly visible in size. The composition ensures the woman does not block the sunset, and the background road, buildings, pedestrians, and the spreading light of the sunset are fully visible. This is not a close-up portrait of the woman, but an urban landscape photo where the woman naturally exists within a wide scene of the city illuminated by the sunset. Other pedestrians are seen small behind the woman, conveying the depth of the city through the difference in size. The overall texture is realistic, like a live-action photograph. Delicately depict the intense brightness of the sunset, the way golden light reflects on the road surface, the dark shadows of buildings, the silhouettes of pedestrians, and the reflected light in window glass. There is natural light bloom and modest lens flare around the sun, but avoid overexposing the entire screen. Contours of the cityscape and people remain slightly visible even in dark areas, balancing light-dark contrast and detailed texture. Create a photo with a sense of presence and emotion, bringing together the dazzle of the autumn sunset, the vibrancy of the city, the people passing through the street, and the woman smiling quietly toward the camera into a single scene. Emphasize natural architecture as if photographing a real city, realistic road widths, natural human bodies and walking postures, and realistic light and shadow. The image should be a photographic expression, not a depiction like anime or illustration. Do not add titles, decorative text, prominent logos, watermarks, or signatures within the image. Do not make text such as "SENDAI" or "HENJI" the main focus of the screen; make the sunset, the cityscape, the pedestrians, and the woman looking toward the viewer the main subjects.

新山聡美(センダイヘンジ：南町通)

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