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親愛なる隣人（Spider-Man）
マーベル詳しくないけどスパイダーマンは何となく 好きなんだよなぁ
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- Ursprünglicher Prompt
- Character: Spider-Man. This image captures Spider-Man from a dynamic, low-angle perspective as he swings between towering skyscrapers in the heart of the city during the day. Clad in his iconic red-and-blue suit and full-face mask, he arches his body powerfully in mid-air. His right hand firmly grips a thick, glowing web extending upward, while his left arm is thrust outward behind him to maintain balance. He is surrounded by a "canyon" of high-rise buildings. The piece features an animation-inspired, high-contrast style, characterized by bold outlines, prominent halftone dots, and striking neon colors. The composition is chaotic yet brimming with energy; elements like graffiti and digital noise evoke a pop-art sensibility reminiscent of street art and comic books. A vivid color palette—dominated by electric blue and intense red—makes the artwork truly stand out.
- Modus
- flash
- Stil
- Hyper Pop
- Größe
- 1824 x 1104
Stil: Hyper Pop
Prompt-Assistent
Verwendetes Modell und LoRA
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親愛なる隣人（Spider-Man ）3
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親愛なる隣人（Spider-Man ）2
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Spider-Man: City Swing
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character: peter_parker, spider-man
1boy, solo, male, superhero, black_hair, short_hair, black_eyes, brown_hair, brown_eyes, full bodysuit, spider_web_print, red and blue costume, mask, white lenses on mask, dynamic pose, web-swinging, swinging, holding web line, one arm extended overhead, legs tucked, body twisted, from below, foreshortening, low angle, city, skyscrapers, sky, clouds, limbs spread, looking down, motion blur on background, wind effect, clenched hand, outstretched arm
The camera looks up from street level at a steep low angle, so the single figure of a young man in a form-fitting red-and-blue bodysuit with a fine black web pattern printed across the red panels hurtles across the pale morning sky above a corridor of glass-and-steel towers. His right arm is thrown straight up and forward, fist closed around the end of a taut white web strand that runs off the top edge of the frame; the line is under load, so it runs dead straight and the web loops bunch slightly where it knots at his glove. His left arm sweeps back and out for balance, elbow bent, fingers splayed. His knees are drawn up and twisted to his left, one boot sole tipped toward the lens in strong foreshortening so the near leg reads larger than the far one; the body twists at the waist, chest angled away from the camera and hips swung toward it. His head is turned down and to his right, chin tucked, lenses narrowed as he tracks the next hold, the web of seams on the mask pulled taut across his jaw so the fabric creases at the neck.
Behind and below him the buildings lean with the upward angle, receding in two rows, their windows catching cool white glints from the sun at upper left; the far towers simplify to flat blue-grey silhouettes hazy with distance. The sky occupies the upper third, a clean pale blue that thins to white near the left where the sun sits, and the light rakes his right side so his shoulder and the outside of his raised arm blazed with red while his left flank falls into a cooler blue shadow; a faint shadow of his leg drops across the rooftop ledge in the lower left corner. Airborne grit and one loose newspaper corner lift upward past him, showing the rising air of his arc. The whole background is streaked with a soft directional blur along his line of travel, but his own body is crisp, and the web line stays razor sharp against the sky where the blur does not touch it. Crimson, cobalt blue and hard clean black web lines are the only saturated colours; the city is steel grey and pale blue. Exhilarated, high-speed momentum.
Yiğit Şerif Yaman The Man
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reunited at last
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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica
Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
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Sg75
...
Tofu
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2
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the ballerina
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
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