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AI artwork
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ut yatu

KI-Kunst von ut yatu auf PixAI. Erstellt mit Tsubaki.3 Flash.

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no humans, scenery, ruins, destruction, winter, snow, snowfall, wide shot, from below, outdoors, post-apocalyptic, collapsed building, rubble, twisted rebar, cracked asphalt, icicles, overcast, dreary, desolate A wide low-angle shot surveys the frozen remains of a devastated metropolis. In the immediate foreground, a shattered asphalt roadway is buckled and thrust upward at a severe angle, its fractured concrete edges exposing tangled clusters of rusted steel rebar jutting skyward. Fresh powdery snow settles exclusively on horizontal surfaces and windward faces of collapsed masonry, leaving the sheared vertical edges dark, damp, and exposed. A toppled utility pole lies half-submerged in a deep snowdrift, its snapped cables hanging stiff and rigid with frost before anchoring into the crushed remains of a steel barrier. In the midground, hollowed concrete building frames stand like ribcages around a debris-choked plaza where shattered glass and pulverized brick form icy mounds. Through a steady drift of falling snowflakes, the background reveals the silhouettes of gutted high-rises fading into a dense, leaden winter sky. Diffused, frigid white daylight filters through the unbroken cloud cover without direct glare, casting soft steel-blue shadows beneath concrete ledges where rows of needle-sharp icicles hang in true vertical alignment. The environment is bound strictly to a desaturated palette of chalk white, wet slate gray, charcoal, and oxidized rust. Frozen desolation.
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Ursprünglicher Prompt
winter distruction
Modus
flash
Größe
1104 x 1824
Prompt-Assistent

Verwendetes Modell und LoRA

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AI artwork
uy
no humans, scenery, ruins, destruction, winter, snow, snowfall, wide shot, from below, outdoors, post-apocalyptic, collapsed building, rubble, twisted rebar, cracked asphalt, icicles, overcast, dreary, desolate A wide low-angle shot surveys the frozen remains of a devastated metropolis. In the immediate foreground, a shattered asphalt roadway is buckled and thrust upward at a severe angle, its fractured concrete edges exposing tangled clusters of rusted steel rebar jutting skyward. Fresh powdery snow settles exclusively on horizontal surfaces and windward faces of collapsed masonry, leaving the sheared vertical edges dark, damp, and exposed. A toppled utility pole lies half-submerged in a deep snowdrift, its snapped cables hanging stiff and rigid with frost before anchoring into the crushed remains of a steel barrier. In the midground, hollowed concrete building frames stand like ribcages around a debris-choked plaza where shattered glass and pulverized brick form icy mounds. Through a steady drift of falling snowflakes, the background reveals the silhouettes of gutted high-rises fading into a dense, leaden winter sky. Diffused, frigid white daylight filters through the unbroken cloud cover without direct glare, casting soft steel-blue shadows beneath concrete ledges where rows of needle-sharp icicles hang in true vertical alignment. The environment is bound strictly to a desaturated palette of chalk white, wet slate gray, charcoal, and oxidized rust. Frozen desolation.
ut yatu
AI artwork
uy
no humans, scenery, ruins, destruction, winter, snow, snowfall, wide shot, from below, outdoors, post-apocalyptic, collapsed building, rubble, twisted rebar, cracked asphalt, icicles, overcast, dreary, desolate A wide low-angle shot surveys the frozen remains of a devastated metropolis. In the immediate foreground, a shattered asphalt roadway is buckled and thrust upward at a severe angle, its fractured concrete edges exposing tangled clusters of rusted steel rebar jutting skyward. Fresh powdery snow settles exclusively on horizontal surfaces and windward faces of collapsed masonry, leaving the sheared vertical edges dark, damp, and exposed. A toppled utility pole lies half-submerged in a deep snowdrift, its snapped cables hanging stiff and rigid with frost before anchoring into the crushed remains of a steel barrier. In the midground, hollowed concrete building frames stand like ribcages around a debris-choked plaza where shattered glass and pulverized brick form icy mounds. Through a steady drift of falling snowflakes, the background reveals the silhouettes of gutted high-rises fading into a dense, leaden winter sky. Diffused, frigid white daylight filters through the unbroken cloud cover without direct glare, casting soft steel-blue shadows beneath concrete ledges where rows of needle-sharp icicles hang in true vertical alignment. The environment is bound strictly to a desaturated palette of chalk white, wet slate gray, charcoal, and oxidized rust. Frozen desolation.
ut yatu
AI artwork
uy
no humans, scenery, ruins, destruction, winter, snow, snowfall, wide shot, from below, outdoors, post-apocalyptic, collapsed building, rubble, twisted rebar, cracked asphalt, icicles, overcast, dreary, desolate A wide low-angle shot surveys the frozen remains of a devastated metropolis. In the immediate foreground, a shattered asphalt roadway is buckled and thrust upward at a severe angle, its fractured concrete edges exposing tangled clusters of rusted steel rebar jutting skyward. Fresh powdery snow settles exclusively on horizontal surfaces and windward faces of collapsed masonry, leaving the sheared vertical edges dark, damp, and exposed. A toppled utility pole lies half-submerged in a deep snowdrift, its snapped cables hanging stiff and rigid with frost before anchoring into the crushed remains of a steel barrier. In the midground, hollowed concrete building frames stand like ribcages around a debris-choked plaza where shattered glass and pulverized brick form icy mounds. Through a steady drift of falling snowflakes, the background reveals the silhouettes of gutted high-rises fading into a dense, leaden winter sky. Diffused, frigid white daylight filters through the unbroken cloud cover without direct glare, casting soft steel-blue shadows beneath concrete ledges where rows of needle-sharp icicles hang in true vertical alignment. The environment is bound strictly to a desaturated palette of chalk white, wet slate gray, charcoal, and oxidized rust. Frozen desolation.
ut yatu
AI artwork
安
no humans, scenery, architecture, ruined building, collapsed high-rise interior, ancient skyscraper, looking out through fallen wall section, exposed rusted steel skeleton, bent rebar, rib-like girders, broken floor, concrete rubble chunks, dangling severed cables, cables swaying overhead, dead air duct, rusted mechanical systems, deep shadows, skeletal wall opening as frame, distant cityscape, dozens of ruined sci-fi towers, crumbling exposed steel frames, towers half swallowed by gray mist, dense silent ruins, deep layered perspective, volumetric fog, atmospheric haze, monochrome, grayscale, cold gray tones, film grain, cinematic, wide shot, from inside, dark foreground silhouette framing, backlit by fog glow, no bright colors, empty, desolate, timeless decay. The camera sits deep within the collapsed high floor of an ancient skyscraper, low to the broken slab and set well back, so the fallen wall section ahead becomes a jagged skeletal frame around the shot; the vanished wall has left only rusted vertical steel columns and cross-braces, their edges corroded to flakes, and severed rebar bends inward and outward like a rib cage — some stubs curving toward the ceiling, others drooping toward the floor. In the near foreground the concrete slab is split by a long fracture running toward the opening, strewn with angular concrete chunks of mixed size, powder and grit gathered in the seams and against the upturned lip of the break; two severed cables hang from the ceiling shadow at upper left and upper center, their cut ends frayed, one cable still gently swaying so the frame catches it a few degrees off vertical, and a torn dead air duct — rectangular, its galvanized skin mottled with rust, its mouth crushed flat — sits slumped and half-disconnected in the left midground against a buckled column. To the right and deeper in, rusted mechanical systems — a stripped compressor housing, a fan cowl with blades seized at unequal angles, pipes severed and capped in corrosion — recede into the interior shadow, their forms dropping out of legibility as the darkness takes them, and the ceiling above sags in the upper corners of the frame, collapsing into black. Beyond the skeletal opening the city opens up in deep layered perspective: nearest, the exposed steel frames of the tower opposite stand with empty window bays and torn floor plates; behind them a second and third rank of ruined sci-fi towers, dozens in total, dense and silent, their verticals stepping back through successive planes of gray mist, each rank paler and softer than the one before; the farthest towers are barely more than ghost-straight verticals half swallowed by the fog, their tops dissolving entirely into the same gray air. The floor of the city below is not visible — the fog swallows it in a single flat plane — so the towers appear to stand in a sea of mist, crumbling steel crowns breaking its surface. Light comes from the mist itself and from a cold, diffuse sky beyond it, entering through the skeletal opening as a soft backlight: the opening's steel and rebar are rimmed in pale gray, the interior surfaces facing the opening catch the faintest edge light, and every surface turned away from it falls into near-black. No distinct sun, no visible light fixtures — the glow is the fog's own and nothing else illuminates the interior. Fog drifts in through the opening in slow thin banks, denser at the sill, thinning at eye level, thinning again at the ceiling, and the swaying cable's motion is the only thing in the frame that is not still. Palette: monochrome grayscale only, cold gray tones with a faint blue-green cast in the deepest shadows; mid-grays dominate the mist and the distant towers, blacks anchor the interior, and the brightest value in the image is the fog-softened sky seen between the rebar ribs. No warm color anywhere. Add a fine, even film grain across the whole frame, heaviest in the flat shadow fields, so the grain reads as the atmosphere of the place rather than as a filter. The comic-register detail is concentrated in the near foreground — the concrete chunks, the frayed cable ends, the rust scale on the rebar — and deliberately simplified in the distant ranks, where only silhouette and relative value remain.
安藤タケル

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