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AI art "クレジット用"
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クレジット用

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@白猫

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A medium shot from a rear view shows a petite human girl and a small white fox standing in the kitchen of a traditional Japanese house at night. The girl has ash-white semi-long bob hair tied into two thin pigtails reaching her collarbone, with very short bangs above her oval eyebrows. She wears a sheer black shinobi outfit that exposes her shoulders and navel, with fishnet tights on the sides of her waist and a black sword scabbard tucked into her belt. A black ninja mask is pulled down to her chin, and she is glancing back with gold double-lidded eyes, playfully licking the corner of her mouth. Perched on her head, a small white fox also licks the corner of its mouth. Her right hand grips the hilt of a short sword, which she has just swung horizontally, stopping abruptly. On a cutting board in front of her lies a wooden boat containing the skeleton of a sea bream, with only the head and tail remaining intact. The atmosphere is quiet and nocturnal, with dim indoor lighting and a clean anime illustration style.
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Ursprünglicher Prompt
セミロングボブでアッシュホワイトの髪を鎖骨あたりで二つに細く結ぶ、黒の忍びマスクは顎にズラす、口の端をペロリとする、スリムで小柄な小さいお尻と小さい胸の人間、楕円形眉毛、パッチリ二重の金色の瞳、前髪はかなり短く楕円形眉毛の上、両肩とヘソ出しの黒い透け透け忍び装束、腰側面に網タイツ、背面腰 黒い鞘だけを帯に差す少女、頭の上に白い子狐が乗って口の端をペロリとする、後ろ姿。 寝静まった日本家屋に入り台所に立つ、右手で柄を握り小太刀を横に振り抜いて止まる、まな板の上には木製の舟が乗っていて船首にタイの頭と船尾にタイのシッポが飾られ頭とシッポ以外は骨だけが残る。
Modus
lite
Größe
768 x 1280

Verwendetes Modell und LoRA

Tsubaki.2 - AI Model cover image

PixAI DiT.2

Tsubaki.2
18.91k

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AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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3#Attack on Titan#Mikasa Ackerman
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