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AI artwork featuring #The Idolmaster, #The Idolmaster Million Live!, #THE IDOLM@STER MILLION LIVE! THEATER DAYS and #The Idolmaster
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The Idolmaster, The Idolmaster Million Live!

#The Idolmaster#The Idolmaster Million Live!#THE IDOLM@STER MILLION LIVE! THEATER DAYS#The Idolmaster
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橫山育人

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character: minase_iori, copyright: idolmaster 1girl, solo, minase_iori, brown hair, long hair, red eyes, bandage wrappings all over body, mummy costume, head bandages, bandaged arms, bandaged legs, bandaged hands, kneeling, seiza, full body, from below, dutch angle, looking at viewer, half-closed eyes, light smile, head tilt, halloween street, night, jack-o'-lantern, carved pumpkin, string lights, cobblestone road, tilted camera, warm orange lantern light, cool blue night shadow, Full body, low camera tilted on a slight dutch angle so the cobblestones run up diagonally behind her: a girl with long brown hair and red eyes kneels in the middle of a Halloween street at night, done up as a mummy from head to toe. Off-white bandage strips are wound tight around her scalp, brow and jaw so only a wedge of her face shows, one eye fully free and the other crossed by a single strip; more strips spiral down her throat, over her shoulders and across her chest, flattening the curve of her torso, then down each arm to the fingertips, each finger wrapped individually with the seams running crosswise, and a few loose tails hang at her wrist and shoulder and stir slightly. Her legs are folded under her in seiza, both shins flat on the stones, the bandaged calves pressed to the ground, the wrapping scuffed and greyed where it touches, and her hip rests back on her heels so the weight is on the shins and the balls of the feet, not the knees. Her hands lie palm-down on her thighs, fingers together and slightly splayed, the bandage edges lifting at the knuckles. Her chin tips up and a little to her left, head tilted, and she looks straight into the lens under half-lowered lids with a small closed-lip smile that is more amused than shy. Behind and around her the street is dressed for the holiday: carved jack-o'-lanterns with candlelight glowing out of their eye holes sit along a low stone kerb and on a crate to her right, a shop frontage behind her is strung with small warm bulbs, and a banner of cut-paper bats hangs above the lane. The lanterns are the only warm source, striking the right side of her face and the upward-facing planes of her bandages while the left side of her body falls into cool blue night shadow; the candlelight pools on the wet cobbles and each pumpkin throws its own small distorted shadow away from the wall, and the deeper street beyond the bulbs goes dark and unreadable. Palette is restricted to the warm orange of the lanterns and bulbs, the cold blue-black of the night and the cobbles, and the off-white of the bandages with their grubby grey creases. Detail is spent on her face, the wrapped hands and the way the bandage texture takes the light; the pumpkins and shop frontage stay simple shapes. Quietly eerie, playful.
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Ursprünglicher Prompt
偶像大師的水瀨伊織 全身綁滿綁帶 扮演木乃伊跪在 萬聖節風格的大街上
Modus
flash
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1280 x 768
Prompt-Assistent

Verwendetes Modell und LoRA

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
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AI artwork
Avatar image of 橫山育人
character: akizuki_ritsuko, copyright: idolmaster 1girl, solo, akizuki_ritsuko, brown hair, long hair, twin braids, braid, brown eyes, glasses, mummy costume, whole body wrapped in bandages, bandage wrap, straps, bandages over face, bandages over head, kneeling, seiza, on knees, full body, from below, dutch angle, looking at viewer, embarrassed, blush, pout, head tilt, halloween, street, night, jack-o'-lantern, glowing lanterns, cobblestone, fallen leaves, arms bound at sides The camera sits low on the cobblestones and tilts a few degrees off level, looking up: Ritsuko Akizuki fills the vertical frame from the top of her wrapped head to her knees pressed into the stone, one continuous figure against a street that recedes behind her. She kneels in a formal seiza, shins flat along the cobblestone, the backs of her feet tucked under, both knees together and taking her weight; her hips rest back on her heels, her spine upright but leaning a touch forward as if she has just been caught. Her arms are bound down against her sides inside the wrapping, so the bandage layers pull taut across her shoulders and bunch in soft horizontal folds at her elbows and waist. Nothing of a normal outfit shows anywhere: her whole body, her arms, her hands, her legs and her head are wound in overlapping strips of off-white linen and darker tan straps, edges spiralling in uneven diagonals, loose ends hanging at her left hip and fluttering slightly; only her face is left open, a narrow oval framed by the wrap passing over her forehead and under her chin, where the brown hair escapes at the temples and the two braids push out of the bandage at either side of her neck and hang forward over her collarbones to her chest. Her glasses sit slightly askew on her nose from the wrapping pressing at the bridge. She looks straight up into the lens from below, chin tipped, one brow knit high and one pulled low, lips pushed into an embarrassed pout, a hot blush spreading across both cheeks above the edge of the bandage. Her knees and the wrap over her shins are the only contact points with the street. The street is Halloween through and through: cobblestones glazed with damp, drifts of orange and russet leaves caught against the kerb behind her, carved jack-o'-lanterns set along the kerb line with candlelight burning inside their cut eyes and mouths, strings of small paper lanterns sagging across the gap between dark housefronts, and a distant shopfront window glowing warm behind her shoulder, its lettering illegible at that depth. She is lit from the front-left and low by the nearest pumpkin's candle: a warm orange key that strikes the left side of her face, the rims of her glasses and the left ridges of the bandage, leaving the right side of her wrap in cool violet shadow and casting a short, soft shadow back and to the right across the stones. The lantern candles are the only light; beyond their pools the street falls into deep blue-black. Palette: off-white and tan bandage, warm pumpkin orange, deep violet shadow, cold blue night between the lights, a single hot blush pink on her cheeks. The wet cobbles carry a dim, broken reflection of the pumpkin fire that is softer and darker than the flame itself. Quietly mortified, gently comic.
橫山育人
#The Idolmaster#Ritsuko Akizuki#The Idolmaster
AI artwork
Avatar image of 橫山育人
character: mochizuki_hijiri, copyright: idolmaster 1girl, solo, mochizuki_hijiri, blonde_hair, long_hair, parted_bangs, red_eyes, full body, kneeling, seiza, mummy costume, whole body wrapped in bandages, bandages over torso, bandages over arms, bandages over legs, straps, leather straps wrapped around whole body, belt straps crossing chest, straps around thighs, straps around arms, straps around waist, halloween, halloween street, night, jack-o'-lantern, carved pumpkins, string lights, jack-o'-lanterns grinning, dark street, cobblestone, looking at viewer, head tilt, hands together, bound, arms at sides, dutch angle, from below, wide shot, depth of field, warm orange light, cool purple shadows, rim light, cinematic lighting, atmospheric, 1girl, blonde hair, red eyes, bandage-wrapped figure, kneeling, mummy, halloween street, straps, full body A full-body wide shot taken from a low, slightly tilted dutch angle so the kneeling figure reads large against the street and the camera looks a little up at her. One girl only kneels center-frame on the cobblestones in a modified seiza, her weight settled back onto her heels, her knees together and pressed to the stone, her back held straight and lifted, shoulders drawn slightly back by the bands crossing her chest. Her pale-blonde long hair with parted bangs spills out over and between the bandage layers at the crown and falls to the middle of her back in loose strands, and the bandages are wound over her arms, her torso and her legs so densely that only the fall of her hair and a strip of her face are left bare; her red eyes sit in that open strip, and she tilts her head a few degrees to one side and looks straight at the viewer, chin lifted, mouth closed, an eyebrow faintly arched — a mummy who knows she is being looked at. Narrow leather straps cross her whole body in a lattice over the bandage work: one band runs over her right shoulder and down across her chest to her left hip, another circles her waist twice, a strap binds each upper arm and each forearm so her arms rest pressed along her sides with her palms flat against her thighs just above the knee, and two more straps ring her thighs and one crosses her shins over the bandage layers, each strap drawn taut enough to pinch the gauze into a shallow crease at its edges, buckles and strap ends hanging at her hip and at her lower back. Her hands lie palm-down on her own thighs, fingers loosely curled, the only place her skin meets anything. The street is a halloween-decorated shopping lane at night: carved jack-o'-lanterns with candle-lit grins line the low stone curb behind and beside her, one large pumpkin sits just out of focus in the left foreground, paper bats and a length of small orange string lights hang between the storefronts in the soft background, and the rest of the signage and shop fronts blur into illegible warm shapes. A single warm lamp source sits high behind her right shoulder, so the orange light strikes the top of her head, the crown of bandages and the outer edge of her right arm, rims her hair in gold, throws a long soft shadow toward the camera across the cobbles, and leaves the lower half of her wrapped legs and the undersides of the pumpkins in cool violet shadow lit only by a faint bounce of candlelight from the pumpkins' faces. The palette is orange candle-glow, pumpkin orange and warm blonde against violet-blue night shadow and dull brown leather, nothing else admitted. The bandage texture is visible: individual gauze threads and slight loose fringing at the wrapping edges, the strap leather graining catching the rim light, a fine dust of cobblestone grit pressed into the bandage at her knees where they touch the ground. Halloween-night street fair, eerie and poised.
橫山育人
#The Idolmaster#The Idolmaster Cinderella Girls#THE IDOLM@STER CINDERELLA GIRLS STARLIGHT STAGE
AI artwork
Avatar image of 橫山育人
character: shijou_takane, copyright: idolmaster 1girl, solo, shijou takane, long hair, very long grey hair, hairband, purple eyes, full body, kneeling, mummy costume, full body wrapped in bandages, bandages covering torso, arms and legs, bandage strips over face leaving eyes exposed, halloween-themed street, night, jack-o'-lanterns, string lights, from above, high angle, dutch angle, looking up at viewer, head tilt, bandaged hands resting on thighs, parted lips, light blush, cobblestone street, fallen leaves, glowing carved pumpkins, full body shot, A high, slightly tilted angle looking down the length of a narrow cobblestone street, one lone figure kneeling dead center on the stones: a young woman with very long grey hair spilling from beneath a dark hairband, her long strands escaping the bandage layers in uneven curtains down her back and over one shoulder, her purple eyes the only bare feature in a face otherwise wrapped to the brow and jawline in layered off-white cloth, narrow gaps showing a strip of skin at one cheek. Her whole body is bound from collarbone to ankles in overlapping mummy bandages — shoulders, ribs, forearms, wrapped hands, thighs, shins — the strips wound in irregular diagonals with frayed ends and one loose tail hanging from her left wrist, the cotton creased around the joints where the wrappings pull taut as she kneels. She kneels on both knees on the cold stones, weight settled back on her heels, shins flat against the ground, bandaged hands lying open and stacked on her thighs, arms held close to her body in a way that reads as bound rather than relaxed; her shoulders hunch slightly forward, chin tilted up to face the high camera, lips parted on a small breath, a faint blush on the exposed strip of face, gaze lifted straight up at the viewer with a quiet, solemn, faintly amused calm. The street runs away behind her under a low Dutch tilt: carved jack-o'-lanterns line both curbs, grinning orange faces throwing warm light upward from below onto the bandage layers so each wrap edge catches a glow while the crevices between strips sit in shadow; strings of small glowing bulbs sag across the space between dark building fronts, and dry fallen leaves are scattered and trapped in the cobblestone seams around her knees, one leaf pressed flat beneath her right heel. Cool blue night ambient fills the sky gap and the far end of the street; the pumpkins are the only warm source and their light falls on her from below and behind, casting no clean shadow on the ground because the camera looks down on the lit side. Palette held to off-white bandage linen, deep blue-black night, and pumpkin orange, nothing else admitted except her grey hair and purple eyes. Deliberate physics: the loose bandage tail at her wrist lies limp along the stone rather than floating, and the jack-o'-lantern light rims the top surface of each horizontal wrap so the vertical faces stay dim. Eerie, quietly theatrical.
橫山育人
AI artwork
Avatar image of 橫山育人
character: yuuki_haru, copyright: idolmaster 1girl, solo, yuuki_haru (idolmaster), orange hair, long hair, hair between eyes, brown eyes, mummy costume, full body wrapped in bandages, bandages over torso, bandages over arms, bandages over legs, bandages wrapped around head, bandage tail trailing loose, kneeling, seiza, on the ground, full body, wide shot, from above, looking up at viewer, halloween-themed street, jack-o'-lanterns, carved pumpkin lanterns, string lights, cobblestone pavement, night, purple and orange palette, light smile, one eye half closed, head tilt, empty hands resting on thighs, bandage ends curling in the night air, cinematic lighting, atmospheric A high-angle wide shot looks down the length of a Halloween street at night, and one girl kneels on the cobblestones at the center — seen from above, so her whole body fits inside the frame from the crown of her head to where her shins and the tops of her feet press flat against the stone. She is bound head to toe in off-white bandages that wrap her torso, both arms to the wrist, both legs down to the ankles, and spiral around her head so only her face, a wedge of orange hair above her brow and one long lock falling free at her left cheek escape the cloth; bandage ends trail loose from her left wrist and from her hip and lift slightly in the night air. She kneels in a tight seiza, hips settled back onto her heels, both knees together on the cobbles, bandaged thumbs resting lightly on her bandaged thighs, shoulders relaxed and leaning a touch forward as she tips her chin up toward the lens. Above the bandage wrap her orange hair is long and falls behind her shoulders, and her brown eyes look up at the viewer with an amused, sideways half-lidded glance, one eye narrowed a fraction more than the other and one corner of her mouth pulled up in a small lopsided smile. The street runs away from the camera in receding perspective, wet-dark cobblestones with seams and gaps, jack-o'-lanterns carved and lit from inside lining both curbs, lamp posts strung with small warm bulbs, and blurred silhouettes of costumed figures and paper ghosts far down the road, all of them small and low-detail behind her. Light comes from the carved pumpkins below and to either side, throwing warm orange upward onto the undersides of her chin, the bandage ridges across her chest and the fronts of her knees, while the string lights above rim the top of her head and shoulders in cool white; the shadows pool in the cobblestone seams and behind her calves, and her cast shadow is short and hard on the stones under her, compressed by the high camera. The palette is carried by the scene: deep violet night, orange pumpkin glow, and the off-white of the bandages, with orange in her hair answering the lanterns. The bandage texture is the detail budget — overlapping cloth edges, slight fray, the tauter stretch where the wrap crosses her shoulders — and where the fabric bunches at her knees the weave is visibly compressed under her weight. Halloween-carnival warmth, quietly playful.
橫山育人
#The Idolmaster#The Idolmaster Cinderella Girls#Haru Yuuki

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Avatar image of Kani x
character: tenma_tsukasa "", , , digital illustration, cel shading, iridescent palette, pastel aesthetic, pastel colors, soft gradients, subtle color shifts, "painterly semi-realistic anime: faceted torn-glass shading, loose linework, warm golden rim light, lens-flare/prism edges, jewel or earthy palette, large gradient eyes, ornate vintage costuming, dynamic off-balance poses.", pastel_candy_style, dreamy pastel anime illustration, delicate soft lineart, luminous glossy eyes, gentle glowing lighting, glossy hair highlights, intricate frills and decorative details, tenma tsukasa, sitting on a pile of stars with a high angle, one hand over his eye, light reflecting off his face. darkness below but harsh light up ahead, hair swept back, looking up, side high angle, star theme, Tenma tsukasa looking up, dark themes""
Kani x
#Hatsune Miku: Colorful Stage!#Tsukasa Tenma
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Avatar image of リオ
character: kagamine_rin, copyright: vocaloid lumiglaze_pastel_opal_painting, beautiful colors, magical lighting, hnyst01 anime illustration style, masterpiece, best quality, ultra-detailed, delicate illustration, detailed illustration, anime illustration, Kagamine Rin, VOCALOID, solo, side profile portrait, close-up composition, eyes gently closed, peaceful expression, listening to music, short golden blonde hair, distinctive white hair bow, delicate facial features, black and white sailor collar, futuristic headphones, a large compact disc perfectly aligned with the headphone earcup, the CD itself visually functioning as the headphone earcup, circular CD rings surrounding her ear, iridescent reflective disc surface, concentric circles framing her face, face occupying most of the composition, head slightly tilted downward, hair softly framing her cheeks, vibrant yellow, golden orange, violet and hot pink color palette, Y2K music album cover design, retro futuristic CD packaging aesthetic, intricate geometric frames, transparent interface panels, thin circuit-like lines, orbiting circular graphics, decorative typography, abstract music symbols, tiny stars and sparkling highlights, layered graphic elements overlapping the portrait, asymmetrical layout, crisp geometric details, dense decorative composition, square format
リオ
14#Kagamine Rin#Vocaloid#Lofi Dream
AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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