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Undead Nurse (Sexier?)

Veröffentlicht: Oct 23, 2026

Curtis-kun

1girl, solo, short hair, blonde hair, bob cut, nurse, zombie, halloween costume, sexy zombie nurse, white nurse dress, short dress, white nurse hat, nurse cap with red cross, white stockings, thighhighs, white high heels, stitches, stitches on skin, stitched wound, patchwork skin, pale grey-blue skin, sunken eyes, dark eye circles, stitches on cheek, stitches on forearm, bandaged wrist, nurse, standing, leaning forward, hands clasped behind back, head tilt, looking at viewer, one eye closed, lopsided grin, from above, cowboy shot, dutch angle, hospital corridor, night, flickering fluorescent light, single light source, cold green palette, tilted head, The camera looks down from above at a slight dutch tilt, so the whole corridor leans and her face turns up into the lens. One figure only: a young woman with a short blonde bob cut blunt at the jaw, the fringe swept aside, fine strands lifting away from her temple as though she has just straightened up. Her skin is pale and faintly grey-blue, and coarse dark stitches cross it in two places the camera can see — a short row of them closing a wound over her left cheekbone, the thread ends standing up, and a longer seam running down the outside of her right forearm from elbow to wrist, the surrounding skin drawn taut and slightly discoloured. A third seam is hidden under the bandage wrapped around her left wrist, and she keeps that arm behind her. She wears a sexy zombie nurse Halloween costume: a short white nurse's dress with a deep neckline and a hem cut high on the thigh, creased and smudged with grey at the hip and along the skirt edge, cinched at the waist. A small white nurse's cap with a red cross sits tilted into the blonde hair on the left side of her head, its fabric dipping where the hair pushes it up. Her legs are in sheer white stockings that go pale and taut over the knees and bunch slightly at the ankles; her feet are in white high-heeled pumps, the left heel planted and the right toe turned in, the stiletto digging a small dent into the linoleum. Both her hands are clasped behind her back, fingers interlaced, shoulders drawn back and chest forward; her weight rests on the left leg with the right hip pushed out, so the dress swings a little to one side. She leans forward toward the lens, chin dipped, head tilted, and looks straight at the viewer with one eye closed in a wink and a lopsided grin pulling up one side of her mouth — one brow arched higher than the other, the grin showing teeth and a dark gap of gum line. The corridor behind her drops away in perspective: a row of doors and a gurney along the right wall, the floor tiles receding and their seams converging, everything past the middle distance sinking into unlit grey. A single ceiling fluorescent tube above and behind the camera is the only light source; it strikes the top of her cap, her forehead, her collarbones and the fronts of her thighs, and the shine on the stockings is a hard narrow line, while the undersides of her jaw and the folds of the dress fall into deep green-tinged shadow. The corridor's far end is absolute darkness. The palette is white, cold green and a single red cross, with the grey-blue of her skin as the only other colour. Quietly eerie, darkly playful.

Undead Nurse (Sexier?)

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