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Prodigal Sun
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- Ursprünglicher Prompt
- Solo, practicing yoga, on white beach, Japanese feudal era attire, dark fantasy setting,śarīra, 1woman, mature female, bangs, mole above lip, straight brown hair, grey eyes, slender, white bead bracelet, hands glowing gold
- Modus
- flash
- Größe
- 1600 x 1248
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śarīra, 1woman, mature female, martial artist, bangs, mole above lip, straight brown hair, grey eyes, slender, white bead bracelet, Solo, practicing yoga
Prodigal Sun
śarīra, 1woman, mature female, bangs, mole above lip, straight brown hair, grey eyes, slender, white bead bracelet, black aura, hands glowing gold, Solo, dynamic angle, dynamic pose, practicing yoga, on white beach, Japanese feudal era attire, dark fantasy setting, ominous
Prodigal Sun
ft
copyright: wangzhe_rongyao
blood queen, 1girl, solo, long black hair, very long hair, straight hair, hair ornaments, gold hairpiece, red eyes, makeup, red eyeshadow, pale skin, mature female, tall, curvy, large breasts, bare shoulders, strapless, black dress, red dress, gradient dress, long dress, high slit, gold trim, gold embroidery, detached sleeves, armlet, gold bracelet, facial mark, forehead mark, from below, dutch angle, looking down at viewer, half-closed eyes, smug, light smile, head tilt, hand on own hip, crossed legs, standing, weight on one leg, bare legs, bare feet, dark background, red light, dramatic lighting, single light source,
Low-angle dutch-angle shot tilted a few degrees off level, the camera below hip height and tipped upward, so the woman fills the frame from bare feet to the crown of her head, the verticals of her silhouette converging slightly toward the top edge. She stands in a seamless black void with no floor line and no horizon, balanced on her left leg with the right leg crossed loosely in front of it, toes pointed and resting on the unseen ground, the right hip pushed out and the shoulders counter-tilted so her whole body describes a long S-curve. Her right hand rests flat on her right hip, fingers spread over the fabric at the high slit; her left arm hangs free, the long detached sleeve sliding down the forearm away from the elbow, its gold hem hanging in loose folds. Her head tilts down and slightly to her left, chin drawn in, so that from the low camera she looks down along the line of her nose at the viewer, lids half lowered, one brow faintly raised, lips closed in a lopsided smile that shows more on the right corner than the left. Her eyes are a flat saturated red, ringed by the deep crimson shadow swept out past the outer corners, and a small dark ornamental mark sits centered on her forehead above the brow. Her very long straight black hair is parted low and falls in a dense heavy curtain behind her shoulders, its ends drifting a little to her left as if displaced by a slow air current; a gold hairpiece with hanging pendant tassels is pinned into the left side of it, and the tassels swing subtly forward against the fall of the hair. Her strapless dress is a black-to-crimson vertical gradient, deepest at the bust and brightening to a live ember red toward the hem, with gold trim banding the top edge and gold embroidered coils worked down the bodice and along the slit's edge; the slit opens from her right hip down, and the fabric there hangs in a straight fold rather than blowing. Her shoulders, collarbones and arms are bare apart from the detached sleeves and a gold armlet banding the upper left arm; a heavy gold bracelet circles the left wrist. The single light source is a hard red key from below and to the right of frame, out of shot: it throws a hot rim up the outside of her right leg, the underside of her chin and jaw, and the inner edge of the slit, while the top of her head, the outer shoulders and the far side of the dress sink into the black. Her cast shadow spills up and away behind her on the void rather than pooling at her feet, and the gold trim and armlet catch pinpoint speculars that the matte black fabric swallows entirely. Palette is restricted to black, crimson, ember red and gold, with her pale skin as the only neutral. Full-body emphasis on the sweep of the dress, the contact of toes with the unseen floor, and the gold working against the dark; haughty, opulent.
Frank Tuzzolo
吉
1girl, solo, adult, 20-year-old woman, very tall, 190cm, long torso, huge breasts, athletic build, sportswear, cropped sports top exposing midriff, bare midriff, beige shorts, barefoot, bare legs, long legs, thick muscular legs, sitting, cross-legged, sitting on mat, seiza, back straight, upright posture, both arms up, arms overhead, stretching, from below, low angle, looking up, head tilted back slightly, eyes closed, faint smile, mat, gym floor, indoor, soft daylight
Low-angle view from mat level, close to the floor, so the woman towers above the lens: she sits cross-legged at the center of a mat, back perfectly straight, hips folded flat, both knees dropped wide out to the sides with her bare shins crossed low in front of her, the tops of her bare feet resting on the mat. Her spine is a single upright line, chest lifted, ribcage opened — because the torso is unusually long, the cropped top rides up and leaves a wide uninterrupted span of stomach from under the top's hem all the way to the waistband of the beige shorts, the fabric of the top pulled taut across her very large bust as her arms go up. Both arms are raised straight overhead, elbows close to her ears and nearly locked, hands with fingers laced or extended reaching for the ceiling, shoulders lifted by the stretch. The long, thick, heavily muscled legs dominate the bottom of the frame: thighs broad and solid where they fold on the mat, calves full and heavy, and at this low angle the knees and shins foreshorten toward the lens while the height of her still reads as enormous, the head well above the camera. Chin tipped up, eyes closed, a faint contented smile, one brow slightly higher than the other. Wide seamless gym floor of pale grey-blue matting stretches away behind her at a downward-slanting angle, empty and softly out of focus; a low wall line and a couple of blurred fixtures far back keep the background quiet. The light comes from a high window or overhead diffused lamp to her left and above, striking the raised inner arms, the lifted chest and the front of the stomach, and dropping soft shadows into the crook of the folded legs and beneath the mat; the mat shows a faint compressed depression where her hips and calves rest, and a cast shadow spills to the right of her body across the mat surface. Palette kept to beige, off-white, warm skin and pale blue-grey floor, nothing saturated. Calm, easy, quietly athletic.
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