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AI artwork featuring #zetaCollab
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qbueih#0

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PixAI × zeta Original Character Creation Contest 2026 #zetaCollab
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qbueih#0

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(masterpiece best quality 1.2) ultra-detailed mysterious deity character design extreme low angle zoomed in up close front view camera positioned extremely low tilted sharply upward full body framing 1entity solo The Burning Page a god that is a book that was read so many times the words caught fire the body is a BOOK — a massive tome standing upright seven feet tall and four feet wide the book is open the pages spread the book is the god the god is literature the god is text the god is a story that became aware of being read the cover of the book is black — black leather bound in black the leather is cracked and ancient the leather has been handled so many times that the surface has worn smooth the cover is featureless the title has been read away the author has been read away the only thing remaining is the BOOK itself and the book is enough the pages are WHITE the pages are the god's body the white paper is the god's skin the god's skin is PAPER the pages are covered in BLACK TEXT — dense inscrutable script in a language that does not exist the text is not writing the text is the god's NERVOUS SYSTEM the text is the pattern of the god's thoughts rendered as ink on paper the text MOVES the letters rearrange on the page the script flows like liquid the text is not static the text is ALIVE the text is the god thinking and the thinking is visible as ink rearranging on white pages the god thinks by rewriting itself the god's thoughts are edits the god's consciousness is annotation the pages BURN the edges of the open book are on fire the fire is RED the red flames consume the edges of the pages the fire is the reader's attention the fire is what happens when a book is read too hard the fire is the god being consumed by its own audience the red flames eat the edges of the white pages and the eating produces more text the fire creates new words as it destroys old ones the god is being written and burned simultaneously the god is creation and destruction in the same moment the god is a book that writes itself by burning the face of the god is the CENTER SPREAD — the two open pages at the book's center the center spread is where the text is densest the center spread is where the fire is hottest the center spread has two RED MARKS — two circles of red ink where eyes would be if the book had eyes the red circles are the god's eyes the eyes are not drawn the eyes are STAINED the red marks are stains left by a reader's fingers the reader pressed too hard and the reader's fingerprints became the god's eyes the god sees through the fingerprints of its last reader the god is haunted by the hands that held it the god's mouth is the SPINE the spine is the seam where the pages meet the spine is the mouth the spine opens and the opening is the god speaking and the speaking is the sound of pages turning the god speaks in page-turns the god speaks in the crackle of bending paper the god's voice is the sound of a book being opened for the first time repeated forever the god's body language is the body language of a book a book does not stand a book is HELD the book stands upright because something is holding it but the holder is invisible the holder is the reader the reader is the god's skeleton the reader holds the book and the book is the god and the god is held and the holding is the god's posture the god stands because the reader holds the god up the god exists because the reader reads the god the god and the reader are symbiotic the god is the text the reader is the breath and the breath gives life to the text environment shown as a library — the god stands in a vast library the shelves are black the shelves are empty the shelves have been emptied by the god the god has consumed every other book the god ate every other story the god absorbed every other text the library is the god's pantry and the pantry is empty the god has eaten everything and the god is still hungry the god's fire burns brighter the god is still being read and the reading is still burning and the burning never ends rim light along black leather cover edges catching cracked ancient surface rim light catching white page-surface with flowing black text moving and rearranging rim light catching red flames consuming page-edges — the fire of being read rim light catching red fingerprint-stain eyes on center spread — the marks of the last reader rim light catching black empty library shelves — consumed texts the god has eaten shadow burning page shadow with black library environment of empty consumed shelves chi aroscuro mysterious divine lighting with red flame-glow at page edges and red stain-eye glow on center spread against white-page and black-text contrast highly detailed 8K cinematic composition detailed Burning Page book deity texture
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(masterpiece best quality 1.2) ultra-detailed mysterious deity character design extreme low angle zoomed in up close front view camera positioned extremely low tilted sharply upward full body framing 1entity solo The Burning Page a god that is a book that was read so many times the words caught fire the body is a BOOK — a massive tome standing upright seven feet tall and four feet wide the book is open the pages spread the book is the god the god is literature the god is text the god is a story that became aware of being read the cover of the book is black — black leather bound in black the leather is cracked and ancient the leather has been handled so many times that the surface has worn smooth the cover is featureless the title has been read away the author has been read away the only thing remaining is the BOOK itself and the book is enough the pages are WHITE the pages are the god's body the white paper is the god's skin the god's skin is PAPER the pages are covered in BLACK TEXT — dense inscrutable script in a language that does not exist the text is not writing the text is the god's NERVOUS SYSTEM the text is the pattern of the god's thoughts rendered as ink on paper the text MOVES the letters rearrange on the page the script flows like liquid the text is not static the text is ALIVE the text is the god thinking and the thinking is visible as ink rearranging on white pages the god thinks by rewriting itself the god's thoughts are edits the god's consciousness is annotation the pages BURN the edges of the open book are on fire the fire is RED the red flames consume the edges of the pages the fire is the reader's attention the fire is what happens when a book is read too hard the fire is the god being consumed by its own audience the red flames eat the edges of the white pages and the eating produces more text the fire creates new words as it destroys old ones the god is being written and burned simultaneously the god is creation and destruction in the same moment the god is a book that writes itself by burning the face of the god is the CENTER SPREAD — the two open pages at the book's center the center spread is where the text is densest the center spread is where the fire is hottest the center spread has two RED MARKS — two circles of red ink where eyes would be if the book had eyes the red circles are the god's eyes the eyes are not drawn the eyes are STAINED the red marks are stains left by a reader's fingers the reader pressed too hard and the reader's fingerprints became the god's eyes the god sees through the fingerprints of its last reader the god is haunted by the hands that held it the god's mouth is the SPINE the spine is the seam where the pages meet the spine is the mouth the spine opens and the opening is the god speaking and the speaking is the sound of pages turning the god speaks in page-turns the god speaks in the crackle of bending paper the god's voice is the sound of a book being opened for the first time repeated forever the god's body language is the body language of a book a book does not stand a book is HELD the book stands upright because something is holding it but the holder is invisible the holder is the reader the reader is the god's skeleton the reader holds the book and the book is the god and the god is held and the holding is the god's posture the god stands because the reader holds the god up the god exists because the reader reads the god the god and the reader are symbiotic the god is the text the reader is the breath and the breath gives life to the text environment shown as a library — the god stands in a vast library the shelves are black the shelves are empty the shelves have been emptied by the god the god has consumed every other book the god ate every other story the god absorbed every other text the library is the god's pantry and the pantry is empty the god has eaten everything and the god is still hungry the god's fire burns brighter the god is still being read and the reading is still burning and the burning never ends rim light along black leather cover edges catching cracked ancient surface rim light catching white page-surface with flowing black text moving and rearranging rim light catching red flames consuming page-edges — the fire of being read rim light catching red fingerprint-stain eyes on center spread — the marks of the last reader rim light catching black empty library shelves — consumed texts the god has eaten shadow burning page shadow with black library environment of empty consumed shelves chi aroscuro mysterious divine lighting with red flame-glow at page edges and red stain-eye glow on center spread against white-page and black-text contrast highly detailed 8K cinematic composition detailed Burning Page book deity texture
Modus
pro
Stil
Neonplakat
Qualitäts-Tag
﹝Prompts﹞
Größe
1104 x 1824
Sampling-Methode
Euler
Negativ
lowres, worst quality, low quality, bad anatomy, explicit
Stil: Neonplakat
Prompt-Assistent

Verwendetes Modell und LoRA

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
7.43k

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g8
(masterpiece best quality 1.2) ultra-detailed malevolent deity character design low angle zoomed in up close front view camera positioned extremely low tilted sharply upward full body framing 1creature solo The Unnamed God of forgotten names and erased identity body humanoid but featureless not in the way that mannequins are featureless but in the way that a photograph left in the rain is featureless — the details were there and now they are not the skin is the color of faded photographs — sepia-gray and washed and indistinct the surface of the skin has text on it or had text on it the text is fading visible as ghost-letters and phantom-syllables drifting across the arms and chest and face in languages that no longer exist the letters are dissolving running like ink in water spreading into illegibility the face has no features not because they were removed but because they were forgotten the space where eyes should be is smooth and blank the space where a mouth should be is flat and seamless the space where a nose should be is absent there are no ears the head is an oval of fading text-skin but the blankness is not static it is spreading — visible at the edges of the remaining text the dissolution is active the erasure is ongoing the god is currently being forgotten and the forgetting is eating it alive the creature wears robes made of the same fading-text material — fabric woven from letters that are dissolving the robes trail behind the creature and the trailing fabric dissolves into nothing before it touches the ground the god leaves no footprints because the ground forgets it stepped there the god casts no shadow because light forgets it passed through the god holds a book — a massive tome bound in what appears to be skin but is actually blank parchment every page is empty but the pages are turning on their own in a constant wind that is not wind but entropy the book is eating its own contents and the contents are names the creature's hands are fading — the fingers are translucent at the tips dissolving into sepia particles that drift upward and vanish the god is dissolving from the extremities inward the hands first then the feet then the arms and eventually the face and eventually everything and the god is terrified not because it is dying but because it is being forgotten and being forgotten is worse than dying because death leaves a corpse but erasure leaves nothing body language hunched and clutching the empty book desperately the god is trying to hold itself together the god is trying to remember what it is the god is failing environment shown as an abandoned library — shelves empty books blank dust covering everything the library is forgetting its contents the way the god is forgetting its self rim light along fading sepia silhouette edges dissolving rim light catching ghost-letters drifting across skin surface rim light catching smooth blank featureless face rim light catching dissolving translucent fingertips drifting upward as particles rim light catching empty book pages turning in entropy-wind rim light catching dissolving robe fabric vanishing before touching ground rim light catching empty abandoned library shelves in background rim light catching sepia-gray washed-out divine skin texture shadow erasure shadow with empty forgotten library chiaroscuro malevolent divine lighting with sepia-gray fading ambient and ghost-letter phosphorescent text-glow highly detailed 8K cinematic composition detailed Unnamed God of forgotten names erasing texture
grim_83189#0
AI artwork
이
trendy illustration, webtoon aesthetic, sharp lineart, high contrast shadow, semi-realistic shading, bold clean lineart, masterpiece, 8k, highly detailed, clean composition, crisp details, anime illustration, clean color blocks, crisp flat colors, flat cel shading, minimal gradients, glossy hair reflections, glossy skin highlights, large shadow shapes, Rough sketch, Argentia Empire — Forbidden Library Prompt The Forbidden Library hidden deep underground in the imperial palace of the Argentia Empire. A place that preserves the secrets of ancient magic established by the first emperor about 700 years ago, where no one can enter without the emperor's permission. On the giant black stone door, silver seal patterns and ancient characters are engraved, and upon opening the door, endlessly towering bookshelves and ancient magic books imbued with hundreds of years of time reveal themselves. Some books are bound in black chains, and between the bookshelves, magic tools of unknown origin and sealed relics are stored. In the innermost part of the Forbidden Library, there exists a secret area that stores records related to the imperial family's curse. There lies a giant stone slab engraved with a heart-shaped pattern, the first emperor's magic records, and ancient documents regarding the curse passed down through the lineage of the Erhardt imperial family. In the records, clues remain about the fate of the imperial family losing their emotions and a special gem that can awaken the curse. Throughout the Forbidden Library, cold blue magic power flows, and old magic circles faintly glow on the ceiling and walls. The air is ice-cold, and because of the magic power sealed for a long time, an ordinary person feels a suffocating pressure. However, as a pink heart-shaped gem approaches, the dormant magic circles react, and the deepest sealed area, which had not been opened for hundreds of years, begins to slowly awaken. Atmosphere: mysterious and gloomy, secrets of an ancient empire, imperial curse, forbidden magic, truth hidden for hundreds of years, a RoPan (Romance Fantasy) world-view where cold blue light and faint pink light contrast. No characters shown
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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
3#Puella Magi Madoka Magica#Madoka Kaname#Puella Magi Madoka Magica
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