Sign up for free and get 10,000 credits instantly

Starter credits for new creators, added to your account on the day you sign up.

Notice: PixAI iOS App Temporarily Unavailable on the App Store — Dear PixAI users, The PixAI iOS app is currently unavailable for search and download on the App Store. We are actively w…

View details
AI art "モコナ×ケロちゃん" featuring #Crossover, #sitzend, #Kero, #Lächeln, #Magic Knight Rayearth, #Mokona and #Cardcaptor Sakura
Neues Kunstwerk erzeugenKostenlos generierenKostenlos generieren

モコナ×ケロちゃん

同じ作者さんなのでクロスオーバー感は弱いですが⋯。 可愛いのでどちらも好きです!

#Crossover#sitzend#Kero#Lächeln#Magic Knight Rayearth#Mokona#Cardcaptor Sakura
Mehr zu sehen

Kommentare2

Prompts sind auf PixAI standardmäßig öffentlich, aber Creator können sie bei jedem veröffentlichten Werk verbergen. Der Creator dieses Werks hat sich dafür entschieden – die Wörter, mit denen das Bild generiert wurde, bleiben also privat und nur diese Person kann sie sehen. Sonst ändert sich dadurch nichts: Das Werk bleibt öffentlich, und du kannst es wie gewohnt liken, kommentieren und teilen.
Vom Autor versteckt
Prompt-Assistent

Verwendetes Modell und LoRA

Ähnliche Bilder

Mehr anzeigen
AI artwork
Avatar image of Chri-San
character: chibi_usa, kinomoto_sakura, copyright: cardcaptor_sakura, cardcaptor_sakura_clear_card_arc 2girls, full body, from below, low angle, night, candlelight, bare legs, bare feet, barefoot, toe polish, painted toenails, short dress, sleeveless dress, sitting on bed, kneeling on floor, looking at viewer, smirk, looking at another, blush, shy, holding feet, pink hair, short pigtails, twintails, pink eyes, short hair, brown hair, ahoge, green eyes, bed, wooden floor, candle, single candle flame, warm orange light, deep shadows, two girls, one sitting on the mattress edge, one kneeling on the floorboards below her, Seen from below, the camera close to the floorboards and tipping upward, the mattress edge cuts a horizontal band across the lower half of the frame. The pink-haired girl sits on the edge of the bed with her knees together and both bare legs hanging down over the side, bare feet dangling free a hand's width above the floorboards, ten toenails lacquered in glossy coral pink. Her short sleeveless dress is a pale cream slip of fabric that ends high on her thighs, its hem pooling into a soft fold where her hips press into the mattress; her arms are braced behind her, palms flat against the sheet, shoulders drawn back, chin tipped down toward the lens. Short pigtails stick out to either side of her head, their tips flicking forward as she leans; a smirk pulls one corner of her mouth up, one brow lifted, and her pink eyes stare straight down into the viewer. Her bare legs and shoulders catch the candle's warmth on their upper surfaces while their undersides hold a cooler shadow. Below her, on the floorboards between the dangling feet and the camera, the brown-haired girl kneels with her weight sunk onto both shins, knees apart, the short sleeveless dress she wears bunching around her hips so that her bare legs and bare feet show behind her on the boards, her own toenails polished the same coral. She leans in and up, both hands closed gently around the pink-haired girl's ankles just above the heels, thumbs pressed to the tendons, lifting the dangling feet slightly toward her own chest. Her green eyes are tipped up to the seated girl's face, brows drawn together, a bright blush flooding her cheeks and the tips of her ears, her lips parted and pressed shut again in a shy half-smile; the short brown hair with its single cowlick lifts where her shoulders hunch. One candle in a low glass holder sits on the floorboards to the left of the kneeling girl, the only light in the room: it throws a warm orange pool over the two figures and up the bed's leg, lifts a thin highlight along the seated girl's shin and along the kneeling girl's forearm, and leaves the far corners of the room in absolute darkness. Behind the bed the wall goes black; the candle's light bends around the seated girl's ankle and lays a soft double shadow of her foot on the floorboards, and both girls' shadows stretch long and wavering toward the back wall. Palette limited to candle-amber, deep black-brown shadow, cream fabric and the coral of the polish. Intimate, teasing.
Chri-San

Mehr entdecken

Empfohlene Benutzer

Werden dir gefallen

AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬