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View detailsThe Angel Next Door Spoils Me Rotten
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- Ursprünglicher Prompt
- official anime screenshot, The Angel Next Door Spoils Me Rotten official art, project No. 9 art style, clean thin lineart, digital official illustration, masterpiece, best quality, full body, standing, three-quarter view, angled front view, shiina mahiru, precise likeness, long flaxen golden hair, straight hair, long straight bangs, amber eyes, detailed sharp golden anime eyes, precise eye highlights, gradient eye iris, shy sweet smile, blushing, large breasts, cleavage, empty hands, holding nothing, bare hands, wearing purple party dress, white frilled off-shoulder neckline, dark purple ribbon sash tied at waist, puffy flared skirt, purple high heels, feet clearly visible, plain white background, simple background, no text, no logo, no watermark, accurate character anatomy
- Modus
- ultra
- Qualitäts-Tag
- ﹝Prompts﹞
- Größe
- 944 x 1584
- Sampling-Methode
- Euler
- Negativ
- lowres, worst quality, low quality, bad anatomy, explicit
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Verwendetes Modell und LoRA
Ähnliche Bilder
Mehr anzeigencharacter: shiina_mahiru_(otonari_no_tenshi-sama), copyright: otonari_no_tenshi-sama_ni_itsu_no_mani_ka_dame_ningen_ni_sarete_ita_ken
1girl, solo, shiina mahiru, long hair, very long hair, straight hair, blonde hair, flaxen hair, golden hair, long straight bangs, amber eyes, yellow eyes, gradient iris, detailed eyes, eye highlights, gentle smile, closed mouth, large breasts, standing, three-quarter view, angled from front, full body, empty hands, bare hands, holding nothing, arms relaxed at sides, summer school uniform, short sleeves, white shirt, button-up shirt, collared shirt, red ribbon, ribbon tie, brown plaid skirt, pleated skirt, miniskirt, white knee-high socks, dark brown shoes, mary janes, feet, feet visible, from below, plain white background, simple background, no text, no logo, no watermark, clean lineart, official anime screenshot, soft even lighting
The camera sits low and slightly in front of her, tilted up just enough that she reads tall and luminous — a full-body three-quarter view with her body turned about thirty degrees toward the viewer's right, her face turned back toward the lens so both amber eyes are catchable. She stands with her weight settled on her left leg, right knee bent and right toe set a touch forward, hips slung a little off-level; her shoulders follow the same asymmetry, the left one lower. Both arms hang loose and entirely empty at her sides, fingers relaxed and slightly apart, palms turned in toward her thighs, nothing held and nothing closed around anything — the bare hands read clean against the white of the shirt cuffs. Her chin lifts a fraction, eyes meeting the viewer with a faint, warm closed-lip smile, the corners of her mouth lifted just enough to soften the line, lashes lowered a hair at the outer ends.
Her long flaxen-golden hair is perfectly straight, falling past her waist in one heavy undisturbed mass, the long straight bangs cut blunt just above her brows, a couple of fine strands of the side locks hanging free beside her jaw; the strands nearest her shoulders lift and separate very slightly, as if an idle indoor draft moved through them. The short-sleeved white button-up is buttoned to the throat but open at the collar, collar points flat, the red ribbon tie knotted snugly at the center and hanging straight down in two short tails; the sleeve hems end mid-upper-arm and the fabric pulls a little across her chest because of the fullness beneath it, with soft tension folds running from the buttons out toward the armscyes and a slight gap opening between two buttons under the bust. The brown plaid pleated miniskirt sits high on her waist, its pleats falling in even creased blades that open a shallow bell at the hem where the skirt swings a touch toward her bent right knee, the plain brown-and-tan tartan running true to the pleats' folds. White knee-high socks hug her calves and stop just below the knee in a straight band, and dark brown Mary Jane shoes enclose her feet with a single strap across the instep and a rounded toe — both feet fully in frame and clearly visible, the toes angled slightly apart.
The light is soft and even, a broad studio diffusion from just above and in front, so it lays a gentle gradient down each iris — bright amber-gold at the lower edge of the pupil darkening to deeper honey at the outer rim — puts a single crisp pinpoint highlight in each eye, and leaves only the faintest soft shadow under her chin and beneath the skirt hem onto her thighs. Everything else is a completely empty, seamless white field with no horizon, no floor line, no props and no lettering of any kind anywhere in the frame. Clean thin lineart, flat-to-gradient cel shading, official-illustration digital finish; calm, luminous, effortlessly graceful.
きのこ
character: shiina_mahiru_(otonari_no_tenshi-sama), copyright: otonari_no_tenshi-sama_ni_itsu_no_mani_ka_dame_ningen_ni_sarete_ita_ken
1girl, solo, full body, standing, three-quarter view, angled front view, slight from below, shiina mahiru \(otonari no tenshi-sama\), long hair, very long hair, straight hair, blonde hair, flaxen golden hair, long straight bangs, amber eyes, yellow eyes, sharp golden anime eyes, gradient iris, precise eye highlights, gentle smile, closed mouth, large breasts, school uniform, dark blue blazer, white collared shirt, red ribbon tie, brown plaid pleated miniskirt, black pantyhose, dark brown loafers, feet clearly visible, bare hands, empty hands, arms relaxed at sides, plain white background, simple background, no text, no logo, no watermark, official anime screenshot style, clean thin lineart, digital official illustration, accurate anatomy,
A full-body official anime screenshot framing of a single girl standing in a three-quarter view angled toward the front, turned so her left shoulder is nearer the lens and the far side of her body recedes slightly behind her, the camera set just below her eye level so the dark blue blazer reads tall and clean against the white. She stands with her weight carried on her left leg, that loafer planted flat and slightly forward, the right leg relaxed a step back with the heel just lifting off the ground, her hips therefore tilted a few degrees off level and her shoulders countering the other way; both arms hang loose and empty at her sides, fingers softly curled and open, nothing gripped, no straps or handles crossing her palms, thumbs resting light against her thighs and the plaid skirt hanging straight from her hips with one pleat edge caught a little deeper by the shift of weight. Her chin is level, her head very slightly tilted, and she looks softly out past the camera to the viewer's left rather than straight into the lens; her eyes are open and warm, the iris a gradient from deep amber at the rim to a bright gold near the pupil, each with one small crisp pinpoint highlight and a narrower secondary glint so the eyes read as sharp and clear, and her mouth is closed in a gentle, unforced smile with the lower lip barely fuller than the upper. Her long flaxen golden hair falls perfectly straight past her waist, the long straight bangs lying flat and even across her forehead with a clean edge at the eyebrows, and the tips of the hair lift slightly away from her back where the turn of her body has drawn it forward over one shoulder. The dark blue blazer sits open over the white collared shirt, collar points flat and even, the red ribbon tie knotted neatly at the throat; the brown plaid pleated miniskirt falls to mid-thigh in flat even pleats, and the black pantyhose run smooth from hem to the dark brown loafers, every contour of the ankles and insteps clean and readable, both shoes fully inside the frame. There is no scenery at all: the background is a flat, even plain white with no gradient, no shadow cast on it, no horizon line, no floor edge. The lighting is a soft, even studio key from just above and in front of her, so the highlights sit on the crown of her hair, the bridge of her nose and the front of the blazer, while the only real shadows are her own soft self-shadows under the chin, beneath the skirt hem and between the pleats, and a faint contact shadow directly under each loafer that grounds her weight without touching the white behind. Her palette is disciplined to white, dark blue, red, brown plaid and black over flaxen gold. Her hands stay open and empty throughout the frame. Serene, cleanly radiant.
きのこ
character: shiina_mahiru_(otonari_no_tenshi-sama), copyright: otonari_no_tenshi-sama_ni_itsu_no_mani_ka_dame_ningen_ni_sarete_ita_ken
1girl, solo, full body, standing, three-quarter view, angled front view, feet visible, straw sun hat, ribbon, long flaxen golden hair, straight hair, long straight bangs, amber eyes, golden eyes, gradient iris, sharp detailed anime eyes, eye highlights, bright cheerful smile, open mouth, large breasts, bare hands, empty hands, holding nothing, turquoise sun dress, gradient color skirt, white sheer light cardigan, white ribbon strap sandals, bare feet in sandals, plain white background, simple background, no text, no logo, no watermark, clean thin lineart, official anime screenshot, digital illustration, centered composition,
A single figure stands full-body in three-quarter view, her body angled so her left shoulder turns slightly toward the frame while her face squares brightly to the viewer; the camera sits just below eye level so the hat brim lifts away from her face and the whole figure reads tall against a seamless plain white background that admits nothing else -- no floor line, no horizon, no props. She has just shifted her weight onto her right leg, her left knee relaxed and slightly forward, the left foot set a half-step ahead with its sandal tips angled outward; both arms hang loose and unburdened at her sides, hands open and empty with nothing threaded through the fingers, no bag, no strap, no held object anywhere in frame. Her chin is up and tilted a touch to her right, and a wide open cheerful smile lifts her cheeks and shows her upper teeth; both amber-gold eyes are wide open with a crisp white pinpoint and a softer secondary highlight in each, the irises graded from deep honey at the rim to bright gold at the pupil, and her gaze goes straight at the viewer. Long straight flaxen-gold hair falls in one unbroken plane past her shoulder blades, its ends drifting slightly outward on the left, and long straight bangs cut a clean horizontal line across her forehead just above the brows, the hat's shadow falling only on the crown of the hair. The straw sun hat sits level with a woven texture of tight horizontal bands and a broad ribbon knotted at the right of the brim, its tails hanging down. The turquoise sundress has a fitted bodice with a gentle high neckline and narrow shoulder straps, the skirt flaring from the waist and graded from saturated teal at the hip to pale aqua at the hem so the pale end catches the light, its fabric swinging slightly to her left with the weight shift. The white cardigan hangs open over both shoulders and sleeves, sheer enough that the turquoise and the outline of her arms show through it, its hem and cuffs lifting on the same faint air. Both feet are fully in frame, her toes visible in white ribbon-strap sandals, two crossed straps over each instep and a thin tie at the ankle, the straps pressing a shallow line into her skin. Light comes soft and even from the upper front, the standard clean studio illumination of an official illustration: gentle shading under the hat brim, beneath the chin, under the skirt hem and behind the knees, with a single soft contact shadow pooled directly beneath both feet so the figure sits on the white ground rather than floating. Palette limited to flaxen gold, amber, turquoise graded to pale aqua, straw beige and white, with the white ground and cardigan framing the dress. Clean thin lineart, crisp cel shading with soft gradient blends in the hair and skirt, digital official illustration finish. Bright, effortless.
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character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
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The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
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