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AI artwork featuring #Chainsaw Man and #Makima
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Makima, Chainsaw Man

#Chainsaw Man#Makima
v3

V3zon

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character: makima_(chainsaw_man), copyright: chainsaw_man 2girls, mature female, red hair, long hair, braid, braided ponytail, sidelocks, yellow eyes, ringed eyes, white collared shirt, black necktie, black pants, bare feet, standing, facing viewer, from above, top-down view, looking down, short girl, lying on back, on floor, head tilted back, shorts, t-shirt, bare feet, bare legs, tired expression, jitome, half-closed eyes, groaning, open mouth, clenched teeth, wincing, tears, sweat, trembling, pain, blush, breathless, suffocating, stomping, foot on throat, foot on stomach, choking, brutal, violent, blood, motion lines, speech bubble, spoken_heart, hopelessness, dim room, single light source The camera hangs directly overhead, looking straight down at the floor of a bare, dim room, and the whole image is built on that vertical axis. The red-haired woman stands planted over the girl, and because the view is top-down and she faces the viewer, the viewer looks straight down the length of her body: her face tips up toward the lens, yellow irises with their concentric rings fixed on the viewer, expression flat and patient, mouth a faint neutral line, not a hint of effort despite what her feet are doing. Her long red hair is gathered back into a heavy braid and drawn ponytail that lies over one shoulder and onto the floorboard behind her; the sidelocks fall loose along her temples and cast thin shadows across her cheeks. She wears a crisp white collared shirt, sleeves to the wrist and buttoned at the throat over a narrow black necktie, black trousers falling straight to her bare ankles; both feet are bare, and the viewer reads them from directly above. Her left foot is set flat across the girl's throat, the sole pressed down on the windpipe, the toes curled slightly for grip, the arch compressing the soft tissue visibly. Her right foot is planted deep into the girl's midriff, the sole sunk into the stomach's hollow, the skin around it dented and taut. Her weight is split between them, hips slightly off-center over the left foot, arms hanging loose at her sides, one hand casually open. The girl lies on her back across the floor, laid sideways to the viewer so her body reads as a horizontal bar under the standing woman: head to the left of frame, hips to the right, legs drawn up and knees bent, one arm flung out against the floorboards with fingers weakly curled. She is short and slight, in a plain t-shirt rucked up where the right foot presses in and a pair of shorts, both bare feet visible at the edge of frame sole-up. Her head is tilted back and turned, chin pushed up by the pressure, mouth open in a groan with teeth clenched, tears squeezed out at the outer corners of her eyes and running sideways along her temples into her hair, sweat beading at her brow and upper lip; her eyes are half-lidded, staring up and past the standing woman, glassy and exhausted, breath gone shallow, lips going pale at the edges. A thin bracelet of red bloom sits at the base of her throat under the left foot. Her chest rises in a short, strained heave and fails. One jagged speech bubble floats beside her face with a tiny hand-drawn heart inside it, no words. The room is bare: scuffed floorboards, a seam running along the frame under the girl's spine, a baseboard crossing the top of the image, dust in the corners, the shadow of the standing woman cast straight down and slightly to one side so the two bodies merge into one dark shape at the floor. The single overhead light is directly above, cold and hard, so every upward-facing surface is picked out and every crevice under the feet goes black; the standing woman's shadow closes over the girl's chest and face. Palette is desaturated - dark red hair, white shirt, black tie and pants, pale grey floorboards, the girl's washed-out teal shirt, and the raw red at her throat as the only saturated note, with a few dark specks of blood on the boards. Detail budget goes to the two contact points, the curled toes, the dented fabric and the girl's face; the room stays spare. Brutal, airless.
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Ursprünglicher Prompt
makima (chainsaw man), she is facing viewer, she stands in a room with short girl laying on the floor at her barefeet on her back, she stands with left foot placed on the throat of laying girl choking her brutally, her right foot is deeply pushed into the girl's stomach making her groan in pain, The girl on the floor is laying sideways to viewer she wears shorts and tshirt she looks tired and she is suffocating under makima relentless pressure on her throat, make it look violent. Top camera make it very violent make sure Makima left foot is visible on the throat of laying girl and make it look like ghislaine is choking the girl to death
Modus
flash
Größe
1104 x 1824
Prompt-Assistent

Verwendetes Modell und LoRA

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
2.09k

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AI artwork
v3
character: makima_(chainsaw_man), copyright: chainsaw_man 2girls, mature female, red hair, long hair, braid, braided ponytail, sidelocks, yellow eyes, ringed eyes, white collared shirt, black necktie, black pants, bare feet, standing, facing viewer, from above, top-down view, looking down, short girl, lying on back, on floor, head tilted back, shorts, t-shirt, bare feet, bare legs, tired expression, jitome, half-closed eyes, groaning, open mouth, clenched teeth, wincing, tears, sweat, trembling, pain, blush, breathless, suffocating, stomping, foot on throat, foot on stomach, choking, brutal, violent, blood, motion lines, speech bubble, spoken_heart, hopelessness, dim room, single light source The camera hangs directly overhead, looking straight down at the floor of a bare, dim room, and the whole image is built on that vertical axis. The red-haired woman stands planted over the girl, and because the view is top-down and she faces the viewer, the viewer looks straight down the length of her body: her face tips up toward the lens, yellow irises with their concentric rings fixed on the viewer, expression flat and patient, mouth a faint neutral line, not a hint of effort despite what her feet are doing. Her long red hair is gathered back into a heavy braid and drawn ponytail that lies over one shoulder and onto the floorboard behind her; the sidelocks fall loose along her temples and cast thin shadows across her cheeks. She wears a crisp white collared shirt, sleeves to the wrist and buttoned at the throat over a narrow black necktie, black trousers falling straight to her bare ankles; both feet are bare, and the viewer reads them from directly above. Her left foot is set flat across the girl's throat, the sole pressed down on the windpipe, the toes curled slightly for grip, the arch compressing the soft tissue visibly. Her right foot is planted deep into the girl's midriff, the sole sunk into the stomach's hollow, the skin around it dented and taut. Her weight is split between them, hips slightly off-center over the left foot, arms hanging loose at her sides, one hand casually open. The girl lies on her back across the floor, laid sideways to the viewer so her body reads as a horizontal bar under the standing woman: head to the left of frame, hips to the right, legs drawn up and knees bent, one arm flung out against the floorboards with fingers weakly curled. She is short and slight, in a plain t-shirt rucked up where the right foot presses in and a pair of shorts, both bare feet visible at the edge of frame sole-up. Her head is tilted back and turned, chin pushed up by the pressure, mouth open in a groan with teeth clenched, tears squeezed out at the outer corners of her eyes and running sideways along her temples into her hair, sweat beading at her brow and upper lip; her eyes are half-lidded, staring up and past the standing woman, glassy and exhausted, breath gone shallow, lips going pale at the edges. A thin bracelet of red bloom sits at the base of her throat under the left foot. Her chest rises in a short, strained heave and fails. One jagged speech bubble floats beside her face with a tiny hand-drawn heart inside it, no words. The room is bare: scuffed floorboards, a seam running along the frame under the girl's spine, a baseboard crossing the top of the image, dust in the corners, the shadow of the standing woman cast straight down and slightly to one side so the two bodies merge into one dark shape at the floor. The single overhead light is directly above, cold and hard, so every upward-facing surface is picked out and every crevice under the feet goes black; the standing woman's shadow closes over the girl's chest and face. Palette is desaturated - dark red hair, white shirt, black tie and pants, pale grey floorboards, the girl's washed-out teal shirt, and the raw red at her throat as the only saturated note, with a few dark specks of blood on the boards. Detail budget goes to the two contact points, the curled toes, the dented fabric and the girl's face; the room stays spare. Brutal, airless.
V3zon
#Chainsaw Man#Makima
AI artwork
v3
character: makima_(chainsaw_man), copyright: chainsaw_man 2girls, mature female, red hair, long hair, braid, braided ponytail, sidelocks, yellow eyes, ringed eyes, white collared shirt, black necktie, black pants, bare feet, standing, facing viewer, from above, top-down view, looking down, short girl, lying on back, on floor, head tilted back, shorts, t-shirt, bare feet, bare legs, tired expression, jitome, half-closed eyes, groaning, open mouth, clenched teeth, wincing, tears, sweat, trembling, pain, blush, breathless, suffocating, stomping, foot on throat, foot on stomach, choking, brutal, violent, blood, motion lines, speech bubble, spoken_heart, hopelessness, dim room, single light source The camera hangs directly overhead, looking straight down at the floor of a bare, dim room, and the whole image is built on that vertical axis. The red-haired woman stands planted over the girl, and because the view is top-down and she faces the viewer, the viewer looks straight down the length of her body: her face tips up toward the lens, yellow irises with their concentric rings fixed on the viewer, expression flat and patient, mouth a faint neutral line, not a hint of effort despite what her feet are doing. Her long red hair is gathered back into a heavy braid and drawn ponytail that lies over one shoulder and onto the floorboard behind her; the sidelocks fall loose along her temples and cast thin shadows across her cheeks. She wears a crisp white collared shirt, sleeves to the wrist and buttoned at the throat over a narrow black necktie, black trousers falling straight to her bare ankles; both feet are bare, and the viewer reads them from directly above. Her left foot is set flat across the girl's throat, the sole pressed down on the windpipe, the toes curled slightly for grip, the arch compressing the soft tissue visibly. Her right foot is planted deep into the girl's midriff, the sole sunk into the stomach's hollow, the skin around it dented and taut. Her weight is split between them, hips slightly off-center over the left foot, arms hanging loose at her sides, one hand casually open. The girl lies on her back across the floor, laid sideways to the viewer so her body reads as a horizontal bar under the standing woman: head to the left of frame, hips to the right, legs drawn up and knees bent, one arm flung out against the floorboards with fingers weakly curled. She is short and slight, in a plain t-shirt rucked up where the right foot presses in and a pair of shorts, both bare feet visible at the edge of frame sole-up. Her head is tilted back and turned, chin pushed up by the pressure, mouth open in a groan with teeth clenched, tears squeezed out at the outer corners of her eyes and running sideways along her temples into her hair, sweat beading at her brow and upper lip; her eyes are half-lidded, staring up and past the standing woman, glassy and exhausted, breath gone shallow, lips going pale at the edges. A thin bracelet of red bloom sits at the base of her throat under the left foot. Her chest rises in a short, strained heave and fails. One jagged speech bubble floats beside her face with a tiny hand-drawn heart inside it, no words. The room is bare: scuffed floorboards, a seam running along the frame under the girl's spine, a baseboard crossing the top of the image, dust in the corners, the shadow of the standing woman cast straight down and slightly to one side so the two bodies merge into one dark shape at the floor. The single overhead light is directly above, cold and hard, so every upward-facing surface is picked out and every crevice under the feet goes black; the standing woman's shadow closes over the girl's chest and face. Palette is desaturated - dark red hair, white shirt, black tie and pants, pale grey floorboards, the girl's washed-out teal shirt, and the raw red at her throat as the only saturated note, with a few dark specks of blood on the boards. Detail budget goes to the two contact points, the curled toes, the dented fabric and the girl's face; the room stays spare. Brutal, airless.
V3zon
#Chainsaw Man#Makima
AI artwork
Avatar image of MegumIA
character: higashiyama_kobeni, makima_(chainsaw_man), chainsaw_man_(character), copyright: chainsaw_man 2girls, higashiyama kobeni, makima \(chainsaw man\), breasts, medium breasts, blush, white collared shirt, long sleeves, black necktie, black pants, closed mouth, sitting, brown hair, red hair, braided ponytail, asymmetrical hair, braid, single sidelock, sidelocks, hair ornament, hairclip, brown eyes, ringed yellow eyes, mole under eye, mole under mouth, shoes, socks, barefoot, one girl barefoot, hand up, hands up, collar tug, removing shoes, holding another's foot, foot out of frame, feet, toes, toenails, pink soles, soles, foot focus, sweatdrop, nervous, embarrassed, knees together feet apart, legs together, eyelashes, indoors, blurry background, depth of field, pov, shadow, manga-styled rendering, colored, hyperrealistic, ultra-realistic, hyper-detailed, very shiny skin, very shiny soles, looking at another, leaning forward, from above, pov The camera is a first-person point of view looking down from standing height into a narrow genkan entry hall, tilted slightly so both seated girls sit below the lens with their faces turned up toward the viewer; the front door is shut behind them at the top of the frame and the wooden floor fills the lower third. Makima with long wavy red hair in a braided ponytail, ringed yellow eyes, a single long sidelock sweeping down her right cheek and two moles under her left eye and under the corner of her mouth, sits on the raised step edge with her weight on her right hip, knees pressed together and ankles apart, her black-panted legs folded to one side, both soles turned up toward the lens so her pink soles catch the overhead light in a glossy sheen. Her right hand is raised to her collar, two fingers hooked under the knot of her black necktie and tugging it loose, her white collared shirt pulling open at the throat with the long sleeves cuffed and her chest rising under the cloth; her left hand closed gently around the heel of the other girl's bare foot, thumb across the arch. Kobeni at her left sits lower on the floorboards, brown hair in a short braided ponytail with asymmetrical side-swept bangs, one clip at her temple, brown eyes wide and flicking sideways toward Makima's hand on her foot, closed mouth pressed into a nervous line, heavy blush across her cheeks, one large sweatdrop beading at her right temple; her loose white shirt is untucked and wrinkled and her long sleeve is bunched to her elbow, black pants creased. Her barefoot leg is lifted across Makima's lap fully unshod, the toes curled and the toenails catching light, while her other leg is bent under her so that foot falls outside the image boundary — its knee still in frame — and her shoes sit kicked off to one side of the hall, one tipped over, a pair of socks pulled from her heel and dropped beside them. Light comes from a single ceiling fixture directly above: it pools on the shiny tops of both girls' skin, on the moist pink soles angled toward the camera, and leaves their faces and the hall around them in soft shadow; the background behind their shoulders falls into a blurred wash of a dim corridor with only an illegible dark shape at the far wall, shallow depth of field keeping the soles and the tugging hand razor sharp. Palette is constrained to white shirt fabric, black pants and necktie, red and brown hair, warm pink skin highlights and the honeyed amber of the floor, nothing else admitted. The lifted foot's toes curl and its arch wrinkles against Makima's palm, and the shoe on the floor lies on its side where it fell, its shadow sharp on the boards. Quiet nervous heat.
MegumIA
#zetaCollab#Chainsaw Man#Kobeni Higashiyama

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リオ
3#Puella Magi Madoka Magica#Madoka Kaname#Puella Magi Madoka Magica
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