Notice: PixAI iOS App Temporarily Unavailable on the App Store — Dear PixAI users, The PixAI iOS app is currently unavailable for search and download on the App Store. We are actively w…
View details
Brüste, Erröten
Wettbewerbseinreichung
PixAI × zeta Original Character Creation Contest 2026 #zetaCollab
Parameter anzeigen
- Ursprünglicher Prompt
- 1 girl, Christian, Christian dress, Christian outfit, nun headwear, cleavage cutout, chest curtain, pelvic curtain, praying, stockings, gloves, flushed face, tears, ballet flats, sexy clothes
- Modus
- flash
- Größe
- 1104 x 1824
Prompt-Assistent
Verwendetes Modell und LoRA
Ähnliche Bilder
Mehr anzeigen
kk
1boy, solo, femboy, feminine boy, youthful delicate features, short soft ash-blond hair with a pale underlayer, tear-filled amber eyes, wet eyelashes, tear tracks down both cheeks, flushed face, deep red blush across cheeks and nose, nun headwear, white coif, black veil, nun habit, christian dress, black and white nun outfit, white coif framing the face, black veil draped over the shoulders, cleavage cutout, chest curtain, white fabric curtain panel hanging in the chest opening, pelvic curtain, white pelvic curtain panel over the lap, praying, hands clasped in prayer, fingers interlaced, white gloves, white stockings, ballet flats, black ballet flats, small visible bulge, kneeling, seiza, on both knees, back straight, from above, three-quarter view, close-up, bowed head, eyes cast down at clasped hands, trembling lower lip, chapel interior, wooden pew, candlelight, single candle flame, warm gold key light, dark stone shadows, quiet devotion, fragile
The camera looks down from slightly above and behind the near shoulder, three-quarter from the front-left: one lone feminine boy kneels in seiza on the stone floor of a small chapel, spine straight, both knees bearing his weight, toes tucked under, the black ballet flats peeking out behind his calves with the white stockings drawn taut over his ankles and the fine ribbing visible at the top of each calf. His head is bowed so the white coif sits forward over his brow, its stiff edge pressing a pale line into his forehead, and the black veil falls from the crown of the coif down over both shoulders to pool in a soft fold on the floor behind him. The white-and-black nun habit closes at the throat and opens in a wide cutout across the chest, and inside that opening a vertical white curtain panel hangs flat and unstirred, its hem lying across the bare skin below the collarbones; lower down a second white panel, the pelvic curtain, drops from the waist over the lap and spreads between his knees, hiding nothing of the small bulge that presses forward against the white cloth at the front of his hips. His gloved hands are clasped at chest height in prayer, white-gloved fingers laced, the thumbs crossed, knuckles blanched where he presses them together; his chin nearly touches the tips of his fingers. Tears stand in his lower lids and two wet tracks run down each cheek, catching the light, and the flush sits hot and uneven from cheekbone to ear. The only light is a small candle burning on the pew rail at his right; it strikes the right side of his face, the wet tear tracks and the white curtain at his chest, and throws his left side into deep stone darkness, the flame's glow too weak to lift the far end of the aisle. The candle flame leans very slightly, drawn toward the draught of the open chapel door, and the veil's edge stirs in the same direction while the curtain panels stay perfectly still. The palette holds to black, white, warm candle-gold and the flushed red of his face, nothing else admitted. Intimate, aching.
Killer King
kk
1boy, solo, femboy, feminine boy, youthful delicate features, short soft ash-blond hair with a pale underlayer, tear-filled amber eyes, wet eyelashes, tear tracks down both cheeks, flushed face, deep red blush across cheeks and nose, nun headwear, white coif, black veil, nun habit, christian dress, black and white nun outfit, white coif framing the face, black veil draped over the shoulders, cleavage cutout, chest curtain, white fabric curtain panel hanging in the chest opening, pelvic curtain, white pelvic curtain panel over the lap, praying, hands clasped in prayer, fingers interlaced, white gloves, white stockings, ballet flats, black ballet flats, small visible bulge, kneeling, seiza, on both knees, back straight, from above, three-quarter view, close-up, bowed head, eyes cast down at clasped hands, trembling lower lip, chapel interior, wooden pew, candlelight, single candle flame, warm gold key light, dark stone shadows, quiet devotion, fragile
The camera looks down from slightly above and behind the near shoulder, three-quarter from the front-left: one lone feminine boy kneels in seiza on the stone floor of a small chapel, spine straight, both knees bearing his weight, toes tucked under, the black ballet flats peeking out behind his calves with the white stockings drawn taut over his ankles and the fine ribbing visible at the top of each calf. His head is bowed so the white coif sits forward over his brow, its stiff edge pressing a pale line into his forehead, and the black veil falls from the crown of the coif down over both shoulders to pool in a soft fold on the floor behind him. The white-and-black nun habit closes at the throat and opens in a wide cutout across the chest, and inside that opening a vertical white curtain panel hangs flat and unstirred, its hem lying across the bare skin below the collarbones; lower down a second white panel, the pelvic curtain, drops from the waist over the lap and spreads between his knees, hiding nothing of the small bulge that presses forward against the white cloth at the front of his hips. His gloved hands are clasped at chest height in prayer, white-gloved fingers laced, the thumbs crossed, knuckles blanched where he presses them together; his chin nearly touches the tips of his fingers. Tears stand in his lower lids and two wet tracks run down each cheek, catching the light, and the flush sits hot and uneven from cheekbone to ear. The only light is a small candle burning on the pew rail at his right; it strikes the right side of his face, the wet tear tracks and the white curtain at his chest, and throws his left side into deep stone darkness, the flame's glow too weak to lift the far end of the aisle. The candle flame leans very slightly, drawn toward the draught of the open chapel door, and the veil's edge stirs in the same direction while the curtain panels stay perfectly still. The palette holds to black, white, warm candle-gold and the flushed red of his face, nothing else admitted. Intimate, aching.
Killer King
kk
1boy, solo, femboy, feminine boy, youthful delicate features, short soft ash-blond hair with a pale underlayer, tear-filled amber eyes, wet eyelashes, tear tracks down both cheeks, flushed face, deep red blush across cheeks and nose, nun headwear, white coif, black veil, nun habit, christian dress, black and white nun outfit, white coif framing the face, black veil draped over the shoulders, cleavage cutout, chest curtain, white fabric curtain panel hanging in the chest opening, pelvic curtain, white pelvic curtain panel over the lap, praying, hands clasped in prayer, fingers interlaced, white gloves, white stockings, ballet flats, black ballet flats, small visible bulge, kneeling, seiza, on both knees, back straight, from above, three-quarter view, close-up, bowed head, eyes cast down at clasped hands, trembling lower lip, chapel interior, wooden pew, candlelight, single candle flame, warm gold key light, dark stone shadows, quiet devotion, fragile
The camera looks down from slightly above and behind the near shoulder, three-quarter from the front-left: one lone feminine boy kneels in seiza on the stone floor of a small chapel, spine straight, both knees bearing his weight, toes tucked under, the black ballet flats peeking out behind his calves with the white stockings drawn taut over his ankles and the fine ribbing visible at the top of each calf. His head is bowed so the white coif sits forward over his brow, its stiff edge pressing a pale line into his forehead, and the black veil falls from the crown of the coif down over both shoulders to pool in a soft fold on the floor behind him. The white-and-black nun habit closes at the throat and opens in a wide cutout across the chest, and inside that opening a vertical white curtain panel hangs flat and unstirred, its hem lying across the bare skin below the collarbones; lower down a second white panel, the pelvic curtain, drops from the waist over the lap and spreads between his knees, hiding nothing of the small bulge that presses forward against the white cloth at the front of his hips. His gloved hands are clasped at chest height in prayer, white-gloved fingers laced, the thumbs crossed, knuckles blanched where he presses them together; his chin nearly touches the tips of his fingers. Tears stand in his lower lids and two wet tracks run down each cheek, catching the light, and the flush sits hot and uneven from cheekbone to ear. The only light is a small candle burning on the pew rail at his right; it strikes the right side of his face, the wet tear tracks and the white curtain at his chest, and throws his left side into deep stone darkness, the flame's glow too weak to lift the far end of the aisle. The candle flame leans very slightly, drawn toward the draught of the open chapel door, and the veil's edge stirs in the same direction while the curtain panels stay perfectly still. The palette holds to black, white, warm candle-gold and the flushed red of his face, nothing else admitted. Intimate, aching.
Killer King
kk
1boy, solo, femboy, feminine boy, youthful delicate features, short soft ash-blond hair with a pale underlayer, tear-filled amber eyes, wet eyelashes, tear tracks down both cheeks, flushed face, deep red blush across cheeks and nose, nun headwear, white coif, black veil, nun habit, christian dress, black and white nun outfit, white coif framing the face, black veil draped over the shoulders, cleavage cutout, chest curtain, white fabric curtain panel hanging in the chest opening, pelvic curtain, white pelvic curtain panel over the lap, praying, hands clasped in prayer, fingers interlaced, white gloves, white stockings, ballet flats, black ballet flats, small visible bulge, kneeling, seiza, on both knees, back straight, from above, three-quarter view, close-up, bowed head, eyes cast down at clasped hands, trembling lower lip, chapel interior, wooden pew, candlelight, single candle flame, warm gold key light, dark stone shadows, quiet devotion, fragile
The camera looks down from slightly above and behind the near shoulder, three-quarter from the front-left: one lone feminine boy kneels in seiza on the stone floor of a small chapel, spine straight, both knees bearing his weight, toes tucked under, the black ballet flats peeking out behind his calves with the white stockings drawn taut over his ankles and the fine ribbing visible at the top of each calf. His head is bowed so the white coif sits forward over his brow, its stiff edge pressing a pale line into his forehead, and the black veil falls from the crown of the coif down over both shoulders to pool in a soft fold on the floor behind him. The white-and-black nun habit closes at the throat and opens in a wide cutout across the chest, and inside that opening a vertical white curtain panel hangs flat and unstirred, its hem lying across the bare skin below the collarbones; lower down a second white panel, the pelvic curtain, drops from the waist over the lap and spreads between his knees, hiding nothing of the small bulge that presses forward against the white cloth at the front of his hips. His gloved hands are clasped at chest height in prayer, white-gloved fingers laced, the thumbs crossed, knuckles blanched where he presses them together; his chin nearly touches the tips of his fingers. Tears stand in his lower lids and two wet tracks run down each cheek, catching the light, and the flush sits hot and uneven from cheekbone to ear. The only light is a small candle burning on the pew rail at his right; it strikes the right side of his face, the wet tear tracks and the white curtain at his chest, and throws his left side into deep stone darkness, the flame's glow too weak to lift the far end of the aisle. The candle flame leans very slightly, drawn toward the draught of the open chapel door, and the veil's edge stirs in the same direction while the curtain panels stay perfectly still. The palette holds to black, white, warm candle-gold and the flushed red of his face, nothing else admitted. Intimate, aching.
Killer King
Empfohlene Benutzer
Werden dir gefallen
🖤🍴🩸
(mai)
detective anya and bond (˶>⩊<˶)
^( aricat )^
⋆⁺₊⋆🪞🕯️⋆⁺₊⋆
(mai)
Love live! School idol maid - Hanayo koizumi
AMnatsu
character: tenma_tsukasa
"", , , digital illustration, cel shading, iridescent palette, pastel aesthetic, pastel colors, soft gradients, subtle color shifts, "painterly semi-realistic anime: faceted torn-glass shading, loose linework, warm golden rim light, lens-flare/prism edges, jewel or earthy palette, large gradient eyes, ornate vintage costuming, dynamic off-balance poses.", pastel_candy_style, dreamy pastel anime illustration, delicate soft lineart, luminous glossy eyes, gentle glowing lighting, glossy hair highlights, intricate frills and decorative details, tenma tsukasa, sitting on a pile of stars with a high angle, one hand over his eye, light reflecting off his face. darkness below but harsh light up ahead, hair swept back, looking up, side high angle, star theme, Tenma tsukasa looking up, dark themes""
Kani x
yoimiya!
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
character: kagamine_rin, copyright: vocaloid
lumiglaze_pastel_opal_painting, beautiful colors, magical lighting, hnyst01 anime illustration style, masterpiece, best quality, ultra-detailed, delicate illustration, detailed illustration, anime illustration, Kagamine Rin, VOCALOID, solo, side profile portrait, close-up composition, eyes gently closed, peaceful expression, listening to music, short golden blonde hair, distinctive white hair bow, delicate facial features, black and white sailor collar, futuristic headphones, a large compact disc perfectly aligned with the headphone earcup, the CD itself visually functioning as the headphone earcup, circular CD rings surrounding her ear, iridescent reflective disc surface, concentric circles framing her face, face occupying most of the composition, head slightly tilted downward, hair softly framing her cheeks, vibrant yellow, golden orange, violet and hot pink color palette, Y2K music album cover design, retro futuristic CD packaging aesthetic, intricate geometric frames, transparent interface panels, thin circuit-like lines, orbiting circular graphics, decorative typography, abstract music symbols, tiny stars and sparkling highlights, layered graphic elements overlapping the portrait, asymmetrical layout, crisp geometric details, dense decorative composition, square format
リオ
໒꒱· ﾟ◼️
生魚2(Raw Fish 2)
✦ ₊ ⊹ 🌑
(mai)
🎵Surtur
helanx
✦ ₊ 🪞 🗝️ 🫧 ₊ ✦
(mai)
음안
character: eren_yeager, mikasa_ackerman
character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬
Mine / 私のもの
みーちゃん
⋆𐙚 🎃 🫖 🍁 ✧
(mai)
![AI art "Ceres [41]"](https://images-ng.pixai.art/ji/thumb/0654320c-4126-41e2-b133-d4998b21982f)
Ceres [41]
snow
2
🩵🪽.⋆𝜗𝜚
生魚2(Raw Fish 2)
32
🌩️🐾(⸝⸝ᵕᴗᵕ⸝⸝)⛳️
(mai)
the queen
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
xd
Midnight Aesthetic: Monochrome Vibe
xDezi
The Empress of the Violet Abyss 👑💜
wisely
👻 💬 📂
(mai)
The Enchantress of the Violet Blossomsーシャンプー
moon221B
👁️🗨️🦇🗝️🕯️
(mai)
Halloween
生魚2(Raw Fish 2)
Kommentare